It Happened in Brazil: Chronicle of a North American Researcher in Brazil II is the English version of Aconteceu no Brasil: Crnica de um Pesquisador Norte - Americano II. The book is a continuation of the first volume in the series published in 2012 in both Portuguese and English: Adventures of a Gringo Researcher in Brazil in the 1960s. It continues Currans love affair with Brazil and the Brazilians and work in Brazil from 1969 to 1985; a third volume to be published in coming years will bring everything to the present. This volume deals with various researches and travel trips to Brazil, the author now professor at Arizona State University. Themes will be continued research on the Literatura de Cordel, conferences, important moments with authors of cordel and Brazilian Literature, the odyssey of publishing in Brazil, journeys to new parts of Brazil, and fine moments of tourism with wife, Keah. Among academic moments and high points will be 1973 and the First International Congress on Portuguese and Brazilian Philology in Rio de Janeiro where the author is introduced to the Luso-Brazilian Academic World and especially in 1981 when Curran took part in the 50 Years of Literature of Jorge Amado Commemoration in Salvador da Bahia. Among other memorable moments over the years was the trip with wife Keah to Brazil in 1985. The occasion was to receive a literary prize combined with new tourism to various parts of the country. Written in the spirit and style of the genre of short chronicles in Brazil, the book will comment as well on the political, economic and social scene over the years and will note the many changes in the dynamic Brazil of the late twentieth century.

Diary of a North American Researcher in Brazil III is the last in the series Stories I Told My Students. It is the continuation of the authors love affair and odyssey in Brazil, this time from 1988 to 2005. The volume brings to the present moments lived in Brazil and is written much more in the framework of a travel diary in Brazil. Short vignettes about people and places flavor the book. There is emphasis on academic conferences with many Brazilian Stories, the publication of works in Brazil, and more important, times shared with cordel poets, professors and researchers of Brazilian literature, folklore and popular literature in verse. Something new in this final phase of research, writing and professional life was the time spent in the city of So Paulo, at first glance an unlikely place for a student of folklore. A special moment was the participation in a unique event: 100 Years of Cordel sponsored by the SESC-POMPEIA in 2001 in that city. Others were with cordel poets and poet-singers in the Northeastern Cultural Center in So Paulo, and with Srgio Miceli of the University of So Paulo Press and Plnio Martins of Ateli Press, dealing with the publication of Currans final research efforts in Brazil. And lastly the book recalls fondly the time spent with friends who were with me in moments of happiness but also of solitude and some loneliness. I dedicate the book to all of them: cordel poets, researchers, professors, writers, friends, and to the person who sustained me most, my wife Keah.

A Rural Odyssey: Living Can Be Dangerous is the story of Mick O’Brien’s growing-up years on a small wheat farm in Central Kansas in the 1940s and 1950s. It tells of his Catholic Irish American pioneering farm parents, the religious and moral beliefs of their traditions, and the consequences of living the same way. Mick and his siblings inherited their traditions. The growing of their own food, the farm chores, the raising and caring of livestock, the field work on the tractor, and the harvest that provides the family subsistence, but not without danger. School, sports, having fun with buddies, and imaginary games filled Mick’s teenage years. Music, singing, playing the guitar, and a special friendship are an important chapter of that time as well but with unplanned consequences. Unforeseen challenges and the unpredictable dangers of life filled O’Brien’s days. Work and play, joy and sadness, Mick tells it all as it happened.

"The Collection" is meant as an introduction to and summary of Curran's primary and secondary holdings on Brazil's "Literatura de Cordel" now at the Latin American Library of Tulane University. The book relates the story of how the "cordel" collection was put together including telling of its primary sources, the poets themselves and "cordel" stands or "barracas" in cities or towns that sold the broadsides from the mid - 1960s to 2013. Photos and short biographic entries of the poets, printers and publishers are a big part of the story. The lengthy second part of the book is comprised of the lists of the broadsides themselves (accordng to title by the author's choice, author following when known), xeroxed copies of historic titles, and Curran's library of secondary sources dealing with the collection. The author believes that this book has most everything a prospective researcher or "aficionado" needs to know about the Mark J. Curran Collection of "A Literatura de Cordel."

“Adventure Travel” in Guatemala - The Maya Heritage is the fourth in the series of fiction - travel - culture - adventure books on Brazil, Mexico, Portugal-Spain, and now Guatemala. Professor Mike Gaherty and AT Leader Amy Carrier are in Guatemala researching that country as a destination for a future AT Travel Trip for its “Adventurers.” They investigate Antigua, Puerto San José, el Lago de Atitlán, Chichicastenango, Tikal in Guatemala and Copán in Honduras, checking out the history and culture of both the Spanish and Maya Heritages. Emphasis however is on the Maya people, their lives and efforts to survive under adverse circumstances in post 1976 earthquake and political turmoil in Guatemala. There are surprises and dangerous moments for Mike and Amy, and difficult decisions to come for AT Travel.

