“Horror opened me up to new possibilities for survival … I saw power in freakery and transgression and wondered if it could be mine.” The relationship between horror films and the LGBTQ+ community? It’s complicated. Haunted houses, forbidden desires and the monstrous can have striking resonance for those who’ve been marginalised. But the genre’s murky history of an alarmingly heterosexual male gaze, queer-coded villains and sometimes blatant homophobia, is impossible to overlook. There is tension here, and there are as many queer readings of horror films as there are queer people. Edited by Joe Vallese, and with contributions by writers including Kirsty Logan and Carmen Maria Machado, the essays in It Came from the Closet bring the particulars of the writers’ own experiences, whether in relation to gender, sexuality, or both, to their unique interpretations of horror films from Jaws to Jennifer’s Body. Exploring a multitude of queer experiences from first kisses and coming out to transition and parenthood, this is a varied and accessible collection that leans into the fun of horror while taking its cultural impact and reciprocal relationship to the LGBTQ+ community seriously.

Monster in the Closet is a history of the horrors film that explores the genre's relationship to the social and cultural history of homosexuality in America. Drawing on a wide variety of films and primary source materials including censorship files, critical reviews, promotional materials, fanzines, men's magazines, and popular news weeklies, the book examines the historical figure of the movie monster in relation to various medical, psychological, religious and social models of homosexuality. While recent work within gay and lesbian studies has explored how the genetic tropes of the horror film intersect with popular culture's understanding of queerness, this is the first book to examine how the concept of the monster queer has evolved from era to era. From the gay and lesbian sensibilities encoded into the form and content of the classical Hollywood horror film, to recent films which play upon AIDS-related fears. Monster in the Closet examines how the horror film started and continues, to demonize (or quite literally "monsterize") queer sexuality, and what the pleasures and "costs" of such representations might be both for individual spectators and culture at large.

From journalist, fashionista, and clothing resale expert Elizabeth L. Cline, “the Michael Pollan of fashion,”* comes the definitive guide to building an ethical, sustainable wardrobe you'll love. Clothing is one of the most personal expressions of who we are. In her landmark investigation Overdressed: The Shockingly High Cost of Cheap Fashion, Elizabeth L. Cline first revealed fast fashion’s hidden toll on the environment, garment workers, and even our own satisfaction with our clothes. The Conscious Closet shows exactly what we can do about it. Whether your goal is to build an effortless capsule wardrobe, keep up with trends without harming the environment, buy better quality, seek out ethical brands, or all of the above, The Conscious Closet is packed with the vital tools you need. Elizabeth delves into fresh research on fashion’s impacts and shows how we can leverage our everyday fashion choices to change the world through style. Inspired by her own revelatory journey getting off the fast-fashion treadmill, Elizabeth shares exactly how to build a more ethical wardrobe, starting with a mindful closet clean-out and donating, swapping, or selling the clothes you don't love to make way for the closet of your dreams. The Conscious Closet is not just a style guide. It is a call to action to transform one of the most polluting industries on earth—fashion—into a force for good. Readers will learn where our clothes are made and how they’re made, before connecting to a global and impassioned community of stylish fashion revolutionaries. In The Conscious Closet, Elizabeth shows us how we can start to truly love and understand our clothes again—without sacrificing the environment, our morals, or our style in the process. *Michelle Goldberg, Newsweek/The Daily Beast

The New York Times bestselling author of Every Dark Corner returns to Baltimore, where a father-daughter reunion puts innocent victims in the sights of a stone-cold killer… Baltimore PI Clay Maynard routinely locates missing children for clients, but his own daughter—stolen by his ex-wife—has eluded him for years. Until she turns up right under his nose… Since she was a child, Taylor Dawson believed the lie her mother told her: that her father was a monster. But now she has a chance to get to know the real Clay while doing real work as an equine therapist, which includes helping two girls whose mother was brutally murdered. She might even find something deeper with her boss’s handsome son, Ford Elkhart, whose eyes are so haunted. But just as Taylor feels her life opening up to new family, work, and friends, a danger lurks in the darkness—one that will show Taylor the face of true evil…

Television history was made on April 30, 1997, when comedian Ellen DeGeneres and her sitcom alter-ego Ellen Morgan, “came out” to her close friends and 36 million viewers. This groundbreaking episode represented a significant milestone in Amerian television. For the first time, a TV series centered around a lesbian character who was portrayed by an openly gay actor. The millions of viewers who tuned in that historic night were witnesses to a new era in television. The Prime Time Closet offers an entertaining and in-depth glimpse into homosexuality on television from the 1950s through today. Divided into four sections, each devoted to a major television genre, this unique book explores how gay men and lesbians have been depicted in over three hundred television episodes and made-for-TV films. These include medical series, police/detective shows, situation comedies and TV dramas. The Prime Time Closet also reveals how television's treatement of homosexuality has reflected and reinforced society's ignorance about and fear of gay men and lesbians. At the same time, it celebrates programs like Ellen and Will & Grace that have broken new ground in their sensitive and enlightened approach to homosexuality and gay-related themes. This book is witty and insightful, accessible and illuminating, a look into what has become an integral part of American media culture.

