This book traces the origins, history, and memory of the Jalayirid dynasty, a family that succeeded the Mongol Ilkhans in Iran and Iraq in the 14th and early 15th centuries. The story of how the Jalayirids came to power is illustrative of the political dynamics that shaped much of the Mongol and post-Mongol period in the Middle East. The Jalayirid sultans sought to preserve the social and political order of the Ilkhanate, while claiming that they were the rightful heirs to the rulership of that order. Central to the Jalayirids' claims to the legacy of the Ilkhanate was their attempt to control the Ilkhanid heartland of Azarbayjan and its major city, Tabriz. Control of Azarbayjan meant control of a network of long-distance trade between China and the Latin West, which continued to be a source of economic prosperity through the 8th/14th century. Azarbayjan also represented the center of Ilkhanid court life, whether in the migration of the mobile court-camp of the ruler, or in the complexes of palatial, religious and civic buildings constructed around the city of Tabriz by members of the Ilkhanid royal family, as well as by members of the military and administrative elite.

This book traces the origins, history, and memory of the Jalayirid dynasty, a family that succeeded the Mongol Ilkhans in Iran and Iraq in the 14th and early 15th centuries. The story of how the Jalayirids came to power is illustrative of the political dynamics that shaped much of the Mongol and post-Mongol period in the Middle East. The Jalayirid sultans sought to preserve the social and political order of the Ilkhanate, while claiming that they were the rightful heirs to the rulership of that order. Central to the Jalayirids' claims to the legacy of the Ilkhanate was their attempt to control the Ilkhanid heartland of Azarbayjan and its major city, Tabriz. Control of Azarbayjan meant control of a network of long-distance trade between China and the Latin West, which continued to be a source of economic prosperity through the 8th/14th century. Azarbayjan also represented the center of Ilkhanid court life, whether in the migration of the mobile court-camp of the ruler, or in the complexes of palatial, religious and civic buildings constructed around the city of Tabriz by members of the Ilkhanid royal family, as well as by members of the military and administrative elite.

The five Diez albums in Berlin, acquired by Heinrich Friedrich von Diez in Constantinople around 1789, contain more than 400 figurative paintings, drawings, fragments, and calligraphic works originating for the most part from Ilkhanid, Jalayirid, and Timurid workshops. Gonnella, Weis and Rauch unite in this volume 21 essays that analyse their relation to their “parent” albums at the Topkapı Palace or examine specific works by reflecting upon their role in the larger history of book art in Iran. Other essays cover aspects such as the European and Chinese influence on Persianate art, aspects related to material and social culture, and the Ottoman interest in Persianate albums. This book marks an important contribution to the understanding of the development of illustrative imagery in the Persianate world and its later perception. Contributors are: Serpil Bağcı, Barbara Brend, Massumeh Farhad, Julia Gonnella, Claus-Peter Haase, Oliver Hahn, Robert Hillenbrand, Yuka Kadoi, Charles Melville, Gülru Necipoğlu, Bernard O'Kane, Filiz Ҫakır Phillip, Yves Porter, Julian Raby, Christoph Rauch, Simon Rettig, David J. Roxburgh, Karin Rührdanz, Zeren Tanındı, Lâle Uluç, Ching-Ling Wang, and Friederike Weis.

In Politics, Patronage and the Transmission of Knowledge in 13th – 15th Century Tabriz, an international group of specialists from different disciplines investigate the role of Tabriz as one of the foremost centres of learning, cultural productivity, and politics in post-Mongol Iran and the Middle East. While standard accounts of Islamicate history have long presented the 13th to 15th centuries as the bottom of the decline paradigm of old, the present volume demonstrates the vibrancy and originality of the intellectual and cultural production of this period by focusing on Tabriz among other capitals of the region. The volume particularly explores the transmission of knowledge and institutional and cultural patronage in the post-Mongol period. Contributors include Reuven Amitai, Nourane Ben Azzouna, Sheila Blair, Devin DeWeese, Joachim Gierlichs, Birgitt Hoffmann, Domenico Ingenito, Robert Morrison, Ertuğrul Ökten, Judith Pfeiffer, Johannes Preiser-Kapeller, F. Jamil Ragep, and Patrick Wing.

A new understanding of the transformation of Anatolia to a Muslim society in the thirteenth-fourteenth centuries based on previously unpublished sources.

Komaroff (curator of Islamic Art, Los Angeles County Museum of Art) and Carboni (curator of Islamic Art, Metropolitan Museum of Art) produced this fine catalog to accompany a major show of Ilkhanid (as the Mongol dynasty was called after conversion to Islam) art exhibited at the authors' museums in New York and Los Angeles in 2002-2003. Most of the manuscripts, metalwork, textiles, ceramics, and other finely decorated objects were created in Iran. Many objects are also included from the Yuan Dynasty in China, during which the Mongols ruled. Eight full-length essays are built around the objects of the exhibition and other works, all depicted in color. The essays describe the history, culture, courtly life, artistic exchanges, religious art, arts of the book, and creation of a new visual language. Distributed by Yale U. Press. Annotation copyrighted by Book News, Inc., Portland, OR

Shows and describes examples of Persian calligraphy, glass, tile, pottery, lacquer, books, paintings, jewelry, textiles, sculpture, and architecture

Examines the classical Islamic world through its greatest architectural sites and art treasures, providing examples of Islamic architecture, carpets and textiles, paintings, illuminated manuscripts, and calligraphy, and showing the evolution of their forms and styles.