This book is a collection of some of the most interesting work by Maria Di Salvo compiled on the occasion of her sixty-fifth birthday. These articles reflect her intellectual curiosity, her clarity of exposition and the capacity to apply and amalgamate different methodologies and disciplines, blending them into a coherent whole despite the variety of topics and subjects of study. We have favoured the essays that are harder to get hold of, making selections that enable the identification of two essential groups: the philological and literary studies and those related to the relations between Russia and Italy. We trust that the choices made will offer an organic overview of the intellectual and academic career of Maria Di Salvo, including the latest 'new path' of research, that on punctuation in the Slavic languages, and while awaiting the imminent publication by Edizioni dell'Orso, of the part devoted to Russia in the memoirs of Filippo Balatri, the famous castrato sent by the Grand Duke of Tuscany to the Russian court at the end of the seventeenth century.

This volume, edited by scholars from diverse backgrounds, stems from the original convergence of various geo-cultural viewpoints on the reception of East Slavic cultures and literatures (Russian, Ukrainian, Belarussian, Soviet): European viewpoints are juxtaposed with those of the Japanese, Chinese, Israeli areas. The volume offers a broad look at the history of the perception of these literatures in Europe, Italy, and East Asia (with special attention to their reception in Japan and China). Contacts, influences, meditations, and difficulties in the perception of literary and cultural phenomena are the subject of original comparative analyses. The vitality with which Slavic-Eastern literatures have found echoes in very distant environments, but also the evolution of the self-perception of Ukrainian literature over time, are among the topics.

This book examines the feeling that we often refer to as 'nostalgia' from the perspective of writers and artists located on the (imperial, Soviet, and Post-Soviet) periphery of Russian culture who regard the center of the culture from which they have been excluded with varying degrees of longing and ambivalence. The literary and artistic texts analyzed here have been shaped by these author's ruminations on social and psychological marginalization, a process that S. Boym has called 'reflective nostalgia' and that the authors of this volume also refer to as 'toska'

The essays gathered in this volume are devoted to different aspects of the reception of Humanism and the Renaissance in Slavic countries. They mark the beginning of a dialogue among scholars of different Slavic languages and literatures, in search of the ways in which the entire Slavic world – albeit to varying degrees – has participated from the very beginning in European cultural transformations, and not simply by sharing some characteristics of the new currents, but by building a new identity in harmony with the changes of the time. By overcoming the dominant paradigm, which sees all cultural manifestations as part of a separate ‘national’ linguistic, literary and artistic canon, this volume is intended to be the first step in outlining some ideas and suggestions in view of the creation, in the future, of an atlas that maps the relevance of Humanism and the Renaissance in the Slavic world.

In English Trade and Adventure to Russia in the Early Modern Era, Maria Salomon Arel revisits Anglo-Russian trade in first half of the seventeenth century. Drawing on largely neglected Russian and English sources, she reconstructs the history of the Muscovy Company in a period of expanding opportunities for foreigners in Russia and of tightening links between regional markets across the globe. In her strongly revisionist telling, the Company successfully rebuilt in the aftermath of the devastating Time of Troubles, securing its uniquely privileged position in the Russian market at the hands of a newly installed tsar and Romanov dynasty keen to revive the country’s decimated economy through the stimulus of foreign trade. Meanwhile, on the London end of a trade clearly deemed relevant to commercial and shipping interests increasingly dependent on Russian naval stores and invested in the Russian re-export trades to and from the Mediterranean and Asia, the Company restructured its organization and finances with crucial royal support in furtherance of the ‘public good’ and early Stuart dynastic honor. As Arel documents, by the 1630s-40s, English trade to Russia was flourishing, as seen in the growing number of Muscovy Company men active all along the Moscow-Archangel route, their substantial commercial infrastructure, extensive supply networks among a broad swath of Russian merchants and traders, and prominent role in the exploitation of monopoly trades established to fill the tsar’s coffers with specie. The picture drawn by Arel overturns a traditional narrative on the Russia trade that has relegated the English to the shadows, demonstrating the tenacity and continued development of their enterprise at the intersection of English commercial expansion, Russian economic growth, and advancing globalization processes. Taking the narrative even further, the book opens up new perspectives and research directions by pointing to an incipient link between the Russian and transatlantic markets, while shifting the lens on the Anglo-Dutch relationship in the Russia trade away from the time-worn dichotomy of cutthroat competition to a more nuanced understanding of mutual cooperation and business association between merchants on the ground, even in the face of commercial and territorial competition between nations.

This book contains a synchronic grammar and grammatical dictionaries of Old Church Slavic. The framework is based on a substantially revised version of the classical descriptive methodology. The intent is to improve on the classical monographs by Vaillant, Diels, Lunt in the direction of utmost completeness, explicitness, and deliberate consistency between the grammatical structure, the corpus of texts (limited to the seven oldest OCS manuscripts), and the dictionaries. The grammar is intended as a set of rules that provide a complete characterization of any OCS wordform. Peculiarities in the language of each source are described as systematic departures from canonical OCS, a conventional constructed variety primarily described by the grammar. The book is addressed to linguists working in Slavic studies, as well as to specialists in the general theory of grammar, especially phonologists and morphologists.

During the most recent conference of the Renaissance Society of America, two sessions were devoted entirely to the Renaissance in Poland. In fifty-nine editions of what is considered the most prestigious international appointment for experts of Renaissance culture, this is the first time that characteristic features of sixteenth-century Poland were the subject of analysis and debate. The interest generated at the conference and the academic value of the contributions convinced the organisers of the panels to ask the speakers to develop and revise their contributions to conform with the conventions of the academic article. The result is a selection of essays that pursue specific pathways in exploring the cultural factors that affected the Renaissance in Poland: influences and originality in Polish literary and artistic production, orthodoxy and dissidence, the circulation of thought and reflection on the Res Publica in the spheres of both politics and philosophy. Adopting a distinctly interdisciplinary approach, the aim of this publication is to focus certain aspects of the Polish Renaissance and the cultural identity of sixteenth-century Poland in relation to the European context.

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The volume contains articles concerning the influence of Latinitas in the territory now occupied by Poland, Lithuania, Ukraine and Belarus'. The articles, all published in English, range from history to literature and to cultural history and the history of ideas. They analyze the issue of building an identity, either real or imagined, from different points of view. Among the most interesting topics are the classical origins of myths and ideas that have helped build the national identities of those that constituted the ethnic mosaic of the Grand Duchy of Lithuania and the role of Neo-Latin poetry, as a conveyor of Latinitas, in the development of national identities. Because of the significance of Latinitas for both common European cultural traditions and the national cultures, literatures and languages of Belarus, Poland, Lithuania, Estonia, Latvia and Ukraine, it is to be hoped that the subject will continue to attract a good level of attention in the future.

This book explores how the Medici Grand Dukes pursued ways to expand their political, commercial, and cultural networks beyond Europe, cultivating complex relations with the Ottoman Empire and other Islamicate regions, and looking further east to India, China, and Japan. The chapters in this volume discuss how casting a global, cross-cultural net was part and parcel of the Medicean political vision. Diplomatic gifts, items of commercial exchange, objects looted at war, maritime connections, and political plots were an inherent part of how the Medici projected their state on the global arena. The eleven chapters of this volume demonstrate that the mobility of objects, people, and knowledge that generated the global interactions analyzed here was not unidirectional—rather, it went both to and from Tuscany. In addition, by exploring evidence of objects produced in Tuscany for Asian markets,this book reveals hitherto neglected histories of how Western cultures projected themselves eastwards.