Five exciting tales that epitomize Jack London's mastery of the adventure story: "The White Silence," "In a Far Country," "An Odyssey of the North," "The Seed of McCoy," and "The Mexican." Publisher's Note.

There is a woman in the state of Nevada to whom I once lied continuously, consistently, and shamelessly, for the matter of a couple of hours. I don't want to apologize to her. Far be it from me. But I do want to explain. Unfortunately, I do not know her name, much less her present address. If her eyes should chance upon these lines, I hope she will write to me. It was in Reno, Nevada, in the summer of 1892. Also, it was fair-time, and the town was filled with petty crooks and tin-horns, to say nothing of a vast and hungry horde of hoboes. It was the hungry hoboes that made the town a "hungry" town. They "battered" the back doors of the homes of the citizens until the back doors became unresponsive. A hard town for "scoffings," was what the hoboes called it at that time. I know that I missed many a meal, in spite of the fact that I could "throw my feet" with the next one when it came to "slamming a gate" for a "poke-out" or a "set-down," or hitting for a "light piece" on the street. Why, I was so hard put in that town, one day, that I gave the porter the slip and invaded the private car of some itinerant millionnaire.

A collection of adventure stories by Jack London.

A revelatory look at the life of the great American author—and how it shaped his most beloved works Jack London was born a working class, fatherless Californian in 1876. In his youth, he was a boundlessly energetic adventurer on the bustling West Coast—an oyster pirate, a hobo, a sailor, and a prospector by turns. He spent his brief life rapidly accumulating the experiences that would inform his acclaimed bestselling books The Call of theWild, White Fang, and The Sea-Wolf. The bare outlines of his story suggest a classic rags-to-riches tale, but London the man was plagued by contradictions. He chronicled nature at its most savage, but wept helplessly at the deaths of his favorite animals. At his peak the highest paid writer in the United States, he was nevertheless forced to work under constant pressure for money. An irrepressibly optimistic crusader for social justice and a lover of humanity, he was also subject to spells of bitter invective, especially as his health declined. Branded by shortsighted critics as little more than a hack who produced a couple of memorable dog stories, he left behind a voluminous literary legacy, much of it ripe for rediscovery. In Jack London: An American Life, the noted Jack London scholar Earle Labor explores the brilliant and complicated novelist lost behind the myth—at once a hard-living globe-trotter and a man alive with ideas, whose passion for seeking new worlds to explore never waned until the day he died. Returning London to his proper place in the American pantheon, Labor resurrects a major American novelist in his full fire and glory.

'The Call of the Wild' is the story of Buck, a domestic dog stolen, sold as a sled dog and forced to endure the brutal work and competition with the other dogs to be leader of the pack. 'White Fang' presents a similar story but in reverse as a wild wolf-dog mix is domesticated but faces great cruelty before finding a master.

-A middle grade biography of Jack London that sheds light on how he drew upon adventure and life experience to create works of literature---

A collection of Jack London popular science fiction short stories, includes "The Star Rover", "Before Adam" and "The Shadow and the Flash"

John Griffith "Jack" London (born John Griffith Chaney, 1876 - 1916 was an American author, journalist, and social activist. He was a pioneer in the then-burgeoning world of commercial magazine fiction and was one of the first fiction writers to obtain worldwide celebrity and a large fortune from his fiction alone. Some of his most famous works include The Call of the Wild and White Fang, both set in the Klondike Gold Rush, as well as the short stories "To Build a Fire," "An Odyssey of the North," and "Love of Life." He also wrote of the South Pacific in such stories as "The Pearls of Parlay" and "The Heathen," and of the San Francisco Bay area in The Sea Wolf. In this book: The Call of the Wild White Fang The Sea-Wolf

This Library of America volume of Jack London’s best-known work is filled with thrilling action, an intuitive feeling for animal life, and a sense of justice that often works itself out through violence. London enjoyed phenomenal popularity in his own time (which included the depressions of the 1890s and the beginnings of World War One), and he remains one of the most widely read of all American writers. The Call of the Wild (1903), perhaps the best novel ever written about animals, traces a dog’s sudden entry into the wild and the education necessary for his survival in the ways of the wolf pack. Like many of London’s stories, this one is inspired by the early deprivations of his own pathetically short life: the primitive conditions of life as an oyster pirate in San Francisco; the restless existence of a hobo; the isolation of a prison inmate; the exertion of a laborer in the Oakland slums; and the frustration of a failed prospector for gold in the Alaskan Klondike. White Fang (1906), in which a wolf-dog becomes domesticated out of love for a man, is apparently the reverse side of the process found in The Call of the Wild, yet for many readers its moments of greatest authenticity are those which suggest that, in actual practice, civilization is pretty much a dog’s life for everyone, of “hunting and being hunted, eating and being eaten, all in blindness and confusion, with violence and disorder, a chaos of gluttony.” Though London was a reader of Marx and Nietzsche and an avowed socialist, he doubted that socialism could ever be put into practice and was convinced of the necessity for a brutal individualism. He thought of The Sea-Wolf (1904), the story of Wolf Larsen and his crew of outcasts on the lawless Alaskan seas, as “an attack upon the superman philosophy,” but the Captain is far more memorable than any of the book’s civilized characters. London is an immensely exciting writer partly because the conflicts in his thinking tend to enhance rather than hinder the romantic and thrilling turns of his plots. The stories of the Klondike, which are based on his personal experiences and the stories of California, Mexico, and the South Seas, span the whole of London’s career as a writer. He is one of the great storytellers in American literature, and his politics, with all their passion and contradiction, come to life through the vigor and red-blooded energy of his prose. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.