[The author] had a passion for art in all its aspects, but it was the new art of the movies that was his greatest inspiration as a critic. [This book] has long been recognized as the single most influential American book about movies. Witty, probing, lacerating his moral criticisms, eloquent in his admiration of filmmakers from Charlie Chaplin to John Huston, [the author] is a critic who engages the reader no matter what subject he is writing about.-Back cover.

A re-discovered masterpiece of reporting by a literary icon and a celebrated photographer In 1941, James Agee and Walker Evans published Let Us Now Praise Famous Men, a 400-page prose symphony about three tenant farming families in Hale County, Alabama, at the height of the Great Depression. The book shattered journalistic and literary conventions. Critic Lionel Trilling called it the “most realistic and most important moral effort of our American generation.” The origins of Agee and Evans’s famous collaboration date back to an assignment for Fortune magazine, which sent them to Alabama in the summer of 1936 to report a story that was never published. Some have assumed that Fortune’s editors shelved the story because of the unconventional style that marked Famous Men, and for years the original report was presumed lost. But fifty years after Agee’s death, a trove of his manuscripts turned out to include a typescript labeled “Cotton Tenants.” Once examined, the pages made it clear that Agee had in fact written a masterly, 30,000-word report for Fortune. Published here for the first time, and accompanied by thirty of Walker Evans’s historic photos, Cotton Tenants is an eloquent report of three families struggling through desperate times. Indeed, Agee’s dispatch remains relevant as one of the most honest explorations of poverty in America ever attempted and as a foundational document of long-form reporting. As the novelist Adam Haslett writes in an introduction, it is “a poet’s brief for the prosecution of economic and social injustice.”

A comprehensive collection of the American humorist’s best work—including “The Secret Life of Walter Mitty”—plus original drawings and a chronology of Thurber’s own troubled life James Thurber, whimsical fantasist and deadpan chronicler of everyday absurdities, brought American humor into the 20th century. His comic persona, a modern city-dweller whose zaniest flights of free association are tinged with anxiety, remains hilarious, subtly disturbing, and instantly recognizable. Here, in over 1,000 pages, editor Garrison Keillor presents the best and most extensive collection ever assembled. Pieces include “The Secret Life of Walter Mitty” and “The Catbird Seat,” the brilliantly satirical Fables for Our Time, the classic My Life and Hard Times, and the best of The Owl in the Attic, Let Your Mind Alone!, My World—And Welcome to It, and the other famous books. Plus 500 wonderful drawings, including The Seal in the Bedroom and celebrated sequences like “The Masculine Approach” and “The War Between Men and Women.” Rounding out the volume is a selection from The Years with Ross, a memoir of the New Yorker publisher, and a number of wonderful early pieces never collected by Thurber. Only a book of this scope can do justice to Thurber’s extraordinary career and to the many unexpected turns of his comic genius. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

“I’ll croak before I write ads or sell bonds—or do anything except write.” James Agee’s father died when he was just six years old, a loss immortalized in his Pulitzer Prize–winning novel, A Death in the Family. Three years later, Agee’s mother moved the mourning family from Knoxville, Tennessee, to the campus of St. Andrew’s, an Episcopal boarding school near Sewanee. There, Agee met Father James Harold Flye, who would become his history teacher. Though Agee was just ten, the two struck up an unlikely and enduring friendship, traveling Europe by bicycle and exchanging letters for thirty years, from Agee’s admission to Exeter Academy to his death at forty-five. The intimate letters, collected by Father Flye after Agee’s death, form the most intimate portrait of Agee available, a starkly revealing account of the internal and external life of a tortured twentieth-century genius. Agee candidly shares his struggles with depression, professional failure, and a tumultuous personal life that included three wives and four children. First published in 1962, Letters of James Agee to Father Flye followed the rediscovery of Agee’s Let Us Now Praise Famous Men and the posthumous publication of A Death in the Family, which won the 1958 Pulitzer Prize and became a hit Broadway play and film. The collection sold prolifically throughout the 1960s and ’70s in mass-market editions as a new generation of readers discovered the deep talents of the writer Dwight Macdonald called “the most broadly gifted writer of our American generation.”

An anthology that traces how Shakespeare has shaped American history and culture—featuring pieces by Founding Fathers, Orson Welles, and other noteworthy figures “The history of Shakespeare in America,” writes James Shapiro in his introduction to this groundbreaking anthology, “is also the history of America itself.” Shakespeare was a central, inescapable part of America’s literary inheritance, and a prism through which crucial American issues—revolution, slavery, war, social justice—were refracted and understood. In tracing the many surprising forms this influence took, Shapiro draws on many genres—poetry, fiction, essays, plays, memoirs, songs, speeches, letters, movie reviews, comedy routines—and on a remarkable range of American writers from Emerson, Melville, Lincoln, and Mark Twain to James Agee, John Berryman, Pauline Kael, and Cynthia Ozick. Americans of the revolutionary era ponder the question “to sign or not to sign;” Othello becomes the focal point of debates on race; the Astor Place riots, set off by a production of Macbeth, attest to the violent energies aroused by theatrical controversies; Jane Addams finds in King Lear a metaphor for American struggles between capital and labor. Orson Welles revolutionizes approaches to Shakespeare with his legendary productions of Macbeth and Julius Caesar; American actors from Charlotte Cushman and Ira Aldridge to John Barrymore, Paul Robeson, and Marlon Brando reimagine Shakespeare for each new era. The rich and tangled story of how Americans made Shakespeare their own is a literary and historical revelation. As a special feature, the book includes a foreword by Bill Clinton, among the latest in a long line of American presidents, including John Adams, John Quincy Adams, and Abraham Lincoln, who, as the collection demonstrates, have turned to Shakespeare’s plays for inspiration.

