Richard Wesley was witness to a revolution. As both a celebrated participant and eager student of the Black Theater Movement in the late 1960s, he became part of a seismic force in American culture, breaking down barriers and helping to disrupt the cultural landscape. It’s Always Loud in the Balcony: A Life in Black Theater, from Harlem to Hollywood and Back is both history and memoir, tracing Wesley’s roots from riot-torn Newark, New Jersey, across the rocky terrain of Harlem, and finally to Hollywood, where he became partners with Sidney Poitier, writing several successful films before returning to New York and the theater world—a trip that Wesley has wryly characterized as "black power to black establishment." Wesley unfolds the history of black theater with love and precision, from the emergence of Amiri Baraka, and his own debut, the fiercely militant Black Terror—which landed him a deal with the legendary producer Joseph Papp—through his moviemaking experience in Los Angeles, working with Bill Cosby and Richard Pryor, among others. Wesley lands on solid ground in the twenty-first century as an elder statesman, a happy witness to the great success of a new breed of black theater that includes the widespread success of Tyler Perry and Lin-Manuel Miranda's Hamilton, which brought hip-hop to Broadway. It’s Always Loud in the Balcony is the passionate, firsthand account of a crucial American art movement whose effects will be felt for generations to come.

A New York Times Book Review Editors' Choice "Intelligent, honest, and full of heart," My Heart is an intimate work of autobiographical fiction by one of ex-Yugoslavia's greatest writers about his family's experience as refugees from the Bosnian war—a timeless story of love, memory, and the resilience of the human spirit that "has all the qualities one might seek in a friend" (Etgar Keret, author of The Seven Goods Years). "Today, it seems, was the day I was meant to die." When a writer suffers a heart attack at the age of fifty, he must confront his mortality in a country that is not his native home. Confined to a hospital bed and overcome by a sense of powerlessness, he reflects on the fragility of life and finds extraordinary meaning in the quotidian. In this affecting autobiographical novel, Semezdin Mehmedinovic explores the love he and his family have for one another, strengthened by trauma; their harrowing experience of the Bosnian war, which led them to flee for the United States as refugees; eerie premonitions of Donald Trump's presidency; the life and work of a writer; and the nature of memory and grief. Poetically explosive and pure to the core, My Heart serves as a kind of mirror, reflecting our human strengths and weaknesses along with the most important issues on our minds--love and death, the present and the past, sickness and health, leaving and staying.

DigiCat presents to you this unique collection of the most exhilarating romances ever written, book which are sometimes with a happy ending, sometimes with a tragedy of the true heartbreak and sometimes lighten with the comedy of everyday: Romeo & Juliet (Play & Prose Version) Evelina & Camilla (Fanny Burney) Pride and Prejudice (Jane Austen) Sense and Sensibility (Jane Austen) Mansfield Park (Jane Austen) Emma (Jane Austen) Persuasion (Jane Austen) The Sorrows of Young Werther (Goethe) Jane Eyre (Charlotte Brontë) Villette (Charlotte Brontë) Wuthering Heights (Emily Brontë) The Tenant of Wildfell Hall (Anne Brontë) The Red and the Black (Stendhal) Lorna Doone (R.D. Blackmore) Dangerous Liaisons (Pierre Choderlos de Laclos) The Portrait of a Lady (Henry James) The Wings of the Dove (Henry James) Scarlet Letter (Nathaniel Hawthorne) Adam Bede (George Eliot) Anna Karenina (Leo Tolstoy) Far from the Madding Crowd (Thomas Hardy) Tess of the d'Urbervilles (Thomas Hardy) North and South (Elizabeth Gaskell) Wives and Daughters (Elizabeth Gaskell) The Age of Innocence (Edith Wharton) Little Women (Louisa May Alcott) An Old-Fashioned Girl (Louisa May Alcott) The Lady of the Camellias (Alexandre Dumas) The House of a Thousand Candles (Meredith Nicholson) Great Expectations (Charles Dickens) The Phantom of the Opera (Gaston Leroux) A Room with a View (E. M. Forster) The Beautiful and Damned (F. Scott Fitzgerald) Jennie Gerhardt (Theodore Dreiser) Ann Veronica (H. G. Wells) The Enchanted Barn (Grace Livingston Hill) The Girl from Montana (Grace Livingston Hill) The Miranda Trilogy (Grace Livingston Hill) Marcia Schuyler Phoebe Deane Miranda The Agony Column (Earl DerrBiggers) The Bride of Lammermoor (Walter Scott) Night and Day (Virginia Woolf) Affairs of State (Burton Egbert Stevenson) Jill the Reckless (P.G. Wodehouse) The Black Moth (Georgette Heyer) The Transformation of Philip Jettan (Georgette Heyer) And Both Were Young (Madeleine L'Engle) Penny Plain (O. Douglas) The Awakening (Kate Chopin)

