Over the winter of 1977-78, anyone within shouting distance of a two-mile stretch of Boston's Commonwealth Avenue - from Fenway Park to the trolley curve at Packard's Corner - found themselves pulled into the orbit of college hockey. The hottest ticket in a sports-mad city was Boston University's Terriers, a team so tough it was said they didn't have fans - they took hostages. Eschewing the usual recruiting pools in Canada, Jack Parker and his coaching staff assembled a squad that included three stars from nearby Charlestown, then known as the "armed robbery capital of America." Jack Parker's Wiseguys is the story of a high-flying, headline-dominating, national championship squad led by three future stars of the Miracle on Ice, the medal-round game the 1980 U.S. Olympic hockey team won against the heavily favored Soviet Union. Now retired, Parker is a thoughtful statesman for the sport, a revered figure who held the longest tenure of any coach in Boston sports history. But during the 1977-78 season, he was just five years into his reign - and only a decade or so older than his players. Fiery, mercurial, as tough as any of his tough guys, Parker and his team were to face the pressure-cooker expectations of four previous also-ran seasons, further heightened by barroom brawls, off-the-ice shenanigans, and the citywide shutdown caused by one of the biggest blizzards to ever hit the Northeast. This season was to be Parker's watershed, a roller-coaster ride of nail-biting victories and unimaginable tragedy, played out in increasingly strident headlines as his team opened the season with an unprecedented twenty-one straight wins. Only the second loss of the year eliminated the Terriers from their league playoffs and possibly from national contention; hours after the game Parker's wife died from cancer. The story of how the team responded - coming back to win the national championship a week after Parker buried his wife - makes a compelling tale for Boston sports fans and everyone else who feels a thrill of pride at America's unlikely win over the Soviet national team - a victory forged on Commonwealth Avenue in that bitter, beautiful winter of '78.

The story of one of the most outrageous national championship teams of the swashbuckling '70s

For the casual enthusiast and hockey fanatic alike comes a collection of essays and photographs celebrating the grit and dedication of hockey players to withstand injury and hardship to play the sport they love. Based on the author’s interviews with key figures and capturing the inside stories of superstars old and new, Hockey Strong is one of a kind: an exploration of the long, dangerous, and often arduous journey of an NHL player. Packed with intimate interviews, exclusive photographs, and iconic moments, it’s a beautifully designed celebration of one of the toughest sports in the world, and the hearts of the athletes who play it. Featuring figures like Kris Draper, Shjon Podein, Craig Berube, Joey Kocur, Rick Tocchet, Chris Nilan, and even the trainer for the 1980 Winter Olympics USA team, Todd Smith provides unprecedented access to the stories behind famous hits, injuries, and fights, while also revealing the human drive and brotherhood that propels such players forward. With a particular focus on the Original Six franchises of the NHL, Smith interviews players young and old from across North America, and illustrates hockey’s broad appeal to new and lifelong fans. Unique in its content and design, and appealing to all generations of fans, this is the perfect gift for both the passionate fanatic and the casual follower of hockey.

From the most popular routines and the most ingenious physical shtick to the snappiest wisecracks and the most biting satire of the last century, Make 'Em Laugh illuminates who we are as a nation by exploring what makes us laugh, and why. Authors Laurence Maslon and Michael Kantor draw on countless sources to chronicle the past century of American comedy and the geniuses who created and performed it-melding biography, American history, and a lotta laughs into an exuberant, important book. Each of the six chapters focuses a different style or archetype of comedy, from the slapstick pratfalls of Buster Keaton and Lucille Ball through the wiseguy put-downs of Groucho Marx and Larry David, to the incendiary bombshells of Mae West and Richard Pryor . And at every turn the significance of these comedians-smashing social boundaries, challenging the definition of good taste, speaking the truth to the powerful-is vividly tangible. Make 'Em Laugh is more than a compendium of American comic genius; it is a window onto the way comedy both reflects the world and changes it-one laugh at a time. Starting from the groundbreaking PBS series, the authors have gone deeper into the works and lives of America's great comic artists, with biographical portraits, archival materials, cultural overviews, and rare photos. Brilliantly illustrated, with insights (and jokes) from comedians, writers and producers, along with film, radio, television, and theater historians, Make 'Em Laugh is an indispensible, definitive book about comedy in America.

