What happens when an engineering college fresher: • confronts his violent seniors on the first day of ragging? • tries to woo a beautiful senior who has a nasty boyfriend? • is heart-broken when his past causes his break-up with the girl he loves? • goes boozing for the first time? • is involved in a bloody inter-hostel rivalry with dire consequences? In his debut novel, It Ain’t College, It’s War! (Book 1 of the It Ain’t trilogy), Subhodeep Mukherjee tells the story of Rahul Arora, an outspoken Delhi boy with a devil-may-care attitude that always gets him in trouble. Amidst the politically charged atmosphere of his college and his many adventures, Rahul seeks true love, friendship and a job. Will he manage to find balance in his life? Will he make peace with his teachers, classmates, seniors and father and find what he is looking for or will his attitude get the better of him? Loosely based on true events and also touching on various social issues, this book explores the meaning of love, friendship and career as seen through the eyes of the narrator and protagonist, Rahul Arora.

NEW YORK TIMES BESTSELLER • Experience the first official adventure in Magic: The Gathering’s multiverse in nearly a decade as the ultimate battle begins on Ravnica. Teyo Verada wants nothing more than to be a shieldmage, wielding arcane energies to protect his people from his world’s vicious diamondstorms. When he’s buried alive in the aftermath of his first real tempest, the young mage’s life is about to end before it can truly begin—until it doesn’t. In a flash, a power he didn’t know he had whisks him away from his home, to a world of stone, glass, and wonder: Ravnica. Teyo is a Planeswalker, one of many to be called to the world-spanning city—all lured by Nicol Bolas, the Elder Dragon. Bolas lays siege to the city of Ravnica, hungry for the ultimate prize: godhood itself. His unparalleled magic and unstoppable army appear poised to bring the city to utter ruin. Among those who stand in the way of Bolas’s terrifying machinations are the Gatewatch, Planeswalkers sworn to defeat evil, no matter where it’s found. But as they work to unite the other mages and mount a defense of the city and its people, the terrifying truth of Bolas’s plan becomes clear. The Elder Dragon has prepared a trap to ensnare the most powerful mages from across the Multiverse—and it’s too late to escape. As forces great and small converge on the city and the battle rages, the stakes could not be higher. If the Gatewatch falters and the Planeswalkers fail, the curtain will fall on the age of heroes—and rise on the infinite reign of Nicol Bolas.

Considers legislation to establish a National Foreign Affairs Academy, Foreign Service Academy, Freedom Academy, or Freedom Commission.

Highly Recommended by Dr. J. Hindman, School of Education, College of William & Mary What was it like living in a small sleepy Southern town when the war suddenly arrived on the doorstep 150 years ago? Th ese are the stories of residents from various walks of life, and the struggles they face as the Unions Peninsula Campaign deploys forces to Fort Monroe, engages just east of Williamsburg, then continues, On to Richmond! as their battle cry went. For example, -William & Mary students, like Th omas Barlow, face life-changing decisions: to return home, or enlist with his classmates? Some of them would become heroes, but many more casualties. -Slaves, like W.B. Nelson, must decide as well: should he remain with his master or runaway? While some remain, many become contrabands, and later freedmen, and colored troops. -Politicians, like Benjamin Butler of Boston, are given the rank of Major General despite the lack of any military experience, while General George B. McClellan, who despised President Lincoln and Washington politics, later runs for national offi ce. Neither transformation is particularly successful. -Williamsburg residents, like shopkeeper William W. Vest and family must decide between fl eeing as refugees, or staying, like William Peachy, lawyer, to endure Federal occupation. -Williamsburgs women, like Letitia Tyler Semple, lead efforts to improve soldier medical care, opening their homes to thousands of wounded. Others, like Mary Payne, persevere to be at her husbands bedside, while Miss Margaret Durfey falls in love with her patient.

A vigorous reappraisal of American literature inspired by the First World War. American World War I literature has long been interpreted as an alienated outcry against modern warfare and government propaganda. This prevailing reading ignores the US army’s unprecedented attempt during World War I to assign men—except, notoriously, African Americans—to positions and ranks based on merit. And it misses the fact that the culture granted masculinity only to combatants, while the noncombatant majority of doughboys experienced a different alienation: that of shame. Drawing on military archives, current research by social-military historians, and his own readings of thirteen major writers, Keith Gandal seeks to put American literature written after the Great War in its proper context—as a response to the shocks of war and meritocracy. The supposedly antiwar texts of noncombatant Lost Generation authors Dos Passos, Hemingway, Fitzgerald, Cummings, and Faulkner addressed—often in coded ways—the noncombatant failure to measure up. Gandal also examines combat-soldier writers William March, Thomas Boyd, Laurence Stallings, and Hervey Allen. Their works are considered straight-forward antiwar narratives, but they are in addition shaped by experiences of meritocratic recognition, especially meaningful for socially disadvantaged men. Gandal furthermore contextualizes the sole World War I novel by an African American veteran, Victor Daly, revealing a complex experience of both army discrimination and empowerment among the French. Finally, Gandal explores three women writers—Katherine Anne Porter, Willa Cather, and Ellen La Motte—who saw the war create frontline opportunities for women while allowing them to be arbiters of masculinity at home. Ultimately, War Isn’t the Only Hell shows how American World War I literature registered the profound ways in which new military practices and a foreign war unsettled traditional American hierarchies of class, ethnicity, gender, and even race.