From the "astounding" (Entertainment Weekly), "spectacularly evocative" (The Atlantic), and "brilliant" (Los Angeles Times) author of the New York Times bestsellers The Recovering and The Empathy Exams comes a return to the essay form in this expansive book. With the virtuosic synthesis of memoir, criticism, and journalism for which Leslie Jamison has been so widely acclaimed, the fourteen essays in Make It Scream, Make It Burn explore the oceanic depths of longing and the reverberations of obsession. Among Jamison's subjects are 52 Blue, deemed "the loneliest whale in the world"; the eerie past-life memories of children; the devoted citizens of an online world called Second Life; the haunted landscape of the Sri Lankan Civil War; and an entire museum dedicated to the relics of broken relationships. Jamison follows these examinations to more personal reckonings -- with elusive men and ruptured romances, with marriage and maternity -- in essays about eloping in Las Vegas, becoming a stepmother, and giving birth. Often compared to Joan Didion and Susan Sontag, and widely considered one of the defining voices of her generation, Jamison interrogates her own life with the same nuance and rigor she brings to her subjects. The result is a provocative reminder of the joy and sustenance that can be found in the unlikeliest of circumstances. Finalist for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay One of the fall's most anticipated books: Time, Entertainment Weekly, O, Oprah Magazine, Boston Globe, Newsweek, Esquire, Seattle Times, Baltimore Sun, BuzzFeed, BookPage, The Millions, Marie Claire, Good Housekeeping, Minneapolis Star Tribune, Lit Hub, Women's Day, AV Club, Nylon, Bustle, Goop, Goodreads, Book Riot, Yahoo! Lifestyle, Pacific Standard, The Week, and Romper.

From personal loss to phantom diseases, The Empathy Exams is a bold and brilliant collection, winner of the Graywolf Press Nonfiction Prize A Publishers Weekly Top Ten Essay Collection of Spring 2014 Beginning with her experience as a medical actor who was paid to act out symptoms for medical students to diagnose, Leslie Jamison's visceral and revealing essays ask essential questions about our basic understanding of others: How should we care about each other? How can we feel another's pain, especially when pain can be assumed, distorted, or performed? Is empathy a tool by which to test or even grade each other? By confronting pain—real and imagined, her own and others'—Jamison uncovers a personal and cultural urgency to feel. She draws from her own experiences of illness and bodily injury to engage in an exploration that extends far beyond her life, spanning wide-ranging territory—from poverty tourism to phantom diseases, street violence to reality television, illness to incarceration—in its search for a kind of sight shaped by humility and grace.

This small book, first published in 1926, is comprised of three lectures on the American Revolution considered as a Social Movement, which were delivered by renowned historian and author J. Franklin Jameson in November 1925 on the Louis Clark Vanuxem foundation. In the fourth and final chapter, Jameson sums up and provides thoughts in conclusion. Proving to be an influential publication, the book expresses themes that Jameson had been developing since the 1890s, and which reflected the “Progressive” historiography. It downplays ideas and political values and stresses that the Revolution was a fight over power among economic interest groups, especially as to who would rule at home. “This is a small but highly significant book by one of the first scholars of America...A truly notable book, this is, carefully organized, cut with a diamond point to a finish, studded with novel illustrative materials, gleaming with new illumination, serenely engaging in style, and sparingly garnished with genial humor.”—CHARLES A. BEARD “...stands as a landmark in recent American historiography, a slender but unmistakable signpost, pointing a new direction for historical research and interpretation...The influence of this little book with the long title has grown steadily...With the passage of a quarter-century, the book has achieved the standing of a minor classic. One will hardly find a textbook that does not paraphrase or quote Jameson’s words, borrow his illustrations, cite him in its bibliography.”—FREDERICK B. TOLLES in The American Historical Review “The scholarship is impeccable, the style is polished, and, above all, the outlook is broad and thoughtful...The author has a keen eye for relationships which might easily be neglected.”—ALLAN NEVINS

Now in paperback, Fredric Jameson’s most wide-ranging work seeks to crystalize a definition of ”postmodernism”. Jameson’s inquiry looks at the postmodern across a wide landscape, from “high” art to “low” from market ideology to architecture, from painting to “punk” film, from video art to literature.