"If you think you know how this one will end, I promise, you don't." —Kara Thomas, author of That Weekend and The Cheerleaders For fans of They Wish They Were Us and Sadie comes a propulsive thriller that reminds us that in real life, endings are rarely as neat as happily ever after. A contemporary take on the Lizzie Borden story that explores how grief can cut deep. Charlotte lost her mother six months ago, and still no one will tell her exactly what happened the day she mysteriously died. They say her heart stopped, but Charlotte knows deep down that there's more to the story. The only person who gets it is Charlotte's sister, Maddi. Maddi agrees—people’s hearts don’t just stop. There are too many questions left unanswered for the girls to move on. But their father is moving on. With their mother’s personal assistant. And both girls are sure of one thing: she's going to steal everything that's theirs for herself. She'll even get rid of them eventually. Now, in order to get their lives back, Charlotte and Maddi have to decide what kind of story they live in. Do they remain the obedient girls their father insists they be, or do they follow their rage to the end?

NATIONAL BESTSELLER • NATIONAL BOOK CRITICS CIRCLE WINNER • With music pulsing on every page, this startling, exhilarating novel of self-destruction and redemption “features characters about whom you come to care deeply as you watch them doing things they shouldn't, acting gloriously, infuriatingly human” (The Chicago Tribune). One of the New York Times’s 100 Best Books of the 21st Century • One of The Atlantic’s Great American Novels of the Past 100 Years Bennie is an aging former punk rocker and record executive. Sasha is the passionate, troubled young woman he employs. Here Jennifer Egan brilliantly reveals their pasts, along with the inner lives of a host of other characters whose paths intersect with theirs. “Pitch perfect.... Darkly, rippingly funny.... Egan possesses a satirist’s eye and a romance novelist’s heart.” —The New York Times Book Review

In this “brave and heartbreaking novel that digs its claws into you and doesn’t let go, long after you’ve finished it” (Anna Todd, New York Times bestselling author) from the #1 New York Times bestselling author of All Your Perfects, a workaholic with a too-good-to-be-true romance can’t stop thinking about her first love. Lily hasn’t always had it easy, but that’s never stopped her from working hard for the life she wants. She’s come a long way from the small town where she grew up—she graduated from college, moved to Boston, and started her own business. And when she feels a spark with a gorgeous neurosurgeon named Ryle Kincaid, everything in Lily’s life seems too good to be true. Ryle is assertive, stubborn, maybe even a little arrogant. He’s also sensitive, brilliant, and has a total soft spot for Lily. And the way he looks in scrubs certainly doesn’t hurt. Lily can’t get him out of her head. But Ryle’s complete aversion to relationships is disturbing. Even as Lily finds herself becoming the exception to his “no dating” rule, she can’t help but wonder what made him that way in the first place. As questions about her new relationship overwhelm her, so do thoughts of Atlas Corrigan—her first love and a link to the past she left behind. He was her kindred spirit, her protector. When Atlas suddenly reappears, everything Lily has built with Ryle is threatened. An honest, evocative, and tender novel, It Ends with Us is “a glorious and touching read, a forever keeper. The kind of book that gets handed down” (USA TODAY).

Once upon a time there was a little girl called Mabel. A girl who didn't like books. She used them for all sorts of things, from juggling to sledging, but she never looked at the stories inside. Until the books decided they had had enough!

Once upon a time there was a war . . . and a young American who thought of himself as the Quiet American and the Ugly American, and who wished to be neither, who wanted instead to be the Wise American, or the Good American, but who eventually came to witness himself as the Real American and finally as simply the Fucking American. That’s me. This is the story of Skip Sands—spy-in-training, engaged in Psychological Operations against the Vietcong—and the disasters that befall him thanks to his famous uncle, a war hero known in intelligence circles simply as the Colonel. This is also the story of the Houston brothers, Bill and James, young men who drift out of the Arizona desert into a war in which the line between disinformation and delusion has blurred away. In its vision of human folly, and its gritty, sympathetic portraits of men and women desperate for an end to their loneliness, whether in sex or death or by the grace of God, this is a story like nothing in our literature. Tree of Smoke is Denis Johnson’s first full-length novel in nine years, and his most gripping, beautiful, and powerful work to date. Tree of Smoke is the 2007 National Book Award Winner for Fiction.