Abraham lincoln measured the promise—and cost—of American freedom in lucid and extraordinarily moving prose, famous for its native wit, simple dignity of expressions, and peculiarly American flavor. This volume, with its companion, Abraham Lincoln: Speeches and Writing 1859–1865, comprises the most comprehensive selection ever published. over 240 speeches, letters, and drafts take Lincoln from rural law practice to national prominence, and chart his emergence as an eloquent antislavery advocate and defender of the constitution. included are the complete Lincoln-Douglas debates, perhaps the most famous confrontation in American political history.

This Library of America volume brings together one of Henry James’s most unusual experiments and one of his most beloved masterpieces Writing to his friend William Dean Howells, Henry James characterized his experimental novel, The Sacred Fount, as the only one of his novels to be told in the first person, as “a fine flight into the high fantastic.” While traveling to the country house of Newmarch for a weekend party, the nameless narrator becomes obsessed with the idea that a person may become younger or cleverer by tapping the “sacred fount” of another person. Convinced that Grace Brissenden has become younger by drawing upon her husband, Guy, the narrator seeks to discover the source of the newfound wit of Gilbert Long, previously “a fine piece of human furniture.” His perplexing and ambiguous quest, and the varying reactions it provokes from the other guests, calls into question the imaginative inquiry central to James’s art of the novel. James described the essential idea of The Wings of the Dove as “a young person conscious of a great capacity for life, but early stricken and doomed, condemned to die under short respite, while also enamoured of the world.” The heroine, a wealthy young American heiress, Milly Theale (inspired by James’s beloved cousin Minny Temple), is slowly drawn into a trap set for her by the English adventuress Kate Croy and her lover, the journalist Morton Densher. The unexpected outcome of their mercenary scheme provides the resolution to a tragic story of love and betrayal, innocence and experience that has long been acknowledged as one of James’s supreme achievements as a novelist. This volume prints the New York Edition text of The Wings of the Dove, and includes the illuminating preface James wrote for that edition. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Abraham Lincoln was the greatest writer of the Civil War as well as its greatest political leader. His clear, beautiful, and at times uncompromisingly severe language forever shaped the nation’s understanding of its most terrible conflict. This volume, along with its companion, Abraham Lincoln: Speeches and Writings 1832–1858, comprises the most comprehensive selection ever published. Over 550 speeches, messages, proclamations, letters, and other writings—including the Inaugural and Gettysburg addresses and the moving condolence letter to Mrs. Bixby—record the words and deeds with which Lincoln defended, preserved, and redefined the Union.

For the 150th anniversary of the Emancipation Proclamation, here is a collection of writings that charts our nation’s long, heroic confrontation with its most poisonous evil. It’s an inspiring moral and political struggle whose evolution parallels the story of America itself. To advance their cause, the opponents of slavery employed every available literary form: fiction and poetry, essay and autobiography, sermons, pamphlets, speeches, hymns, plays, even children’s literature. This is the first anthology to take the full measure of a body of writing that spans nearly two centuries and, exceptionally for its time, embraced writers black and white, male and female. Benjamin Franklin, Thomas Paine, Phillis Wheatley, and Olaudah Equiano offer original, even revolutionary, eighteenth century responses to slavery. With the nineteenth century, an already diverse movement becomes even more varied: the impassioned rhetoric of Frederick Douglass and William Lloyd Garrison joins the fiction of Harriet Beecher Stowe, Louisa May Alcott, and William Wells Brown; memoirs of former slaves stand alongside protest poems by John Greenleaf Whittier, Henry Wadsworth Longfellow, and Lydia Sigourney; anonymous editorials complement speeches by statesmen such as Charles Sumner and Abraham Lincoln. Features helpful notes, a chronology of the antislavery movement, and a16-page color insert of illustrations. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Often compared to the works of E.E. Cummings and Elizabeth Bishop, these poems are a free-ranging exploration of outer and inner worlds, of nature and the human mind In celebration of the centenary of May Swenson’s birth, The Library of America presents a one-volume edition of all of the poems that Swenson published in her lifetime—from her first collection Another Animal (1954) to the innovative shaped poems of Iconographs (1970) to her final work In Other Words (1987)—as well as a selection of previously uncollected work. The collection reveals the sweeping compass of Swenson’s curiosity: nature poems display her keen observation of wildlife; exuberant and erotic love poems celebrate beauty and passion; place poems record her travels to the American Southwest, France, and Italy and her residence in New York City and Sea Cliff, Long Island; verse “analyses” investigate baseball, wave motion, the DNA molecule, bronco busting, James Bond movies, and the first walk on the moon. Swenson was an inveterate reviser: poems in earlier volumes were frequently reworked for inclusion in later volumes, such as To Mix with Time (1963) and New and Selected Things Taking Place (1978). While preserving the order of publication, this volume presents the author’s final or definitive version. Substantive textual variants and title changes are detailed in the notes to the volume. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.