Studienarbeit aus dem Jahr 2013 im Fachbereich Amerikanistik - Literatur, , Sprache: Deutsch, Abstract: America is undoubtedly one of the biggest players in international politics and foreign affairs. Its military involvement in the Fight for Freedom in Iraq and Afghanistan has cost America much international reputation though. In a poll, conducted by The BBC in 2007, America was ranked fourth in the list of the most unpopular countries in the world, with worldviews continuing to worsen. Only Israel, Iran and North Korea turned out to have an even worse reputation in the public eye. But how come? America has always pictured itself as the pioneer of freedom, the beacon of human rights and the figurehead of righteousness and humanity in the fight against al-Qaida. However, this freedom and the human rights that America proclaims to stand for have slowly been falling apart since 9/11. The image of the American dream or the city upon a hill is crumbling under the weight of America’s foreign policies, post-9/11 law enforcement and public scaremongering of people perceived Arab. These circumstances raise a significant question: Where does America’s fear and hatred toward Islam (Islamophobia) come from? As a matter of fact, after 9/11, America faced an increasing trend towards Islamophobia and otherization of Muslim and Arab American, which is still ongoing. Statics show that in the months following 9/11 hate crimes against Muslims and people perceived to be Arab increased to 40 times their pre-9/11 number. Public and workplace discrimination against Muslims had already quadrupled a year after 9/11. The scaremongering of Arabs as the “terrorist among us” was also greatly fueled by media representations and new laws, such as the USA PATRIOT ACT that legalized interventions with civil law of alleged Arabs and Arab-Americans and thus legitimized public racism. The fear of Islam led to discrimination, otherization a random detentions and deportations of many Arabs and Muslims. This public hysteria, fueled by propagandist media representation, increased the already pre-existing negative stereotypes of Arabs and Muslims.

How Muslim-American identity has been shaped by 9/11 and its after-effects.

"Bakalian and Bozorgmehr provide a comprehensive account of the processes by which certain American religious and ethnic groups were transformed into scapegoats and objects of hate."—Herbert J. Gans, Robert S. Lynd Emeritus Professor of Sociology, Columbia University "The recent history of the United States has taken many strange, unexpected turns, not least of which was the way in which the tragedy of 9/11/2001 triggered a backlash against the Middle Easterners living in the United States, which, in turn, pushed this population into activism and transforming them into full Americans. Bakalian and Bozorgmehr's humane and beautifully written book is the essential window into this process, providing a fascinating, original account of an important aspect of contemporary American life."—Roger Waldinger, Distinguished Professor of Sociology, University of California, Los Angeles "This is the first truly comprehensive look at the challenges faced by the Middle Eastern and Muslim American organizations defending the rights and liberties of their constituents in the aftermath of 9/11."—Muzaffar Chishti, Director, Migration Policy Institute Office at New York University School of Law "Bakalian and Bozorgmehr cast the post-9/11 backlash unleashed by American society and government against Muslims and Arab-Americans in a comparative historical perspective. This indispensable work concludes, somewhat unexpectedly, that rather than foster alienation, the backlash prompted a mobilization of the targeted groups to seek greater integration in American society."—Aristide Zolberg, Walter Eberstadt Professor of Political Science, New School University “Bakalian and Bozorgmehr have captured the untold story of how the tragedy of 9/11 altered the landscape for Middle Eastern communities in America. The quality and scope of this research not only documents a critical chapter in our nation's struggle with tolerance and racial profiling, it brings to light the deep impact the backlash continues to have on the ethnic and religious institutions that serve the affected populations. It is a thorough and timely chronicle of the internal and external challenges to American pluralism during the ongoing 'war on terror'.”—Helen Samhan, Executive Director, Arab American Institute Foundation

In an era of rampant Islamophobia, what do literary representations of Muslims and anti-Muslim bigotry tell us about changing concepts of cultural difference? In Islamophobia and the Novel, Peter Morey analyzes how recent works of fiction have framed and responded to the rise of anti-Muslim prejudice, showing how their portrayals of Muslims both reflect and refute the ideological preoccupations of media and politicians in the post-9/11 West. Islamophobia and the Novel discusses novels embodying a range of positions—from the avowedly secular to the religious, and from texts that appear to underwrite Western assumptions of cultural superiority to those that recognize and critique neoimperial impulses. Morey offers nuanced readings of works by John Updike, Ian McEwan, Hanif Kureishi, Monica Ali, Mohsin Hamid, John le Carré, Khaled Hosseini, Azar Nafisi, and other writers, emphasizing the demands of the literary marketplace for representations of Muslims. He explores how depictions of Muslim experience have challenged liberal assumptions regarding the novel’s potential for empathy and its ability to encompass a variety of voices. Morey argues for a greater degree of critical self-consciousness in our understanding of writing by and about Muslims, in contrast to both exclusionary nationalism and the fetishization of difference. Contemporary literature’s capacity to unveil the conflicted nature of anti-Muslim bigotry expands our range of resources to combat Islamophobia. This, in turn, might contribute to Islamophobia’s eventual dismantling.