"In 1968, Olivia Hussey became one of the most famous faces in the world, immortalized as the definitive Juliet in Franco Zeffirelli's Romeo & Juliet. Now the iconic girl on the balcony shares the ups and downs of her truly remarkable life and career ... In this candid memoir, Olivia Hussey tells her story: from being an "It Girl" in swinging 60s London and her enduring friendship with Romeo & Juliet co-star Leonard Whiting, through three tumultuous marriages, motherhood, stage-four breast cancer, debilitating agoraphobia, bankruptcy, and ultimately, a journey of self-discovery in India that led her on a path to fulfillment"--Back cover

When a woman with a guitar meets a cowboy with a gun, it's time to travel. A time-traveler oversteps his boundaries in 1887. Things get out of hand quickly, and he is hanged, setting in motion a series of events from which there’s no turning back. LeRoy McAllister is a reluctant outlaw running from a posse with nowhere to go except to the future. In 2025, Amaryllis Sanchez is a thrill-seeking rock star on the fast track, who killed her dealing boyfriend to save herself. Now, she’s running from the law and his drug stealing flunkies, and nowhere is safe. LeRoy falls hard for the rock star, thinking he can save her by taking her back with him. But when they arrive in 1887, things turn crazy fast, and soon they’re running from both the outlaws and the posse, in peril once more. They can’t go back to the future, so it looks like they’re stuck in the past. But either when, they must face forces that would either lock them up or see them dead.

'They say you can always remember where you where when pivotal moments happen, such as losing your virginity or Elvis dying. Let me add another to the list: the moment I sang a duet to the the "Macarena" with Timmy Mallett, live to millions of people...' Sacked from his high-profile job as a national newspaper editor, Piers Morgan dived helplessly into the world of celebrity. But even twenty years of commenting on the lives of the rich and famous couldn't prepare him for the extraordinary world he uncovered... A riveting, scandelous and brutally honest account of one man's quest for celebrity, Don't You Know Who I Am? lifts the lid on the egos and outrageous behaviour of everyone from Paris Hilton to Cherie Blair, Kate Moss to the legend that is the Hoff.

It was supposed to be a routine test tube baby situation, but suddenly everything went wrong. The problem was Master Luke Crawford, the heir to the Crawford empire, mature and composed, cold and domineering. Once he put his mind to it, there was nothing in the world he could not do!She had thought that they would go their completely separate ways after she delivered the children. Five years later, however, the man dragged two adorable babies along and waited for her in front of her dorms, despite everyone watching!Mr. Crawford was cold and emotionless in front of everyone else, but in front of her...

