The first book about fibroids written especially for African-American women includes both conventional and alternative approaches.

SistahKnit, The story of a yarn shop in Harlem and the women who call it their home.

Sistahs Speak is an anthology, a collection of nonfiction stories, poetry, creative nonfiction, personal narratives, and critical essays from women living with HIV/AIDS. This project seeks to create a space for women to share their stories in their own voice, with an open heart as a vehicle for chronicling the experiences of women living with HIV/AIDS. The goal of this project is to empower the reader, support the soul, and uplift the spirit of women living with HIV/AIDS and the collective communities each one represents.

What is a sister? What should a sister be? How do you relate to your sister—in childhood, adult hood, and throughout life? What are the characteristics and traits of sisters? What are the personalities of sisters? Are there particular types of sister groups? In My Sister, My Enemy, author Dr. Pamela Renee Applewhite journeys through sisterhood using various sister examples, traits, personalities, interactions, relationships, thoughts, whims, notions, and more. A total reflection of sisterhood, she shares various examples of sisters to demonstrate how we have been, how we have not been, and what we need to do to get it right. Filled with an array of touching and real-life sister stories, My Sister, My Enemy addresses a host of situations sisters face. Applewhite seeks to encourage sisters to find healing or triumphant victories. Geared for sisters old, young, and in between, she not only chronicles her personal story, but that of others who have experienced the joys, pains, happiness, trials, tribulations, sadness, loneliness, death of a sister, and revivals of sisterhood. It’s about getting back to love, to closeness, and to sharing.

Hillcrest High Boys' School is admitting girls for the first time, and Tara couldn't be more excited. New friends? Check. Cute boys? Check. Mean sister gone? Wrong... When she discovers Maxie is joining the school too, Tara is crushed. How can she be her own person when her cleverer, prettier sister seems determined to outshine her? And sibling trouble isn't Tara's only problem. With only ten girls in the year, they're going to have to stick together to survive. Boys against girls? Bring. It. On.

Spirituality is the human capacity to know YAH and experience YAH and the degree to which you reflect that knowledge and experience. To say you are spiritual and know that God is love, life, and light and when people encounter you and there is no love, life, and light, then how can you call yourself spiritual? No one but YAH can see what is in your heart, but we can judge the fruit of our tree. We can teach about how we should represent Christ on the outside from his word, but we cannot judge anyone who does not follow his word if we are not following it ourselves. YAHUSHA HA'MASHIACH (Jesus the Messiah) is coming back for a redeemed church-his bride-that he himself has washed clean and purchased through his sacrifice on the cross. We have to work on the inside and outside to truly reflect his nature and be that glorious bride.

You can’t change the past… Colleen Davis is the younger sister, the second sister, the one who stayed behind. Now her dying father has one final wish—to reconcile with his elder daughter, Violet, and Colleen has no choice but to help. But that isn’t going to be easy, because once she gets to Violet’s, she finds Sheriff Vince Moreno standing in her way. But can you build a future? Vince has sworn to take care of Violet during her difficult pregnancy—and traveling four hundred miles for a bittersweet reunion that won’t make up for the past doesn’t strike him as a great idea. But Colleen refuses to let them wait until the baby is born, meaning Vince has to go with them—back to the hometown he doesn’t want to see again. Along the way he realizes that Colleen doesn’t come second to anyone…but before he can even act on his feelings he has to confront the tragedy of his own past….

Consuming Crisis is a crucial account of how consumer culture capitalized on Coronavirus (COVID-19). Sobande explores how brands claim to care while they encourage people to ‘keep calm and consume’. This critical analysis of the power and politics of marketing examines an eclectic mix of campaigns, content, and experiences. Such work outlines the societal significance of fast-fashion adverts, banana bread’s pandemic ‘moment’, university social media strategies, and how digital technology mediates memories and work. Based on the belief that brands cannot be activists, Sobande creatively considers how brands construct care, camaraderie, culture, and so-called ‘normal’ life during times of crisis. Francesca Sobande is a Senior Lecturer in Digital Media Studies at Cardiff University

For Havyn Powell, growing up on her grandfather Chuck Bondrant's dairy outside the 1904 gold-rush boomtown of Nome, Alaska, offered all she needed. She had the love of her mother, two sisters, and grandfather. But now, at 23, Havyn realizes the stability of her life may soon vanish. Havyn is determined to find a way to keep the family together, but her grandfather's health is declining and everyone seems to be holding secrets from each other, including the handsome, dark-haired stranger who recently arrived. John Roselli arrives in Nome looking for a steady, consistent job. He has grown tired of the promises of getting rich quick and just wants an honest job with honest pay. His grandfather once knew a Chuck Bondrant, and so when John arrives at the dairy, he's quickly offered a job--and a path to more if he wants it. Havyn's plan for helping out the family means using her beautiful singing voice and her sisters' musical talent at a local roadhouse. They're an immediate hit, and it looks like her plan will be a success. But the spotlight brings with it dangerous eyes that covet Havyn and are jealous as she and John grow ever closer. But will they realize the peril before it's too late?