Since his emergence from the Flemish avant-garde movement of the 1980s, Ivo van Hove's directorial career has crossed international boundaries, challenging established notions of theatre-making. He has brought radical interpretations of the classics to America and organic acting technique to Europe. Ivo van Hove Onstage is the first full English language study of one of theatre's most prominent iconoclasts. It presents a comprehensive, multifaceted account of van Hove's extraordinary work, including key productions, design innovations, his revolutionary approach to text and ambience, and his relationships with specific theatres and companies.

"Beautiful...a last transmission from a dying star." - Time Out One of the last works completed by beloved pop icon David Bowie before his death in early 2016, the otherworldy musical Lazarus is a poignant homage to his legacy. Inspired by the 1963 novel The Man Who Fell to Earth, Lazarus weaves a thrilling rock opera from new compositions by Bowie as well as many of his classic songs.

I drank three glasses of scotch and ginger ale before we'd even cleared Coney Island. I didn't want to come home. It was then that I decided to write you these letters. On a crisp winter day in New York, Willem gets the call. It's Mum. Pauli's died. Come back to Amsterdam. An unforgettable homecoming to an estranged family, a lost love, unsettling sex and an unexamined life. One of Stephens's most poetic plays to date, Song from Far Away received its UK premiere at the Young Vic, London, on 2 September 2015.

This series of contemporary plays includes structured GCSE assignments for use by individuals or groups. These include questions which involve close reading, writing and discussion. This play places the "Romeo and Juliet" story in a New York gang-warfare context.

Just married. Bored already. Hedda longs to be free.This vital new version by Patrick Marber (Closer, Three Days in the Country) opened at The National Theatre, London, in December 2016.

"Originally published in French in 2016 by Seuil, France, as Historie de la violence"--Title page verso.

Finalist, 2015 Lambda Literary Award for LGBT Drama Discharged from the Marines under suspicious circumstances, Isaac comes home from the wars, only to find the life he remembers upended. Isaac’s father, who once ruled the family with an iron fist, has had a debilitating stroke; his younger sister, Maxine, is now his brother, Max; and their mother, Paige, is committed to revolution at any cost. Determined to be free of any responsibility toward her formerly abusive husband—or the home he created—Paige fervently believes she can lead the way to a "new world order." Hir, Taylor Mac’s subversive comedy, leaves many of our so-called normative and progressive ideas about gender, families, the middle class—and cleaning—in hilarious and ultimately tragic disarray.

This book offers a wealth of resources, critical overviews and detailed analysis of Ivo van Hove's internationally acclaimed work as the foremost director of theatre, opera and musicals in our time. Stunning production photos capture the power of van Hove's directorial vision, his innovative use of theatrical spaces, and the arresting stage images that have made his productions so popular among audiences worldwide over the last 30 years. Van Hove's own contribution to the book, which includes a foreword, interview and his director's notes for some of his most popular shows, makes this book a unique resource for students, scholars and for his fans across the different art forms in which he works. An informative introduction provides an overview of van Hove's unique approach to directing, while five sections, individually curated by experts in the respective fields of Shakespeare, classical theatre, modern theatre, opera, musicals, film, and international festival curatorship, offer readers a combination of critical insight and short excerpts by van Hove's collaborators, the actors in the ensemble companies van Hove works with in Amsterdam and New York, and by arts critics and reviewers.

Theatre program.

This new edition of O'Neill's unfinished play coincides with the centenary of his birth and includes a substantial amount of material - including an entire scene - that was missing when it was prepared after the playwright's death, but which, Martha Bower argues, he had intended for inclusion.