The latest creature to emerge from Rob's closet is a cross between Chewbacca from Star Wars and Harry Potter. Rob names him "Potterwookiee" ("Hairy" for short) and soon Rob finds himself treading water as he tries to figure out how to care for his mixed-up friend. Great laughs and great books help Rob along the way.

Ever since the death of his father, poor Fellworth Dolphin has slaved away as a waiter to support his miserly, cold-hearted mother. When his mother suddenly dies, Fellworth is shocked to discover that she has left him a sizable inheritance. Confused, Fell teams up with Maggie, a plain girl with a similar background, to investigate the source of the riches. But what they find is a closet full of skeletons... Is it really possible Fell's father was involved in a long-ago train robbery? Who's the mysterious woman in the portrait hidden in his mother's wardrobe? As Maggie and Fell poke around the village for answers, they find themselves on a surprise-filled path to danger and adventure, and--just possibly--love. But Fell's sudden good fortune could come to an abrupt end if he doesn't stay one step ahead of a cunning killer... from beloved novelist M.C. Beaton comes this thrilling stand-alone mystery, The Skeleton in the Closet.

"During Softrock Middle School's Fun-ger Games, Rob Burnside hopes that Katfish, a cross between Katniss and the Little Mermaid created in his closet, will help with game tips, advice about girls, and getting people to stop hating him."--Publisher.

NATIONAL BESTSELLER “A delectable brew of gothic horror and Hollywood satire . . . [and] what makes all this so much fun is Danforth’s deliciously ghoulish voice . . . exquisite." —Ron Charles, THE WASHINGTON POST "A multi-faceted novel, equal parts gothic, sharply funny, sapphic romance, historical, and, of course, spooky.” —ENTERTAINMENT WEEKLY Named a Most Anticipated Book by Entertainment Weekly • Washington Post • USA Today • Time • O, The Oprah Magazine • Buzzfeed • Harper's Bazaar • Vulture • Parade • HuffPost • Refinery29 • Popsugar • E! News • Bustle • The Millions • GoodReads • Autostraddle • Lambda Literary • Literary Hub • and more! The award-winning author of The Miseducation of Cameron Post makes her adult debut with this highly imaginative and original horror-comedy centered around a cursed New England boarding school for girls—a wickedly whimsical celebration of the art of storytelling, sapphic love, and the rebellious female spirit Our story begins in 1902, at the Brookhants School for Girls. Flo and Clara, two impressionable students, are obsessed with each other and with a daring young writer named Mary MacLane, the author of a scandalous bestselling memoir. To show their devotion to Mary, the girls establish their own private club and call it the Plain Bad Heroine Society. They meet in secret in a nearby apple orchard, the setting of their wildest happiness and, ultimately, of their macabre deaths. This is where their bodies are later discovered with a copy of Mary’s book splayed beside them, the victims of a swarm of stinging, angry yellow jackets. Less than five years later, the Brookhants School for Girls closes its doors forever—but not before three more people mysteriously die on the property, each in a most troubling way. Over a century later, the now abandoned and crumbling Brookhants is back in the news when wunderkind writer Merritt Emmons publishes a breakout book celebrating the queer, feminist history surrounding the “haunted and cursed” Gilded Age institution. Her bestselling book inspires a controversial horror film adaptation starring celebrity actor and lesbian it girl Harper Harper playing the ill-fated heroine Flo, opposite B-list actress and former child star Audrey Wells as Clara. But as Brookhants opens its gates once again, and our three modern heroines arrive on set to begin filming, past and present become grimly entangled—or perhaps just grimly exploited—and soon it’s impossible to tell where the curse leaves off and Hollywood begins. A story within a story within a story and featuring black-and-white period-inspired illustrations, Plain Bad Heroines is a devilishly haunting, modern masterwork of metafiction that manages to combine the ghostly sensibility of Sarah Waters with the dark imagination of Marisha Pessl and the sharp humor and incisive social commentary of Curtis Sittenfeld into one laugh-out-loud funny, spellbinding, and wonderfully luxuriant read. “Full of Victorian sapphic romance, metafictional horror, biting misandrist humor, Hollywood intrigue, and multiple timeliness—all replete with evocative illustrations that are icing on a deviously delicious cake.” –O, THE OPRAH MAGAZINE

An honest and poignant look into the deeply intimate yet platonic relationship between a gay English teacher and his young female protge-each seeking connection and acceptance - as reflected by the decade of letters they exchanged. It's Tuesdays with Morrie- if Morrie were young and gay and Mitch Albom were a woman. Every writer needs a room of his own, but for some people, at certain times and in certain circumstances, the best you can do is a closet. From the confines of his closet, John wrote letters that were read, cherished and then locked away for decades.