Art of Rebellion 2 features an up to the minute international survey of street art, spotlighting dozens of new and unknown protagonists alongside many well-known and respected artists who have been at it for years. Since the publication of the first volume, there has been a surge in street art activity and a growing awareness of the art form in the public eye; this volume takes the reader on a lush visual journey through that artistic explosion and features tons of new work with original styles, techniques and intent.

The editors of Izastikup are prolific sticker creators and graffiti painters who have been swapping stickers with artists and collectors from all over the world for the last 10 years. Stickers are wallpapered on every inch of their Milan studio. Sticker-making and pasting on any space available has developed into a manic subculture that is becoming an integral part of todays graffiti culture, taking the street as a public space for free expression. The stickers of New York graffiti artists Cost and Revs reached a new generation with cryptic messages such as Real artists dont know theyre artists and Cost fucker Madonna. This book depicts the art movement that started in the streets, now recognized in galleries and museums as art. Featuring the worlds best street style artists including: Buff monster, Futura 2000, Obey The Giant, Shepard Fairey, Jeremy Fish, Honet, Miss Van, Space Invader, Banksy, and The London Police.

For ten years, New York's Alleged Gallery provided a breeding ground and played the role of willing accomplice to some of the most vibrant American art to come along in decades. By exhibiting the then emerging talents of Mark Gonzales, Chris Johanson, Rita Ackermann, Susan Cianciolo, Barry McGee, Margaret Kilgallen, Harmony Korine, Mike Mills, Ed Templeton, Thomas Campbell and Terry Richardson, much of Alleged's impact was due to a complete and utter disregard for the status quo. Using a potent blend of photographs, artworks and interviews with artists, photographers, filmmakers, musicians, collectors and other denizens of the era, Young Sleek and Full of Hell documents the glorious trials and tribulations of running an independent gallery in the final hours of the 20th century. The full list of the artists interviewed by Brendan Fowler in the book is as follows: Thomas Campbell, David Aron, Liz Goldwyn, Joey Garfield, Leo Fitzpatrick, Spike Jonze, Audrey "Rose" Bernstein, Kid America, Amy Gunther, Mike Mills, Jason Lee, Arik "Moonhawk" Roper, Carlo McCormick, Shelter Serra, Kim Hastreiter, Andre Razo, Chris Pastras, Lila Lee, Athena Razo, Joshua Wildman, Brian Degraw, Chris Habib, Julia Gandelsonas, Bill Powers, Sasha Hirschfeld, Susan Cianciolo, Shayla Hason, Ari Marcopoulos, Cynthia Connolly, Adam Glickman, Michele Lockwood, Terry Richardson, Barry McGee, Phil Frost, Tobin Yelland, Craig R. Stacyk II, Jess Holzworth, Marcellus Hall, Ashley Macomber, Tatiana von Furstenberg, Stefano Giovannini, Adam Wallacavage, Rita Ackermann, Erin Krause, Chan Marshall, Stephen Powers, David Hershkovits; Thurstone Moore, Chris Johanson, Janice Gaffney, Ed Templeton, Hugh Gallagher, Harmony Korine, Andy Jenkins, Ryan McGinley, Cheryl Dunn, Simone Shubuck, Shepard Fairey, Andrew Jeffrey Wright, Lee Ranaldo, Seth Hodes, Bruce Labruce, Brendan Fowler, Dakota Goldhor, Beata Hendricks, Ivory Serra, Susanna Howe, Mai-Thu Perret, Christian Strike, Chloe Sevigny, Oliver Zaham and Clare Crespo.

Estevan Oriol is hailed as the eye of the new wave Latino aesthetic. Coming up from the streets and the Hip Hop scene, his rough and ready images of his neighborhood homies caught the attention of major media and music players. Oriol has since been commissioned by Nike and Cadillac, as well as directing music videos for Eminem, Linkin Park, D12 and Xzibit. He began taking pictures of his neighborhood and low-rider culture and soon discovered his incredible talent for capturing raw street life. He is now one of the most sought after photographers in the urban community.

This richly illustrated reference work on street art presents artists, trends, techniques, practice settings and current debates around the subject.

An iconic collection of street art and street photography as exhibited in Rome, the Eternal City.

There are teenage smokers and drinkers. There are those whose despondence is clearly evident as they confront the camera with vacant eyes. This, quite simply put, is The Golden Age of Neglect a classic example of Ed Templetons work which is deeply anchored in street life and street style, rock, punk, and rap, and the graphic culture of wall paintings, murals, tags, and graffiti A fixture of the Los Angeles skateboarding scene, Ed Templeton has been producing photographs, documenting a real story of his life, international tours, and encounters in the skateboarding world for over 10 years. Fueled by incredible raw energy, irreverence, and spontaneity, his work is comprised of an extraordinary number of photographs and canvases, as well as a body of graphic work from drawings, sketch books and collages to montages and correspondence. This book is the reprint of the original version, which quickly rose to cult status shortly after its first printing in 2003

The definitive collection of photographs depicting the city of Los Angeles; from "homies" to Hollywood.

25 mila metri quadri di superficie e più di 150 milioni di passeggeri l'anno, la Stazione Termini di Roma è il più grande scalo ferroviario d'Italia e il quinto di tutta Europa. Dal 2009 il fotografo Niccolò Berretta fotografa le persone che popolano questo non luogo per eccellenza. Fra pendolari e homeless, turisti e habitués, "Stazione Termini. Lookbook 2009-2021" è un libro che in più di 500 scatti e senza scadere in giudizi politici o sociali, descrive la vera essenza delle stazioni, luoghi tanto singolari quanto comuni a tutte le metropoli.

Throughout its history, animation has been fundamentally shaped by its application to promotion and marketing, with animation playing a vital role in advertising history. In individual case study chapters this book addresses, among others, the role of promotion and advertising for anime, Disney, MTV, Lotte Reiniger, Pixar and George Pal, and highlights American, Indian, Japanese, and European examples. This collection reviews the history of famous animation studios and artists, and rediscovers overlooked ones. It situates animated advertising within the context of a diverse intermedial and multi-platform media environment, influenced by print, radio and digital practices, and expanding beyond cinema and television screens into the workplace, theme park, trade expo and urban environment. It reveals the part that animation has played in shaping our consumption of particular brands and commodities, and assesses the ways in which animated advertising has both changed and been changed by the technologies and media that supported it, including digital production and distribution in the present day. Challenging the traditional privileging of art or entertainment over commercial animation, Animation and Advertising establishes a new and rich field of research, and raises many new questions concerning particular animation and media histories, and our methods for researching them.