Jackfish, The Vanishing Village tells the story of a woman unravelling from a traumatic past and her yearning for redemption. When her sister dies prematurely, Clemance-Marie Nadeau leaves her family and village behind, boarding a train bound for Sault Ste. Marie, where she falls under the spell of a charming stranger who promises her a life of adventure, and then holds her captive with her guilt and his threats of violence. Years later, when Clemance moves to the United States, she feels like an outsider, but Clemance is also in exile from herself. Discovering she is pregnant at the age of forty-two sets in motion a series of events that awakens a painful memory, long-buried in her embattled body, and so begins the long and sometimes harrowing journey back to her homeland, and to herself.

In October 2005 a conference honoring the contributions of Sinclair Lewis to Midwest and American culture and celebrating the friendship between Sinclair Lewis and Ida K. Compton was held at St. Cloud State University in St. Cloud, Minnesota. Sinclair Lewis would no doubt have been flattered, and perhaps a bit surprised by the breadth of this conference in his honor. The fact that scholars, writers, students and readers gathered to discuss his work and its broader influence would have pleased him. He would have learned that readers still found stimulus for serious thought in his writing, and that his works can serve as a springboard to discussion of today’s societal issues, some of which might surprise him considerably. The papers selected from the conference entitled The American Village in a Global Setting consider elements of Lewis’ world through today’s lens. In Part I, his version of community is compared to that documented in other ways, including architecture and television. Scholars address issues such as anti-Semitism, theocratic communities, the Irish, and outdoor life. In Part II, the concept of community is expanded to the visions of other authors including his contemporaries, such as Martha Ostenso, Josephine Donovan, and Willa Cather, as well as more recent writers. In Part III, today’s social and cultural issues in America are addressed, expressing the global and interdisciplinary intent of the conference. And, last, Part IV continues the global theme, addressing international communities and pedagogical philosophies through film and literature.

From the moment she holds her baby niece, Rose is on a mission. Terrified that her baby niece will fall victim to the sexual abuse rampant in the family, Rose tells us in her own warm, funny, down-to-earth voice, how she reluctantly agrees to join a therapy group, hoping she can find out how to prevent disaster and see that baby Jenny grows up unharmed. In the group, she meets new friends who will become like family: Josie, who "sees" the future; Tammy, with a suspicious bruise on her neck; good and steady Marg, whose father is threatening to burn down her apartment house; and sweet, grieving, spiritual Sally. Rose's own chronic problem, she confesses, is picking wrong men. Josie finds a small magazine picture of a little town in northern Ontario. She sees, with her second sight, a resort hotel to be built in this town and a sunnier life for the group. As they begin to take the first painful steps of emotional recovery, an intense fantasy about this unknown town and dream hotel becomes the secret life of the group. Deep friendships evolve as the women help one another through the roller coasters of their recovery process. Despite setbacks, they cling to their dream of moving up north and running their own hotel.

Secrets are toxic, and when they are buried deep beneath the surface they can take their toll. After years of abuse and strained relationships Aiken-Hall finds her way through the countless hardships thrown her way. When all there is left to do is give up, she kept going.

This book explores a relatively small, but interesting and anomalous, region of Alberta between the North Saskatchewan and the Battle Rivers. Ecological themes, such as climatic cycles, ground water availability, vegetation succession and the response of wildlife, and the impact of fires, shape the possibilities and provide the challenges to those who have called the region home or used its varied resources: Indians, Metis, and European immigrants.

_______________ 'Runcie has captured the truth about love ... he is the simple chronicler of English post-war life, using irony and understatement to lay bare the pathos of ordinary lives ... Beautifully done' - Sunday Telegraph 'A tender, intimate account of post-war England which left me both wistful and elated ... So engaging, so well-shaped and so unsparingly, generously truthful' - Jim Crace _______________ A moving family saga and wonderfully rich portrait of post-war Britain It is 1953 in Canvey Island. Len and Violet are at a dance. Violet's husband George sits and watches them sway and glide across the dance floor, his mind far away, trapped by a war that ended nearly ten years ago. Meanwhile, at home, a storm rages and Len's wife Lily and his young son Martin fight for their lives in the raging black torrent. The night ends in a tragedy that will reverberate through their lives. This poignant novel follows the family's fortunes from the austerity of the post-war years to Churchill's funeral, from Greenham Common to the onset of Thatcherism and beyond, eloquently capturing the very essence of a transforming England in the decades after the war. It is a triumph of understated emotion, a novel about growing up and growing old, about love, hope and reconciliation. _______________ 'Runcie's third novel is a funny, epic, moving story of Thameside folk ... a beautifully observed, tragi-comic work' - What's On 'Runcie writes with an excellent feeling for time and place, and, above all, the intensity of ordinary lives' - Choice

A love story inspired by The Age of Innocence, about a young man and woman thwarted by tradition and the fears of a world suddenly defined by tragedy Just as Nasr, a young man with a vibrant professional and social life in New York, begins to prepare for the arranged marriage he hopes will appease his Indian Muslim family and assure him a union as happy as his parents’, he starts to suspect that his true love has been within his reach his entire life. Nasr has known Jameela since they were children, and for nearly that long she has flouted the traditions her community holds dear. But now the rebellion that always made her seem dangerous suddenly makes him wonder if she might be his perfect match. Feeling increasingly trapped as his wedding date approaches, Nasr contemplates a drastic escape, but in the wake of 9/11, new fears and old prejudices threaten to stand between him and the promise of happiness. Current in its political themes and classic in its treatment of doomed love, The Groom to Have Been is a graceful and emotionally charged debut.

Titel ook in b68683, p. 144.