Black theology has long been about oppression and liberation. But is there a different story to tell? Can the black story be one about a quest for flourishing through agency and self-determination and not only an existence of nihilistic struggle? Drawing on a fresh reading of Jeremiah’s letter to Jewish exiles, and his own Pentecostal tradition, Joe Aldred offers a fresh understanding of the Black British experience which draws on a realised eschatology rooted in identity, empowerment and an agenda. In a contested diasporan context in the shadow of empire there exists opportunity to fully flourish without apology – or as Jeremiah puts it to those in exile, to ‘settle, build and grow'.

This book is designed to challenge dominant educational discourses on the underachievement of Black children and to engender new understandings in initial teacher education (ITE) about Black children's education and achievement. Based in empirical case study work and theoretical insights drawn from Bourdieu, hooks, Freire, and Giroux, Maylor calls for Black children’s underachievement to be (re)theorised and (re)conceptualised within teacher education, and for students and teachers to become more "race"- and "difference"-minded in their practice.

In "Reggae Wisdom: Proverbs in Jamaican Music" Swami Anand Prahlad looks at the contexts and origins of these proverbs, using them as a cultural sheet music toward understanding the history of Jamaican culture, Rastafari religion, and the music that isthat culture's worldwide voice.

The language of Jamaican popular culture—its folklore, idioms, music, poetry, song—even when written is based on a tradition of sound, an orality that has often been denigrated as not worthy of serious study. In Noises in the Blood, Carolyn Cooper critically examines the dismissed discourse of Jamaica’s vibrant popular culture and reclaims these cultural forms, both oral and textual, from an undeserved neglect. Cooper’s exploration of Jamaican popular culture covers a wide range of topics, including Bob Marley’s lyrics, the performance poetry of Louise Bennett, Mikey Smith, and Jean Binta Breeze, Michael Thelwell’s novelization of The Harder They Come, the Sistren Theater Collective’s Lionheart Gal, and the vitality of the Jamaican DJ culture. Her analysis of this cultural "noise" conveys the powerful and evocative content of these writers and performers and emphasizes their contribution to an undervalued Caribbean identity. Making the connection between this orality, the feminized Jamaican "mother tongue," and the characterization of this culture as low or coarse or vulgar, she incorporates issues of gender into her postcolonial perspective. Cooper powerfully argues that these contemporary vernacular forms must be recognized as genuine expressions of Jamaican culture and as expressions of resistance to marginalization, racism, and sexism. With its focus on the continuum of oral/textual performance in Jamaican culture, Noises in the Blood, vividly and stylishly written, offers a distinctive approach to Caribbean cultural studies.

An ethnography of Dancehall, the dominant form of reggae music in Jamica since the early 1960s.

“A rich and compelling collection that will make a significant contribution to the study of Jamaican/West Indian/black folklore and culture” –Daryl Cumber Dance, Virginia Commonwealth University “A fantastic collection from the rich storehouse of Jamaican traditional oral literature” –Rex Nettleford, University of the West Indies, Kingston, Jamaica “A Wealth of Information…. The author carries the presentation of the proverbs/sayings to the level of socio-anthropological significance” –E. Valerie Smith, Florida A&M University In 1992, Jamaicans throughout the world celebrate the thirtieth anniversary of Jamaica’s formal independence from Britain this collection of Creole sayings contributes to the lively interest in cultural preservation which exists this year in anticipation of the event. The sayings, an archive of the wit and wisdom of many generations, aim to trigger reflection and thought. They are never fully explained, and, says the author, “in the most extreme situation one might well need an entire week to ponder and think seriously” about their meaning. They exert pressure to conform to community standards, and they influence conduct in much the same way as religion does. Strong in imagery and often poetic, the maxims draw upon a variety of well-known flora, fauna, and real or imaginary creatures the anansi, for example, famous for “playin’ de fool fe ketch wise” (playing foolish in order to catch the wise), is regarded as a favorite hero in folklore. Creole, initially constructed as a coded language, employs a number of West African linguistic traditions. These Creole sayings, a valuable addition to the literature and ethnography of the Caribbean region, link Jamaican culture to its African past. They offer delightful reading to Latin American scholars, to students of comparative sociology and anthropology, and to the general public. G. Llewellyn Watson is professor of sociology at the University of Prince Edward Island, Charlottetowwn, Canada.