It starts as a mission to honor a fallen comrade. It becomes a mission for justice. On a personal journey to return an heirloom to the father of his former colleague and lover, Jim Grant isn’t sure what to expect in the dusty flatlands of Texas. He isn’t expecting trouble from the local cowboys, but trouble is what he gets. With instincts honed from years as a covert operator, Grant is a small town’s last hope against an army of good old boys and a violent kingpin who has everything to lose. And if he manages to keep his boots above ground he may just be able to lay to rest the memory of a soldier who died too soon. Praise for the books by Colin Campbell: “Very real. And very good.” —Lee Child The Resurrection Man Series “A cop with a sharp eye, keen mind, and a lion’s heart.” —Reed Farrel Coleman “Campbell writes smart, rollercoaster tales with unstoppable forward momentum and thrilling authenticity. The Resurrection Man series is a blast.” —Nick Petrie “Grim and gritty and packed with action and crackling dialogue.” —Kirkus Review, for Jamaica Plain “Action packed. Tough-as-nails. The pages fly like the bullets, fistfights and one-liners that make this one of my favourite books of the year. Top stuff!” —Matt Hilton “Campbell’s wry maverick Grant never fails to entertain.” —Kirkus Review, for Montecito Heights “Sets up immediately and maintains a breakneck pace throughout. Its smart structure and unrelenting suspense will please Lee Child fans.” —Library Journal Review “Harkens back to the gritty action series of the 70s and 80s, with a stylish noir voice.” —Kirkus Reviews, for Adobe Flats “Crackerjack entertainment: taut, gritty and full of devilish twists.” —Kirkus Reviews, for Snake Pass “Hard-hitting action and Grant’s dry wit make this a rollicking good time.” —Library Journal Review “Campbell’s Beacon Hill is a great tale of violence and intrigue, stretching across the Atlantic and back again. In it, Jim Grant proves he is the real deal.” —Reed Farrel Coleman The UK Crime Novels “This is police procedural close-up and personal. A strong debut with enough gritty realism to make your eyes water, and a few savage laughs along the way.” —Reginald Hill, for Through the Ruins of Midnight “An excellent story well told. A mixture of The Choirboys meets Harry Bosch.” —Michael Jecks “Campbell’s 30 years as a Yorkshire policeman infuse this unusual procedural with grim reality and the harsh humor that helps keep the coppers sane.” —Kirkus Review, for Blue Knight White Cross “Every detail feels authentic, and Campbell’s dark, muscular prose suggests the best pulp writers of the ’50s.” —Kirkus Review, for Northern Ex

'She loved him much, and admired him even more than she loved him...Would that he had some faults!' Alice Vavasor is torn between a risky marriage with her ambitious cousin George and the safer prospect of a union with the formidably correct John Grey. Her indecision is reflected in the dilemmas of her friend Lady Glencora, confined in the proprieties of her life with Plantagenet Palliser but tempted to escape with her penniless lover Burgo Fitzgerald, and of her aunt, the irreverent widow Mrs Greenow, who must choose between a solid farmer and an untrustworthy soldier as her next husband. Each woman finds her choice bound up with the cold realities of money, and the tension between public expectation and private inclination. Can You Forgive Her? is the first of Trollope's six Palliser novels, and its focus on the exercise of power, whether in the masculine world of parliament and the professions, or within the domesticities of friendship, courtship, and marriage, signals a new breadth and diversity of interest in his fiction. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

In the words of the November 1913 reviewer in Theater Magazine, ÒThis play is a novelty in many ways.Ó And Channing Pollock comments in The Green Book in December 1913, ÒIt is a play within a play within a play, with the characters in each separate play laughing at those in all the other plays. É The amazingly ingenious scheme of the piece suggests those wooden eggs, contained by one inside another, that used to be imported from China. Seven Keys to Baldpate is a play and a burlesque of that play synchronized. Its authors deride the trashy melodrama, in melodrama, and then justify melodrama by showing real life to be full of melodrama. Finally, they justify themselves and defy criticism in a brilliant bit of effrontery.Ó Based on the novel of Earl Derr Biggers by the same title, Seven Keys to Baldpate opened on September 22, 1913 at The Astor Theater, in NYC, and has been revived and filmed many times ever since.