"RURAL ODYSSEY IV - PARALLELS Abilene - Cowboys - "Cordel" is a return to the "Rural Odyssey" series, a narrative in fiction telling of Professor Mike O'Brien's work on a "History of Abilene," life with his young wife, Professor Mariah Palafox O'Brien, and their jobs at DDEC (Dwight D. Eisenhower College) in Abilene. After telling of his "History of Abilene," the book recounts Mike and Mariah's trip to Brazil in the summer of 1971 via Fulbright Lecture Grants. Mike gives talks on Eisenhower, Abilene and the Cowboy days, cowboys and "cordel," and Mariah lectures on American Literature. "The Great Gatsby," "The Sound and the Fury," and "To Kill a Mockingbird" are a few highlights. They meet important military, literary, and folkloric figures in Rio de Janeiro, Sao Paulo, Bahia and Recife and visit Brazil's famous tourist and cultural sites as well. Mike's Catholic and Mariah's Jewish heritages come into play.

"Letters from Brazil IV" is the most recent in the series of Professor Mike Gaherty's travel and research in Brazil. He has returned in 1984 after an "invited" hiatus since 1971 by the General heading Brazil's Pre-Censorship Board, this due to Mike's friendship, research, collaboration with, and defense of singer-composer Chico Buarque de Hollanda. He is reporting on current events and politics for the International Section of the "New York Times," in liason with the Institute of International Research, Latin American Sector. This includes the volatile climate of "Direct Elections Now" for the presidency. He is shadowed by the DOPS (the Brazilian Security Agency) but has become great friends with the Captain in charge of keeping an eye on him. Mike renews many old friendships and finds time to update his research specialty "The Literatura de Cordel" as folk - popular journalism since censorship ended in 1979. He also has to maneuver between some and side step other former romantic liasons in Brazil. Further collaboration in a Chico Buarque concert and dealing with Brazilian security forces gets dicey. Brazilian literature, religion, music, food and his own nostalgia for "Black Orpheus" complete the adventure.

TWO BY MARK J. CURRAN ASU Days as well as The Guitars – A Music Odyssey are a return to the autobiographical. Book I ASU Days tells the story beginning with graduate study for the Ph.D in Spanish and Latin American Studies and the account of Mark’s years at Arizona State University. It is comprised of memories of teaching and research days at ASU but also a description of campus life dating to 1968. Book II The Guitars - A Music Odyssey recounts the role of music in Mark’s life from age 14 in 1955 to the present. The main characters are the guitars: a simple steel stringed Stella in 1955, an electric Kay and amplifyer in high school, 1955 - 1959 and college days, a Brazilian Rosewood Classic from Rio de Janeiro in 1966 and a Manuel Rodríguez Classic from Madrid, electrified for performance, 2002. The study, learning, practice and the performing range from early pop and Rock n’ Roll from Elvis Presley days, to serious home study of classic guitar, to the folk tunes of the 1960s, Classic Country and Western, Irish, “Oh Brother Where Art Thou” and Classic Guitar and Contemporary Catholic Songs for meditation at church. The final chapter is a work in process: practice and performance at home.

Letters from Brazil II is a continuation of Letters from Brazil, 2017. Mike Gaherty, now an assistant professor at the University of Nebraska in Lincoln, is back in Brazil to continue research and begin the battle for publication in a “publish or perish” academic world. He now has a Brazilian visa as journalist-researcher in his role of writing occasional “Letters” to the New York Times’s international section and is working in liaison with the Department of Research–Western Hemisphere Analysis of the US State Department (INR–WHA). “Letters” will chronicle what he sees and experiences in Brazil – politics, economics, and especially, daily life under the evolving military regime. The Brazilian intelligence agencies, the DOPS and the SNI, are aware of his role and keep constant surveillance on his activities. Life gets complicated as Mike juggles romantic interests both back at home and in Rio de Janeiro. And research evolves to treat the relationship between the folk-popular stories in verse (“literatura de cordel”) and MPB (Brazilian Popular Music), especially regarding the composer, singer, and musician Chico Buarque de Hollanda and his efforts to write and perform in Brazil while battling with the general’s censorship laws under AI-5. There are many surprises for Mike—some pleasurable, a few dangerous. Life for a researching professor turns out to be not as pedestrian as might be expected.

"The Writing and Publishing Journey" is a summary and catalogue of all of Professor Curran's writings. It includes the academic books before retirement, the academic and cultural books during retirement, the experiments with fiction based on the former, and a brief addendum of academic articles in research journals. Each volume is introduced by the cover image in full color. The abiding objective is to recall in a conversational way the when, why and how of each book, that is, when it was written, the circumstances of how and why it was written, and perhaps most interesting the odyssey of getting it into print. Any professor in Academia will relate to this endeavor, and amateur writers and interested readers should enjoy the journey as well.