A hard-hitting, tour de force tale of the mob and the man who makes sure their rules are the only rules, by the American master of crime George V. Higgins. Jackie Cogan is an enforcer, and when the mob's rules get broken, Cogan is called in to take care of business. This time a high-stakes card game has been held up by an unknown gang of thugs. Calculating, ruthless, businesslike, and with a shrewd sense of other people's weaknesses, Cogan plies his trade, moving among a variety of hoods, hangers-on, and big-timers, tracking those responsible, and returning "law and order" to the lawless Boston underworld. Combining remarkable wit, crackling dialogue, and a singular ability to show criminal life as it is lived, George V. Higgins builds an incredible story of crime to an unforgettable climax.

A gritty, street-level tale of corruption, betrayal, revenge and redemption in the world of the South Boston Irish mob. Fresh out of prison, a former state trooper wrongly convicted, gets an offer he can't refuse: track down a safe stolen from and an upper-crust, old-money lawyer's office, and deliver the contents to Police Captain Conway Lilly. Trouble is, others are looking for it too, among them the head of the Boston mob with his psycho right-hand man, plus the lovely Wellesley girl turned private detective who is in way, way over her head and then there is the remorseless killer who will stop at nothing to achieve his goal.

The Negro baseball leagues were a thriving sporting and cultural institution for African Americans from their founding in 1920 until Jackie Robinson broke the color barrier in 1947. Rogosin's narrative pulls the veil off these "invisible men" and gives us a glorious chapter in American history.

In a bold rethinking of the Hollywood blacklist and McCarthyite America, Joseph Litvak reveals a political regime that did not end with the 1950s or even with the Cold War: a regime of compulsory sycophancy, in which the good citizen is an informer, ready to denounce anyone who will not play the part of the earnest, patriotic American. While many scholars have noted the anti-Semitism underlying the House Un-American Activities Committee’s (HUAC’s) anti-Communism, Litvak draws on the work of Theodor W. Adorno, Hannah Arendt, Alain Badiou, and Max Horkheimer to show how the committee conflated Jewishness with what he calls “comic cosmopolitanism,” an intolerably seductive happiness, centered in Hollywood and New York, in show business and intellectual circles. He maintains that HUAC took the comic irreverence of the “uncooperative” witnesses as a crime against an American identity based on self-repudiation and the willingness to “name names.” Litvak proposes that sycophancy was (and continues to be) the price exacted for assimilation into mainstream American culture, not just for Jews, but also for homosexuals, immigrants, and other groups deemed threatening to American rectitude. Litvak traces the outlines of comic cosmopolitanism in a series of performances in film and theater and before HUAC, performances by Jewish artists and intellectuals such as Zero Mostel, Judy Holliday, and Abraham Polonsky. At the same time, through an uncompromising analysis of work by informers including Jerome Robbins, Elia Kazan, and Budd Schulberg, he explains the triumph of a stoolpigeon culture that still thrives in the America of the early twenty-first century.

Award-winning author Laird Barron makes his crime fiction debut with a novel set in the underbelly of upstate New York that's as hardboiled and punchy as a swift right hook to the jaw--a classic noir for fans of James Ellroy and John D. Macdonald. Isaiah Coleridge is a mob enforcer in Alaska--he's tough, seen a lot, and dished out more. But when he forcibly ends the moneymaking scheme of a made man, he gets in the kind of trouble that can lead to a bullet behind the ear. Saved by the grace of his boss and exiled to upstate New York, Isaiah begins a new life, a quiet life without gunshots or explosions. Except a teenage girl disappears, and Isaiah isn't one to let that slip by. And delving into the underworld to track this missing girl will get him exactly the kind of notice he was warned to avoid.