Eleven units organized to progress in difficulty; featuring arrangements of classical music, traditional pieces, and popular and jazz pieces, by various composers.

History is always written from the perspective of the ruling or rising elite at the time of writing. Concepts like The Stone Age, The Bronze Age, etc. were of course unknown during the stone age and the bronze age. They were invented in the 1800s to make sense of a development that seemed to reach its climax with industrialisation...

“Much like Donna Tartt’s The Secret History, M. L. Rio’s sparkling debut is a richly layered story of love, friendship, and obsession...will keep you riveted through its final, electrifying moments.” —Cynthia D’Aprix Sweeney, New York Times bestselling author of The Nest "Nerdily (and winningly) in love with Shakespeare...Readable, smart.” —New York Times Book Review On the day Oliver Marks is released from jail, the man who put him there is waiting at the door. Detective Colborne wants to know the truth, and after ten years, Oliver is finally ready to tell it. A decade ago: Oliver is one of seven young Shakespearean actors at Dellecher Classical Conservatory, a place of keen ambition and fierce competition. In this secluded world of firelight and leather-bound books, Oliver and his friends play the same roles onstage and off: hero, villain, tyrant, temptress, ingénue, extras. But in their fourth and final year, good-natured rivalries turn ugly, and on opening night real violence invades the students’ world of make-believe. In the morning, the fourth-years find themselves facing their very own tragedy, and their greatest acting challenge yet: convincing the police, each other, and themselves that they are innocent. If We Were Villains was named one of Bustle's Best Thriller Novels of the Year, and Mystery Scene says, "A well-written and gripping ode to the stage...A fascinating, unorthodox take on rivalry, friendship, and truth."

The only book available on the complete practice of the Celtic bard, this title is designed for anyone drawn to the enchantment of Celtic music, myth, and poetry.

The Bard's Blade is the start of the new Sorcerer's Song fantasy adventure series from Brian D. Anderson, bestselling author of The Godling Chronicles and Dragonvein. Mariyah enjoys a simple life in Vylari, a land magically sealed off from the outside world, where fear and hatred are all but unknown. There she's a renowned wine maker and her betrothed, Lem, is a musician of rare talent. Their destiny has never been in question. Whatever life brings, they will face it together. Then a stranger crosses the wards into Vylari for the first time in centuries, bringing a dark prophecy that forces Lem and Mariyah down separate paths. How far will they have to go to stop a rising darkness and save their home? And how much of themselves will they have to give up along the way? At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

A book that dares to describe individualism as a religion and paint a reality that is primarily virtual, rather than physical. While the authors don’t mind challenging the reader’s view of the self and the world, their main intention is to induce passive receivers of the future to become more active participants. Engaging observations and perceptive interpretations of contemporary society.

It's finally time for Jyothky and eight other misfit adolescent dragons to go off to an unexplored, dragon-free universe and decide who will marry whom. They're astral dragons, mighty and arrogant, with devastating breath weapons and vast magical powers, and they're not even there to conquer the place. What kind of trouble could the natives possibly be — even civilized and technologically sophisticated natives? Or the mind-controlling parasite worms, or the undead god, or any of Hove's other surprises? …Maybe quite a lot of trouble, but not as much as they will bring upon themselves.

Welcome back to Shakespeare - a charming Arkansas town with endless back roads, an eclectic mix of residents, and a dollop of noir. Featuring cleaning woman/karate expert Lily Bard, Charlaine Harris's series puts a unique spin on the traditional cozy to create mysteries that "work on every level. The writing and plotting are first rate [and] Lily is appealing in her own prickly way" --Washington Times In this installment, Lily discovers lifelong Shakespeare resident Deedra Dean murdered inside a car parked in a woodsy area outside town. Determined not to get involved, Lily wants to leave the police work to Sheriff Marta Schuster and her team of deputies, and concentrate on cleaning, high kicks, and her boyfriend Jack's impending visit. But when Deedra's notoriously promiscuous lifestyle provides an extensive list of suspects but very few clues, Lily has no choice but to resume the roll of amateur detective and join the investigation. In Shakespeare's Trollop, the fourth book in Charlaine Harris's highly acclaimed and darkly compelling series, Lily Bard delivers a hard-hitting mix of Southern charm and street smarts, a combination so alluring that long-time readers and newcomers will be dying to visit Shakespeare again.

BARD WIRED PLAIN (Not Fancy), A. J. Carrs first collection of poetry, reflections and remarks to be published is a sobering as well as an intoxicating look at a world gone quirky. At least as seen from the angle de jour, and isnt that all we have? Like a stick in the eye that at times serves as a cane, it hurts like the truth and helps like a lie. Comical, tragic and only to harm or heal if you step up and cop a feel. Guffaw at it, yourself and life in general and skip the tears unless your lucky enough to cry from laughing too hard.

This book makes accessibleÑfor the first time in EnglishÑdeclassified archival documents from the former Soviet Union, rabbinic sources, and previously untranslated memoirs, illuminating everyday Jewish life as the site of interaction and negotiation among and between neighbors, society, and the Russian state, from the beginning of the nineteenth century to World War I. Focusing on religion, family, health, sexuality, work, and politics, these documents provide an intimate portrait of the rich diversity of Jewish life. By personalizing collective experience through individual life storiesÑreflecting not only the typical but also the extraordinaryÑthe sources reveal the tensions and ruptures in a vanished society. An introductory survey of Russian Jewish history from the Polish partitions (1772Ð1795) to World War I combines with prefatory remarks, textual annotations, and a bibliography of suggested readings to provide a new perspective on the history of the Jews of Russia.