"Boet,"said Kevin, "there's a jazz somewhere down by the assembly hall where okes can do what they smaak, and I hear from reliable sources that it's lekker down there." Like most children of the 1970s and 1980s, Richard Poplak grew up obsessed with pop culture. Watching The Cosby Show, listening to Guns N'Roses, and quoting lines from Mad Max movies were part of his everyday life. But in Richard's country, South Africa, censorship in the newspapers, military training at school, and different rules for different races were also just a part of everyday life. It was, as Richard says, "a different kind of normal." Ja, No, Man articulates what it was like to live through Apartheid as a white, Jewish boy in suburban Johannesburg. Told with extraordinary humour and self-awareness, Richard's story brings his gradual understanding of the difference between his country and the rest of the world vividly to life. A startlingly original memoir that veers sharply from the quotidian to the bizarre and back again, Ja, No, Man is an enlightening, darkly hilarious, and, at times, disturbing read.

A boy is imprisoned by a witch and must tell her a new scary story each night to stay alive. This thrilling contemporary fantasy from J. A. White, the acclaimed author of the Thickety series, brings to life the magic and craft of storytelling. Alex’s original hair-raising tales are the only thing keeping the witch Natacha happy, but soon he’ll run out of pages to read from and be trapped forever. He’s loved scary stories his whole life, and he knows most don’t have a happily ever after. Now that Alex is trapped in a true terrifying tale, he’s desperate for a different ending—and a way out of this twisted place. This modern spin on the Scheherazade story is perfect for fans of Coraline and A Tale Dark and Grimm. With interwoven tips on writing with suspense, adding in plot twists, hooks, interior logic, and dealing with writer’s block, this is the ideal book for budding writers and all readers of delightfully just-dark-enough tales. * Summer 2018 Kids' Indie Next List * YALSA Best Fiction for Young Adults Nomination * 2019-2020 Florida Sunshine State Young Readers Award * 2020 Rhode Island Children's Book Award Nominee * Bank Street Best Children's Book of the Year 2019 (9-12) * 2020-2021 Missouri Association of School Librarians Truman Readers Award Preliminary Nominee * Texas Bluebonnet Award List 2020-2021 * South Carolina Junior Book Award Nominee (2021-2022) * Plus return to the world of Nightbooks—if you dare—with J. A. White's follow-up, Gravebooks!

Ja, No, Man is an eerily familiar portrayal of the life of an ordinary white South African growing up during Apartheid-era South Africa. Told with extraordinary humour and self-awareness, Poplak's story brings his gradual understanding of the difference between his country and the rest of the world vividly to life. A startlingly original memoir that veers sharply from the quotidian to the bizarre and back again, Ja, No, Man is an enlightening, darkly hilarious, and, at times, disturbing read.

A work of fantasy, I Who Have Never Known Men is the haunting and unforgettable account of a near future on a barren earth where women are kept in underground cages guarded by uniformed groups of men. It is narrated by the youngest of the women, the only one with no memory of what the world was like before the cages, who must teach herself, without books or sexual contact, the essential human emotions of longing, loving, learning, companionship, and dying. Part thriller, part mystery, I Who Have Never Known Men shows us the power of one person without memories to reinvent herself piece by piece, emotion by emotion, in the process teaching us much about what it means to be human.

In her U.S. debut, bestselling British novelist Green introduces an irresistible heroine who sets out to tackle attraction, addiction, and the meaning of true love.

First in a pulse-pounding new young adult SF series with a deadly psychological twist.

The first book from “a tireless champion of African history,” a novel that “challenged the theories that Blacks were inferior to whites” (New York Amsterdam News). Joel Augustus Roger’s seminal work from the Harlem Renaissance, this novel—first published in 1917—is a polemic against the ignorance that fuels racism. The central plot revolves around a train speeding to California, serviced by an African American porter named Dixon. On board is a United States senator from Oklahoma, a man obsessed by race who makes no attempts to hide his prejudice. Unable to sleep, the politician encounters Dixon in the smoking car, and thus ensues a debate about religion, science, and racial equality . . . “A bold discussion novel in which a cultured, well-travelled, black Pullman porter is drawn into a debate with a white passenger, a Southern senator, on the question of the superiority of the Anglo Saxon and the inferiority of the Negro.” —The Guardian “A genuine treasure. I still insist that From ‘Superman’ to Man is the greatest book ever written in English on the Negro by a Negro and I am glad to know that increasing thousands of black and white readers re-echo the high opinion of it which I had expressed some years ago.” —Hubert Henry Harrison “A stirring story, faithful to truth and helpful to a better understanding and feeling.” —Prof. George B. Foster, University of Chicago

New York Times bestselling author J. A. Redmerski brings us the breathtaking sequel to her novel The Edge of Never. When everything falls apart, love remains . . . The Edge of Always Camryn Bennett has never been happier. Five months after meeting on a Greyhound bus, she and her soul mate Andrew Parrish are engaged-and a wedding isn't the only special event in their future. Nervous but excited, Camryn can't wait to begin the rest of her life with Andrew, a man she knows in her heart will love her always. They have so much to look forward to-until tragedy blindsides them. Andrew doesn't understand how this could happen to them. He's trying to move on, and thought Camryn was doing the same. But when Andrew discovers Camryn is secretly harboring a mountain of pain and attempting to numb it in damaging ways, there is nothing he won't do to bring her back to life. Determined to prove that their love can survive anything, Andrew decides to take Camryn on a new journey filled with hope and passion. If only he can convince her to come along for the ride...

With Second Watch, New York Times bestselling author J. A. Jance delivers another thought-provoking novel of suspense starring Seattle investigator J. P. Beaumont. Second Watch shows Beaumont taking some time off to get knee replacement surgery, but instead of taking his mind off work, the operation plunges him into one of the most perplexing mysteries he's ever faced. His past collides with his present in this complex and thrilling story that explores loss and heartbreak, duty and honor, and, most importantly, the staggering cost of war and the debts we owe those who served in the Vietnam War, and those in uniform today.

What happens to our pop culture when it meets another culture head-on—especially one that according to some is completely at odds with our own? In The Sheikh's Batmobile, pop-cultural commentator Richard Poplak sets out on an unusual two-year odyssey. His mission is to see what becomes of his, and North America's, obsessions—pop songs and sitcoms, Hollywood movies and shoot-em-up video games, muscle cars and punk music—when they make their way into the Muslim world. Over the course of his journey, Poplak is body slammed by WWE fans in Afghanistan, hangs out with hip-hop artists in Palestine, head bangs to heavy metal in Cairo, discovers a world of extreme makeovers in Beirut, bowls with the chief of police in small-town Kazakhstan, and encounters a mysterious Texan building rocket-propelled batmobiles for a clientele of sheikhs. With uproarious humour and keen cultural insight, Poplak asks some vital questions: How is American pop culture consumed and reinterpreted in the Islamic world? What does that say about how we are viewed by young Muslims? And can Homer Simpson bridge the differences that are tearing our world apart?