Step into the world of Italy's martial prowess with this definitive guide. "Italian Sabre Martial Art" isn't just a historical account; it's a call to arms for the modern martial artist seeking to harness the power and precision of the 19th-century sabre. In a time when the sabre was both a weapon of war and a badge of honor, Italy carved its niche with unparalleled techniques and combat philosophies. This book resurrects that legacy, tailored for today's martial artist, blending age-old wisdom with contemporary insights. Through detailed annotated photo sequences, experience the fluidity, agility, and strategy that made the Italian sabre a force to be reckoned with. But this journey goes beyond mere techniques. It delves into the heart of a warrior culture, where every strike tells a story, and every stance is a testament to years of discipline. For the modern martial artist, this isn't just about learning a new weapon. It's about embracing a holistic combat philosophy, understanding the rhythm of a duel, and mastering the dance of battle. Whether you're a seasoned fighter or just starting your martial journey, this book offers a unique blend of the old and new, challenging you to elevate your skills, mindset, and understanding of the art of combat.

Polish Saber - The use of the Polish Saber on foot in the 17th century covers the history, anecdotes and use of Poland's iconic weapon. In matters of honor and personal safety the saber was the Polish nobleman's choice of arms. The concept of the duel, the form and function of the weapon, as well as source material from Poland, Italy and Germany are blended together in an interpretation presented in full-color. The work is suitable for history enthusiasts, Historical European Martial Artists and re-creationists who wish to explore Poland's Commonwealth and the weapon that symbolized its nobility.

The Flower of Battle is Colin Hatcher's translation of Fiore dei Liberi's art of combat from the early 15th century. The work included high-resolution images and English text laid out in the manner of the original.

This is the most complete work ever on European sword fighting. The author discusses the development of sword techniques through history, presents accounts of famous duels, and compares medieval sword fighting with modern sport fencing.

For the first time, a color fascimile and translation will be available from this important 15th century master of late Italian Medieval swordsmanship. Master Fillipo Vadi's work, previously overlooked and underestimated by fencing scholars, presents the student of historical swordsmanship or of miltiary history a fresh, stunningly beautiful look into the mind of an Italian fencing master.Accompanying the exquisitely wrought text, finely translated by Luca Porzio, are 56 color plates showing many of the techniques explained in the chapters and by other historical masters, but in this case, with such a beautiful rendering that they are works of art unto themselves.An absolute must for the bookshelf of anyone interested in the history of fencing or late medieval warfare, this rich volume will also appeal to collectors of illuminated manuscripts, reeactors, and literary traditions of 15th century Italy.

English translation of one of the most significant medieval texts on fighting with swords.

Dating from the 1520's, Bolognese swordsmaster's Antonio Manciolino's Opera Nova is the earliest surviving printed book on Italian martial arts. This seminal and eclectic Renaissance work contains clear and systematic instruction on the use of the sword and small buckler, sword and large buckler, sword and targa, sword and dagger, sword and cape, two swords, sword alone, and sword and rotella, plus a fascinating compendium on the use of polearms. Clearly and elegantly written, Manciolino's text is one of the best and clearest presentations of the martial skills required of the ideal Renaissance man. For the first time since its original publishing, this book has been translated into English by experienced historical fencing instructor Tom Leoni. Also included is a valuable and extensive technical introduction, complete with illustrations from both original sources and modern photographs, making it easy to follow Manciolino's instructions, sword-in-hand, even by beginners, while providing years of training for veteran martial artists.

Jointly Published with the British Royal Armouries Medieval fighting has long been thought to be rough and untutored. Visions of men madly slashing to and fro and hoping for the best still dominate not only popular culture but modern histories of fencing as well. In recent years, the survival of more than 175 fighting treatises from the Middle Ages and Renaissance has provided a whole generation of enthusiasts, scholars, reenactors and stage choreographers with a wealth of new information. This text represents the earliest known text on swordsmanship anywhere in the world. Royal Armouries MS I.33 presents a system of combat that is sophisticated and demonstrates the diffusion of fighting arts beyond the military classes. Within the manuscripts richly illustrated full-color illustrations lie still-potent demonstrates of sword techniques, surprisingly shown by a Priest and Scholar. Most surprisingly, however, is the presence of a woman practcing in the text, the only one illustrated in any European fighting treatise. This full color facsimile & translation has been long-awaited and promises to become an important resource for years to come