After the boredom of retirement sets in, Jack Koza decides to embark on a new profession. He decides to become a Private Eye thinking that it might be fun to snoop around and get paid for it. He gets more than he bargained for when a beautiful Black Woman by the name of Denise Fine presents herself as a Federal Agent. She needs Jack to do some snooping for her, and when she shows him the money, ($50,000) Jack jumps on it like a ham sandwich. Soon enough, Jack finds that he has to infiltrate a new East Coast drug lord who is long on shrewdness and nastiness. Colombian and Mexican drug cartels also roil the water, and throughout the case Jack becomes more and more suspicious of the beautiful Federal Agent. Jack is cagey and foolhardy. Come join Jack as he and his mother-in-law, Missus Curdle, take on the drug lord Fat Back Daddy Ribs in a fast moving story that takes place in the Super Bowl Capital of the world, Pittsburgh. Oh, yeah. The beautiful agent, known in the hood as Pussy So Fine, doesn't turn out to be who she says she is. But Jack, a former Marine Corps Viet Nam veteran is up for the job. And so is his zany friends.

Roots of language was originally published in 1981 by Karoma Press (Ann Arbor). It was the first work to systematically develop a theory first suggested by Coelho in the late nineteenth century: that the creation of creole languages somehow reflected universal properties of language. The book also proposed that the same set of properties would be found to emerge in normal first-language acquisition and must have emerged in the original evolution of language. These proposals, some of which were elaborated in an article in Behavioral and Brain Sciences (1984), were immediately controversial and gave rise to a great deal of subsequent research in creoles, much of it aimed at rebutting the theory. The book also served to legitimize and stimulate research in language evolution, a topic regarded as off-limits by linguists for over a century. The present edition contains a foreword by the author bringing the theory up to date; a fuller exposition of many of its aspects can be found in the author's most recent work, More than nature needs (Harvard University Press, 2014).

A template for pranksters, artists, adventurers and anyone interested in rampant creativity, this is the history of the most influential underground cabal that has never been exposed by the mainstream media. Rising from the ashes of the mysterious and legendary Suicide Club, the Cacophony Society at its zenith hosted chapters in most major US cities and influenced much of what was once called the 'underground'. Packed with original art, never before published photographs, original documents and incredulous news stories this is an homage to the San Francisco group.

For several centuries Cape Town has accommodated a great variety of musical genres which have usually been associated with specific population groups living in and around the city. Musical styles and genres produced in Cape Town have therefore been assigned an "identity" which is first and foremost social. This volume tries to question the relationship established between musical styles and genres, and social - in this case pseudo-racial - identities. In Sounding the Cape, Denis-Constant Martin recomposes and examines through the theoretical prism of creolisation the history of music in Cape Town, deploying analytical tools borrowed from the most recent studies of identity configurations. He demonstrates that musical creation in the Mother City, and in South Africa, has always been nurtured by contacts, exchanges and innovations whatever the efforts made by racist powers to separate and divide people according to their origin. Musicians interviewed at the dawn of the 21st century confirm that mixture and blending characterise all Cape Town's musics. They also emphasise the importance of a rhythmic pattern particular to Cape Town, the ghoema beat, whose origins are obviously mixed. The study of music demonstrates that the history of Cape Town, and of South Africa as a whole, undeniably fostered creole societies. Yet, twenty years after the collapse of apartheid, these societies are still divided along lines that combine economic factors and "racial" categorisations. Martin concludes that, were music given a greater importance in educational and cultural policies, it could contribute to fighting these divisions and promote the notion of a nation that, in spite of the violence of racism and apartheid, has managed to invent a unique common culture.

CD contains the entire text of the five volume set.

A tell-all account of Studio Gainax, the creators of the classic anime Neon Genesis Evangelion. Yasuhiro Takeda, a member of the Gainax company since its inception, talks about everything from the untold stories of Eva to the Gainax tax evasion scandal that plagued its production. Including a series of stunning revelations, this history of Gainax is a must-read for any serious anime fan.

The Korean War has been termed "The Forgotten War" or the "Unknown War." It is a conflict which never assumed the mythic character of the American Civil War or World War II. However, this book asserts, it would be impossible to understand the Cold War and indeed post 1945 global history without knowledge of the Korean War. Providing a history of the Korean peninsula before the war and including a detailed analysis of the fighting itself, The Korean War goes beyond the battlefield to deal with the war in the air, ground attack, and air evacuation. The study also evaluates the contributions of the UN naval forces, the impact of the war on various homefronts and issues such as defectors, opposition to the war, racial segregation and integration, POWs and the media. Recently-released Soviet documents are used to assess the role of China, the Soviet Union, North and South Korea and the allied forces in the conflict. This fascinating work offers a unique analysis of the Korean War and will be invaluable to students of twentieth-century history, particularly those concerned with American and Pacific history.

Poetry. Juliana Spahr has lived in many places, including Chillicothe (Ohio), Buffalo (New York), Honolulu (Hawaii), and Brooklyn (New York). She has absorbed, participated in, and been transformed by the politics and ecologies of each. This book is about that process. THE TRANSFORMATION "tells a barely truthful story of the years 1997-2001," a story of flora and fauna, of continents, islands, academies, connective tissue, military and linguistic operations, and of that ever-present we, to name only a few. At once exhilarating, challenging, and humbling, THE TRANSFORMATION is a hefty book in its honesty and scope, a must-read.

In his Novels of the Change, New York Times bestselling author S.M. Stirling presents “a devastated, mystical world that will appeal to fans of traditional fantasy as well as post-apocalyptic SF.”* Continuing their quest that began in The Golden Princess, two future rulers of a world without technology risk their lives seeking a fabled blade… Reiko, Empress of Japan, has allied herself with Princess Órlaith, heir to the High Kingdom of Montival, to find the Kusanagi-no-Tsurugi, the Grass-Cutting Sword, a legendary treasure of an ancient dynasty that confers valor and victory to its bearer. Órlaith understands all too well the power it signifies. Her own inherited blade, the Sword of the Lady, was both a burden and a danger to her father, Rudi Mackenzie, as it failed to save the king from being assassinated. But the fabled sword lies deep with the Valley of Death, and the search will be far from easy. And war is building, in Montival and far beyond. As Órlaith and Reiko encounter danger and wonder, Órlaith’s mother, Queen Matildha, believes her daughter’s alliance and quest has endangered the entire realm. There are factions both within and without Montival whose loyalty died with the king, and whispers of treachery and war grow ever louder. And the Malevolence that underlies the enemy will bend all its forces to destroy them. *Publishers Weekly (starred review)