Subtitled `The dynamics of prehistoric adaptations within the arid zone of Australia' this book reports on the author's research within the semitropical desertlands at the interphase of the Little and Great Sandy Deserts of north-western Australia.

A house by the sea should be a house of dreams. Where windows and doors are thrown open to the ocean, and gusts of cool, salty air turn us all into kids again--buoyant and joyful. Spending childhood days on the beach and in the magical, romantic chaos of her family's rambling house internationally renowned interior designer Celerie Kemble has a deep-rooted connection to the sun and surf. However, in the summer of 2004, Kemble laid eyes on a wild swath of jungle in the Dominican Republic next to minty-blue water and an endless stretch of golden sand, she fell madly in love. Over many years, she designed a home away from home there, an island retreat--a clubhouse and a grouping of family homes and guesthouses--suffused with light and air, full of indoor and outdoor rooms for relaxation. In her latest book, Island Whimsy, Kemble recounts the deeply personal and creative journey of designing Playa Grande and bringing this labor of love to life. The chapters of this book are organized around the different ways Kemble sought to braid her family's story into the larger landscape of Playa Grande and to provide inspiration, joy, and respite to all who come. "Fantasy" looks at the way she used whimsical, dreamlike elements--from the latticework cabanas by the pool to the lamb statues on the property who "mow" the lawns--throughout the property to create a sense of play and possibility. "Light, Salt, Air" describes how she went about bringing the most precious elements of the beach into the homes themselves, creating a feeling of flow and permeability, and reminding visitors constantly of where they are. "In the Jungle" looks at the design cues she took from the flora and fauna of the tropical rainforest surrounding Playa Grande to create an alluring tension between chaos and refinement. "Sweet & Dark" examines the surprising color combinations that tango into life in the tropics--whether in the form of tribal prints in hot Gauguin colors mixed with Jordan-almond pastels or handmade objects like a papier-mâché lobster mask that brings a shout of spirit to a room. Finally, "Texture" focuses on the powerful impact that thoughtfully layered materials--from rough, local coquina stone and painted antique wicker to the smooth polished cotton of Dutch wax prints--have on a space. Throughout this lovingly crafted book, ideas abound for anyone decorating a sunny home or fantasizing about spending time in one. Kemble shares inspiration for creating a sense of openness to the sea, sand, and sky; offering places to wash sandy feet or perfect viewing spots for a sunset-saturated drink; and infusing spaces with invitation, welcome, and magic.

If you think Hawaiian interiors begin and end with floral patterns and a little rattan, think again. Hawaii's best designed rooms exude warmth and comfort while protecting privacy and giving artistic expression to their inhabitants. First in every islander's mind is a love of their natural surroundings and a desire to connect to the environment. Situated in the middle of the Pacific Ocean, Hawaii has for centuries been inspired by the cultures of the Pacific Rim, influenced by both Asia and the United States. Hawaii's leading interior designer, Mary Philpotts McGrath, shows you how to get an easy, stylish island look. Peek inside the homes of many of her firm's clients and her good friends. She shows that Hawaiian design is timeless, with a connection to place that transcends fads and fashions.

Far off the coast of California looms a harsh rock known as the island of San Nicholas. Dolphins flash in the blue waters around it, sea otter play in the vast kep beds, and sea elephants loll on the stony beaches. Here, in the early 1800s, according to history, an Indian girl spent eighteen years alone, and this beautifully written novel is her story. It is a romantic adventure filled with drama and heartache, for not only was mere subsistence on so desolate a spot a near miracle, but Karana had to contend with the ferocious pack of wild dogs that had killed her younger brother, constantly guard against the Aleutian sea otter hunters, and maintain a precarious food supply. More than this, it is an adventure of the spirit that will haunt the reader long after the book has been put down. Karana's quiet courage, her Indian self-reliance and acceptance of fate, transform what to many would have been a devastating ordeal into an uplifting experience. From loneliness and terror come strength and serenity in this Newbery Medal-winning classic.

White duck, boldly colored fabrics in solids, stripes, and jaunty prints, rattan and cane seating, whitewashed or colorfully painted English case furniture, canopied beds, straw matting--these are but some of the signature ingredients of an Amanda Lindroth interior. The Florida-born designer decamped to Nassau some 20 years ago after stints in New York and London. Since she founded her firm in 2010, she has become the go-to designer of island dwellers from Lyford Cay to Antigua, Abaco to Belize, Harbour Island to Palm Beach, and Southampton to Great Cranberry Island in Maine. Her airy, relaxed, indoor-outdoor aesthetic--a hybrid that merges colonial and island influences--is apparent in every one of the 30 projects featured in Island Hopping. With photographs by the masterly Tria Giovan, herself an island native, and charming illustrations by the gifted Aldous Bertram, the book is the visual equivalent of an island getaway.

This innovative collection of essays explores the ways in which islands have been used, imagined and theorised, both by island dwellers and continentals. This study considers how island dwellers conceived of themselves and their relation to proximate mainlands, and examines the fascination that islands have long held in the European imagination. The collection addresses the significance of islands in the Atlantic economy of the eighteenth century, the exploration of the Pacific, the important role played by islands in the process of decolonisation, and island-oriented developments in postcolonial writing. Islands were often seen as natural colonies or settings for ideal communities but they were also used as dumping grounds for the unwanted, a practice which has continued into the twentieth century. The collection argues the need for an island-based theory within postcolonial studies and suggests how this might be constructed. Covering a historical span from the eighteenth to the twentieth century, the contributors include literary and postcolonial critics, historians and geographers.

Collection of the monthly climatological reports of the United States by state or region, with monthly and annual national summaries.

This monograph reports the results of archaeological investigations undertaken in the Northern Moluccas Islands (the Indonesian Province of Maluku Utara) by Indonesian, New Zealand and Australian archaeologists between 1989 and 1996. Excavations were undertaken in caves and open sites on four islands (Halmahera, Morotai, Kayoa and Gebe). The cultural sequence spans the past 35,000 years, commencing with shell and stone artefacts, progressing through the arrival of a Neolithic assemblage with red-slipped pottery, domesticated pigs and ground stone adzes around 1300 BC, and culminating in the appearance of Metal Age assemblages around 2000 years ago. The Metal Age also appears to have been a period of initial pottery use in Morotai Island, suggesting interaction between Austronesian-speaking and Papuan-speaking communities, whose descendants still populate these islands today. The 13 chapters in the volume have multiple authors, and include site excavation reports, discussions of radiocarbon chronology, earthenware pottery, lithic and non-ceramic artefacts, worked shell, animal bones, human osteology and health.