"Jackals and Arabs" (German: "Schakale und Araber") is a short story by Franz Kafka, written and published in 1917. The story was first published by Martin Buber in the German monthly "Der Jude". It appeared again in the collection "Ein Landarzt" ("A Country Doctor") in 1919.

Nonhuman figures are ubiquitous in the work of Franz Kafka, from his early stories down to his very last one. Despite their prominence throughout his oeuvre, Kafka’s animal representations have been considered first and foremost as mere allegories of intrahuman matters. In recent years, the allegorization of Kafka’s animals has been poetically dismissed by Kafka’s commentators and politically rejected by posthumanist scholars. Such critique, however, has yet to inspire either an overarching or an interdiscursive account. This book aims to fill this lacuna. Positing animal stories as a distinct and significant corpus within Kafka’s entire poetics, and closely examining them in dialogue with both literary and posthumanist analysis, Kafka’s Zoopoetics critically revisits animality, interspecies relations, and the very human-animal contradistinction in the writings of Franz Kafka. Kafka’s animals typically stand at the threshold between humanity and animality, fusing together human and nonhuman features. Among his liminal creatures we find a human transformed into vermin (in “The Metamorphosis”), an ape turned into a human being (in “A Report to an Academy”), talking jackals (in “Jackals and Arabs”), a philosophical dog (in “Researches of a Dog”), a contemplative mole-like creature (in “The Burrow”), and indiscernible beings (in “Josefine, the Singer or the Mouse People”). Depicting species boundaries as mutable and obscure, Kafka creates a fluid human-animal space, which can be described as “humanimal.” The constitution of a humanimal space radically undermines the stark barrier between human and other animals, dictated by the anthropocentric paradigm. Through denying animalistic elements in humans, and disavowing the agency of nonhuman animals, excluding them from social life, and neutralizing compassion for them, this barrier has been designed to regularize both humanity and animality. The contextualization of Kafka's animals within posthumanist theory engenders a post-anthropocentric arena, which is simultaneously both imagined and very real.

The Myth of Power and the Self brings together Walter Sokel's most significant essays on Kafka written over a period of thirty-one years, 1966-1997. Franz Kafka (1883-1924) has come to be one of the most influential writers of the twentieth century. The Myth of Power and the Self brings together Walter Sokel's most significant essays on Kafka written over a period of thirty-one years, 1966-1997. This volume begins with a discussion of Sokel's 1966 pamphlet on Kafka and a summary of his 1964 book, Tragik und Ironie (Tragedy and Irony), which has never been translated into English, and includes several essays published in English for the first time. Sokel places Kafka's writings in a very large cultural context by fusing Freudian and Expressionist perspectives and incorporating more theoretical approaches--linguistic theory, Gnosticism, and aspects of Derrida--into his synthesis. This superb collection of essays by one of the most qualified Kafka scholars today will bring new understanding to Kafka's work and will be of interest to literary critics, intellectual historians, and students and scholars of German literature and Kafka.

Runaway children who meet up with monsters. A giant talking bug. A secret world of mouse-people. The stories of Franz Kafka are wondrous and nightmarish, miraculous and scary. In My First Kafka, storyteller Matthue Roth and artist Rohan Daniel Eason adapt three Kafka stories into startling, creepy, fun stories for all ages. With My First Kafka, the master storyteller takes his rightful place alongside Maurice Sendak, Edward Gorey, and Lemony Snicket as a literary giant for all ages.

Including his most widely recognized short works, as well as two new stories, this translation of Franz Kafka’s writings illuminate one of the century’s most controversial writers. Translated by PEN translation award-winner Joachim Neugroschel, The Metamorphosis, In the Penal Colony, and Other Stories has garnered critical acclaim and is widely recognized as the preeminent English-language anthology of Kafka's stories. Neugroschel’s translation of Kafka's work has made this controversial and monumental writing accessible to a whole new generation. This classic collection of forty-one great short works—including such timeless pieces of modern fiction as "The Judgment" and "The Stoker"—now includes two new stories, "First Sorrow" and "The Hunger Artist."

Orientalism as self-critique rather than hegemonic discourse in works by Hofmannsthal, Musil, and Kafka. In recent years a debate has arisen on the applicability of postcolonial theory to the Austro-Hungarian Empire. Some have argued that Austria-Hungary's lack of overseas territories renders the concepts of colonialism and postcolonialism irrelevant, while others have cited the quasi-colonial attitudes of the Viennese elite towards the various "subject peoples" of the empire as a point of comparison. Imperial Messages applies postcolonial theory to works of orientalist fiction by Hugo von Hofmannsthal, Robert Musil, and Franz Kafka, all subjects of the empire, challenging Edward Said's notion that orientalism invariably acts in the ideological service of European colonialism.It argues that these Habsburg authors employ oriental motifs not to promulgate Western hegemony, but to engage in self-reflection and self-critique, including critique of the foundational concepts of orientalist discourse itself.By providing detailed textual analyses of canonical works of Austrian Modernism, including Hofmannsthal's "Tale of the 672nd Night," Musil's Young Törless, and Kafka's "In the Penal Colony," the book not only offers new postcolonial readings of these Austrian works, but also shows how they question the conventional postcolonial and post-Saidian view of orientalism as a purely hegemonic discourse. Robert Lemon is Associate Professor of German at the University of Oklahoma.

Welcome to the Essential Novelists book series, were we present to you the best works of remarkable authors. For this book, the literary critic August Nemo has chosen the two most important and meaningful novels of Franz Kafka which are The Metamorphosis and The Trial. Author Franz Kafka explored the human struggle for understanding and security in his novels such as Amerika, The Trial and The Castle. Novels selected for this book: - The Metamorphosis - The Trial This is one of many books in the series Essential Novelists. If you liked this book, look for the other titles in the series, we are sure you will like some of the authors.

In the middle of the First World War, the British War Cabinet approved and issued a statement in the form of a letter that encouraged the settlement of the Jewish people in Palestine. Signed by the Foreign Secretary Arthur Balfour, the Balfour Declaration remains one of the most important documents of the last hundred years. Jonathan Schneer explores the story behind the declaration and its unforeseen consequences that have shaped the modern world, placing it in context paying attention to the fascinating characters who conceived, opposed and plotted around it - among them Lloyd George, Lord Rothschild, T.E. Lawrence, Prince Faisal and Aubrey Herbert (the man who was 'Greenmantle'). The Balfour Declaration brings vividly to life the origins of one of the world's longest lasting and most damaging conflicts.

This is the first book about Kafka that uses the writer's medical records. Gillman explores the relation of the body to cultural myths, and brings a unique and fascinating perspective to Kafka's life and writings.