**THE INSTANT #1 NEW YORK TIMES BESTSELLER** "An unforgettable—and Hollywood-bound—new thriller... A mix of Hitchcockian suspense, Agatha Christie plotting, and Greek tragedy." —Entertainment Weekly The Silent Patient is a shocking psychological thriller of a woman’s act of violence against her husband—and of the therapist obsessed with uncovering her motive. Alicia Berenson’s life is seemingly perfect. A famous painter married to an in-demand fashion photographer, she lives in a grand house with big windows overlooking a park in one of London’s most desirable areas. One evening her husband Gabriel returns home late from a fashion shoot, and Alicia shoots him five times in the face, and then never speaks another word. Alicia’s refusal to talk, or give any kind of explanation, turns a domestic tragedy into something far grander, a mystery that captures the public imagination and casts Alicia into notoriety. The price of her art skyrockets, and she, the silent patient, is hidden away from the tabloids and spotlight at the Grove, a secure forensic unit in North London. Theo Faber is a criminal psychotherapist who has waited a long time for the opportunity to work with Alicia. His determination to get her to talk and unravel the mystery of why she shot her husband takes him down a twisting path into his own motivations—a search for the truth that threatens to consume him....

Everybody's going to die. Nobody gets out alive. Death is the one thing you can absolutely count on. Why then are people so reluctant to plan for it? Full of humorous and poignant funeral stories and first-person accounts, Grave Expectations - Planning "The End" Like There's No Tomorrow, like the perennially popular wedding planners that line the shelves of every bookstore, is the ultimate handbook, packed with creative suggestions for realizing one's final wishes. This is a book that gives people permission to memorialize their lives on their own terms and in their own ways. This is a lively book about preparing for death; it's not a book to be afraid of. Who knew arranging a funeral could be fun? Sue Bailey is the Vice President of On-Air promotion for HBO Original Programming. She oversees promotion for HBO original series such as The Sopranos, Six Feet Under, Curb Your Enthusiasm, Entourage, Deadwood and Rome, as well as HBO films including, Angels in America, Peter Sellers, Band of Brothers and Empire Falls. As a producer and as a creative director/executive producer, Sue has been the recipient of over one hundred national and international broadcast and design awards—New York Film and Television Festivals, Promax—Gold, Silver Bronze. Carmen Flowers has worked for The SONY Corporation, during which time she appeared on over two hundred news and talk shows around the country including Regis & Kathy Lee, Hour Magazine with Gary Collins and CNN. Carmen is credited with coining the words “camcorder” and “walkman.”

Maybe it’s the end of the world, but not for Candace Chen, a millennial, first-generation American and office drone meandering her way into adulthood in Ling Ma’s offbeat, wryly funny, apocalyptic satire, Severance. "A stunning, audacious book with a fresh take on both office politics and what the apocalypse might bring." —Michael Schaub, NPR.org “A satirical spin on the end times-- kind of like The Office meets The Leftovers.” --Estelle Tang, Elle NAMED A BEST BOOK OF THE YEAR BY: NPR * The New Yorker ("Books We Loved") * Elle * Marie Claire * Amazon Editors * The Paris Review (Staff Favorites) * Refinery29 * Bustle * Buzzfeed * BookPage * Bookish * Mental Floss * Chicago Review of Books * HuffPost * Electric Literature * A.V. Club * Jezebel * Vulture * Literary Hub * Flavorwire Winner of the NYPL Young Lions Fiction Award * Winner of the Kirkus Prize for Fiction * Winner of the VCU Cabell First Novelist Award * Finalist for the PEN/Hemingway Award for Debut Novel * A New York Times Notable Book of 2018 * An Indie Next Selection Candace Chen, a millennial drone self-sequestered in a Manhattan office tower, is devoted to routine. With the recent passing of her Chinese immigrant parents, she’s had her fill of uncertainty. She’s content just to carry on: She goes to work, troubleshoots the teen-targeted Gemstone Bible, watches movies in a Greenpoint basement with her boyfriend. So Candace barely notices when a plague of biblical proportions sweeps New York. Then Shen Fever spreads. Families flee. Companies cease operations. The subways screech to a halt. Her bosses enlist her as part of a dwindling skeleton crew with a big end-date payoff. Soon entirely alone, still unfevered, she photographs the eerie, abandoned city as the anonymous blogger NY Ghost. Candace won’t be able to make it on her own forever, though. Enter a group of survivors, led by the power-hungry IT tech Bob. They’re traveling to a place called the Facility, where, Bob promises, they will have everything they need to start society anew. But Candace is carrying a secret she knows Bob will exploit. Should she escape from her rescuers? A send-up and takedown of the rituals, routines, and missed opportunities of contemporary life, Ling Ma’s Severance is a moving family story, a quirky coming-of-adulthood tale, and a hilarious, deadpan satire. Most important, it’s a heartfelt tribute to the connections that drive us to do more than survive.

