In the twenty-first century, the consumption of beauty services and cosmetic surgery in Turkey has developed from an elite phenomenon to an increasingly common practice, especially among younger and middle-aged women. Turkey now ranks among the top countries worldwide with the highest number of cosmetic procedures, and with its cultural and economic capital, Istanbul has become a regional center for the beauty and fashion industries. Istanbul Appearances illustrates the profound effects of this growing market on urban residents’ body images, gendered norms, and practices. Drawing upon extensive fieldwork carried out in beauty salons and clinics in different parts of the city, Liebelt explores how standards of femininity and female desire have shifted since the consolidation of power and authoritarian rule of the conservative, Islamic Justice and Development Party. Arguing that the politics of beauty are intricately bound up with the politics of race, class, gender, and sexuality, Liebelt shows that female bodies have become a major site for the negotiation of citizenship. It is in the numerous beauty salons and clinics that heteronormative ideals and images of gendered bodies become real, embodied in a complex array of emotional desires of who and what is considered not only beautiful but also morally proper.

Reform, Notation and Ottoman Music in Early 19th Century Istanbul: EUTERPE presents the first complete set of transcription and edition of Euterpe (1830) from Byzantine neumatic notation into the modified staff notation used by classical Turkish music and is accompanied by a substantial examination of the related historical, theoretical and musical topics. Through a series of Ottoman/Turkish classical vocal music compositions that can be dated to the 18th and 19th centuries, Euterpe and related sources reinforce a much broader picture of musical practice and transmission in which we clearly see that the Greek and Turkish traditions are linked. Reform, Notation and Ottoman Music in Early 19th Century Istanbul is presented in two parts: historical discussion and musical analysis, and complete transcription and edition of Euterpe. This book will appeal to music scholars and university students interested in minorities, cosmopolitanism in the Middle East and Balkans, the relationship between music and national identity, musical notation, classical Ottoman/Turkish music, Byzantine music, and, most significantly, ethnomusicology.

This handbook unravels the complexities of the global and local entanglements of race, gender and intersectionality within racial capitalism in times of #MeToo, #BlackLivesMatter, the Chilean uprising, Anti-Muslim racism, backlash against trans and queer politics, and global struggles against modern colonial femicide and extractivism. Contributors chart intersectional and decolonial perspectives on race and gender research across North America, Europe, Latin America, the Caribbean, and South Africa, centering theoretical understandings of how these categories are imbricated and how they operate and mean individually and together. This book offers new ways to think about what is absent/present and why, how erasure works in historical and contemporary theoretical accounts of the complexity of lived experiences of race and gender, and how, as new issues arise, intersectionalities (re)emerge in the politics of race and gender. This handbook will be of interest to students and scholars across the social sciences and humanities.