This work by Diane Williams delves into the strange relationships of men and women. From marital betrayal to spousal abuse and unrelenting desire, Williams illuminates the lives of her characters in prose as sparse and stark as it is beautiful. These stories are as short as prose poems and as complex as novels. In them, meanings remain ambiguous and consequences seem uncertain. In the novella “On Sexual Strength” she describes the intense and sometimes strange relationship between two neighboring couples and the rage that comes with adultery, and a narrator whose social inadequacies and lack of inhibitions lead to destruction. The world Williams creates is a sensual place where quiet epiphanies—such as the one that occurs after an extramarital affair— are also possible: “It was like My Trying to Have a Tender-Hearted nature. This is how love can be featured.” Such flashes of insight and emotion glue together the fragments of life Williams lays before the reader, and the reader rejoices at the revelations.

'Far from being the pious injunction of a Utopian dreamer, the command to love one's enemy is an absolute necessity for our survival' Advocating love as strength and non-violence as the most powerful weapon there is, these sermons and writings from the heart of the civil rights movement show Martin Luther King's rhetorical power at its most fiery and uplifting. One of twenty new books in the bestselling Penguin Great Ideas series. This new selection showcases a diverse list of thinkers who have helped shape our world today, from anarchists to stoics, feminists to prophets, satirists to Zen Buddhists.

With over three hundred new and previously published short stories as well as three novellas, The Collected Stories of Diane Williams brings together distilled works of “unsettling brilliance” (Vanity Fair) that have rewritten the rules of American short fiction. From Ben Marcus’ introduction to The Collected Stories of Diane Williams: “Diane Williams has spent her long, prolific career concocting fictions of perfect strangeness, most of them no more than a page long. She’s a hero of the form: the sudden fiction, the flash fiction, whatever it’s being called these days. The stories are short. They defy logic. They thumb their nose at conventional sense, or even unconventional sense. But if sense is in short supply in these texts, that leaves more room for splendor and sorrow. These stories upend expectations and prize enigma and the uncanny above all else. The Williams epiphany should be patented, or bottled—on the other hand, it should also be regulated and maybe rationed, because it’s severe. It’s a rare feeling her stories trigger, but it’s a keen and deep and welcome one, the sort of feeling that wakes us up to complication and beauty and dissonance and fragility.”

In Vicky Swanky Is a Beauty, Diane Williams lays bare the urgency and weariness that shape our lives in stories honed sharper than ever. With sentences auguring revelation and explosion, Williams's unsettling stories—a cryptic meeting between neighbors, a woman's sexual worries, a graveside discussion, a chimney on fire—are narrated with razor-sharp tongues and naked, uproarious irreverence. These fifty stories hum with tension, each one so taut that it threatens to snap and send the whole thing sprawling—the mess and desire, the absurdity and hilarity, the bruises and bleeding, the blushes and disappointments and secrets. An audacious, unruly tour de force, Vicky Swanky Is a Beauty cements Diane Williams' position as one of the best practitioners of the short form in literature today.

An “enthralling headscratcher of a first novel . . . weaves an intricate tale of quests and escapes” as a man follows his wife who follows a mysterious stranger (Publishers Weekly). Deb Olin Unferth’s award-winning debut novel is “an off-kilter ode to obsession” with a “richly textured, often surprising linguistic landscape” (The Rumpus). In it, a man named Myers has noticed that his wife has suddenly become suspiciously absent in the evenings. He decides to start following her on her evening escapades, hoping to discover her betrayal. Instead, he soon discovers she is following a man named Gray, who happens to be a former classmate of Myers, and whose own marriage is falling apart. What follows is an unusual, unsettling, and wildly entertaining novel by the acclaimed author of Minor Robberies. With deadpan humor and skewed wordplay, Deb Olin Unferth weaves a mystery of hope and heartbreak. Winner of the Cabell First Novel Award.

A spectacular new anthology of the best short-short fiction from across the United States. It has been more than thirty years since the term “flash fiction” was first coined, perfectly describing the power in the brevity of these stories, each under 1,000 words. Since then, the form has taken hold in the American imagination. For this latest installment in the popular Flash Fiction series, James Thomas, Sherrie Flick, and John Dufresne have searched far and wide for the most distinctive American voices in short-short fiction. The 73 stories collected here speak to the diversity of the American experience and range from the experimental to the narrative, from the whimsical to the gritty. Featuring fiction from writers both established and new, including Aimee Bender, K-Ming Chang, Bonnie Jo Campbell, Bryan Washington, Robert Scotellaro, and Luis Alberto Urrea, Flash Fiction America is a brilliant collection, radiating creativity and bringing together some of the most compelling and exciting contemporary writers in the United States.