"Sharp, brilliantly plotted, and totally engrossing."--KAREN M. MCMANUS, New York Times bestselling author of One of Us Is Lying "A crafty, dark, and disturbing story."--KATHLEEN GLASGOW, New York Times bestselling author of Girl In Pieces "A little bit Riverdale and a little bit Veronica Mars."--RILEY SAGER, bestselling author of Final Girls A Goodreads Best Young Adult Book of the Year Nominee From the author of The Darkest Corners and Little Monsters comes an all-new edge-of-your-seat thriller set in upstate New York about an eerie sequence of seemingly unrelated events that leaves five cheerleaders dead. There are no more cheerleaders in the town of Sunnybrook. First there was the car accident--two girls dead after hitting a tree on a rainy night. Not long after, the murders happened. Those two girls were killed by the man next door. The police shot him, so no one will ever know his reasons. Monica's sister was the last cheerleader to die. After her suicide, Sunnybrook High disbanded the cheer squad. No one wanted to be reminded of the girls they'd lost. That was five years ago. Now the faculty and students at Sunnybrook High want to remember the lost cheerleaders. But for Monica, it's not that easy. She just wants to forget. Only, Monica's world is starting to unravel. There are the letters in her stepdad's desk, an unearthed, years-old cell phone, a strange new friend at school. . . . Whatever happened five years ago isn't over. Some people in town know more than they're saying. And somehow, Monica is at the center of it all. There are no more cheerleaders in Sunnybrook, but that doesn't mean anyone else is safe. More Praise for Kara Thomas: "Gripping from start to finish . . . with twists that left me shocked."--VICTORIA AVEYARD, #1 New York Times bestselling author of Red Queen "You'll be up all night tearing through the pages."--BUSTLE "This deliciously deceptive thriller...is a must-have."--SLJ

“Like a queer version of The Wicker Man, Julia Lynn Rubin's Primal Animals is a wonderfully-creepy mystery set under sunshine and fresh air, where nothing is what it seems and no one is what you expect. Keep your eyes open, watch your back, and beware of the flies.” —Emma Berquist, author of Missing, Presumed Dead The Female of the Species meets Midsommar for fans of Yellowjackets At an elite summer program, a teen girl gets sucked into a secret society, with deadly consequences. Protect the girls. Arlee Gold has always lived in the shadow of her successful mom; even after everything Arlee’s been through, her mother still expects nothing but the best. In an effort to get her daughter back on track after a less-than-stellar few school years, she’s enrolled Arlee as a legacy at Camp Rockaway, an elite college prep summer camp deep in the North Carolina wilderness. On her own for the first time and buzzing with anxiety, Arlee is intimidated by the camp’s shiny exterior, suffocated by the relentless, thick summer heat...and tormented by the ceaseless stream of crawling, slimy, flapping bugs that seem to come straight from her nightmares. In the midst of her brewing dread, Arlee is relieved to find a queer sanctuary in her bunkmates, and is especially drawn to Winnie, the enigmatic girl who sleeps in the bunk above her. Except Arlee starts to notice whispers in her wake, and how so many others recoil from her as if she were as creepy as the insects that terrify her. Struggling in her prep classes and feeling increasingly paranoid, Arlee can no longer suppress her panicked “glitches.” Winnie, too, seems to become wary, and Arlee’s worst fear is confirmed: even here, in the place her mother promised was “going to change everything,” she’s been found out as a freak. Just as she’s facing a summer completely alone, another rising junior slips her a mysterious invitation, and Arlee finds herself caught up in a secret society that expects its sisterhood to protect each other from any and all who would harm them—by any means necessary. Here, finally, Arlee feels like a part of something bigger, something that matters. Guided by their cunning leader, Lisha, a rising senior with a smile sharp enough to cut bone, the sisterhood will stand against any threat, unquestioningly. But when Winnie is put in grave danger, Arlee is forced to confront just how far her sisters will go, and whether they truly protect the girls.