A critically acclaimed analysis of anti-Muslim racism from the sixteenth to the twenty-first centuries, in a fully revised and expanded second edition In this incisive account, leading scholar of Islamophobia Deepa Kumar traces the history of anti-Muslim racism from the early modern era to the “War on Terror.” Importantly, Kumar contends that Islamophobia is best understood as racism rather than as religious intolerance. An innovative analysis of anti-Muslim racism and empire, Islamophobia argues that empire creates the conditions for anti-Muslim racism, which in turn sustains empire. This book, now updated to include the end of the Trump’s presidency, offers a clear and succinct explanation of how Islamophobia functions in the United States both as a set of coercive policies and as a body of ideas that take various forms: liberal, conservative, and rightwing. The matrix of anti-Muslim racism charts how various institutions—the media, think tanks, the foreign policy establishment, the university, the national security apparatus, and the legal sphere—produce and circulate this particular form of bigotry. Anti-Muslim racism not only has horrific consequences for people in Muslim-majority countries who become the targets of an endless War on Terror, but for Muslims and those who “look Muslim” in the West as well. With a new foreword by Nadine Naber.

This book presents a range of analytical responses towards 9/11 through a critical review of literary, non-literary and cultural representations. The contributors examine the ways in which this event has shaped and complicated the relationship between various national and religious identities in contemporary world history. Unlike earlier studies on the topic, this work reconciles both eclectic and pragmatic approaches by analyzing the stereotypes of nationhood and identities while also questioning theoretical concepts in the context of the latest political developments. The chapters focus on discourses, themes, imagery and symbolism from across fiction and non-fiction, films, art, music, and political, literary and artistic movements. The volume addresses complexities arising within different local contexts (e.g., Hunza and state development); surveys broader frameworks in South Asia (representations of Muslims in Bollywood films); and gauges international impact (U.S. drone attacks in Islamic countries; treatment meted out to Muslims in Europe). It also connects these with relevant theories (e.g., Orientalism) and policy perspectives (e.g., Patriotic Act). The authors further discuss the consequences for minorities and marginalization, cultural relativism vs. ethnocentrism, the clash of civilizations, fundamentalism, Islamization and post-9/11 ‘Islamophobia’. This book will be useful to scholars and researchers of South Asian literature, Islamic studies, literary criticism, political sociology, anthropology and cultural studies, those in the media and the general reader.

Document from the year 2017 in the subject English Language and Literature Studies - Literature, University of Marburg, language: English, abstract: 9/11 novels, post-9/11 novels and Ground Zero Fiction which have a literary closeness of this day suddenly picked up the former colonial concepts of 'Other' and 'Otherness' or 'Center and Periphery' and set them in a context of a shifting, multicultural American population with the task to suddenly re-imagine this 'Other', a task which has hardly been dealt with and if so only on the surface. To do so is a difficult task since this has to be done from a Western perspective and in the light that this 'Other' here is attached to Islam or Muslims. The literary presentation of the 'Other' as a Muslim remains a painful step since it also has to examine the ways in which knowledge is manipulated by dominant Western and Muslim discourses but it helps to bring in new energy into the postcolonial discourse being shaped by critics such as Said, Spivak or Foucault. Thus fiction related to 9/11 must not only stay on the level of shock or individual or collective trauma it can also be seen as a starting point for new cultural and critical debates how to deal and write about the terror attacks of that day and how to see the Muslim as the 'Other' in a more objective light. How this can be done will be one central part of this book which starts with a general remark of Muslim writing before and after 9/11 and a short reflection of different types of novels dealing with it. A next step lies in the task to critically reflect the presentation of Muslims in 9/11 fiction in the USA and Canada. This will be followed by an analysis of parameters typical for Muslim existence. A closer analysis will then be followed by three novels dealing with matters of 'Otherness', The Reluctant Fundamentalist (2007), Cockroach (2008) and Atta (2011). The final step then will be to give an outlook of the matter discussed here. The choice of the three novels analyzed here followed one basic principle namely that all selected authors are male and dispose of a different cultural and religious background with Islam as the common glue. [...]

Argues that anti-Muslim activity reveals how fear is corroding core American values In a 2018 national poll, over ninety percent of respondents reported that treating people equally is an essential American value. Almost eighty percent said accepting people of different racial backgrounds is very important. Yet about half of the general public reported that they doubt whether Muslims can truly dedicate themselves to American values and society. Why do many people who say they believe in equality and acceptance of those of different backgrounds also think that Muslims could be an exception to that rule? In Fear in Our Hearts, Caleb Iyer Elfenbein examines Islamophobia in the United States, positing that rather than simply being an outcome of the 9/11 attacks, anti-Muslim activity grows out of a fear of difference that has always characterized US public life. Elfenbein examines the effects of this fear on American Muslims, as well as describing how it works to shape and distort American society. Drawing on over 1,800 news reports documenting anti-Muslim activity, Elfenbein pinpoints trends, draws connections to the broader histories of immigration, race, identity, belonging, and citizenship in the US, and examines how Muslim communities have responded. In the face of public fear and hate, American Muslim communities have sought to develop connections with non-Muslims through unprecedented levels of community transparency, outreach, and public engagement efforts. Despite the hostile environment that has made these efforts necessary, American Muslims have faced down their own fears to offer a model for building communities and creating more welcoming conditions of public life for everyone. Arguing that anti-Muslim activity tells us as much about the state of core American values in general as it does about the particular experiences of American Muslims, this compelling look at Muslims in America offers practical ideas about how we can create a more welcoming public life for all in our everyday lives.

Muslims in a Post-9/11 America examines how public fears about Muslims in the United States compare with the reality of American Muslims’ attitudes on a range of relevant issues. While most research on Muslim Americans focuses on Arab Muslims, a quarter of the Muslim American population, Rachel Gillum includes perspectives of Muslims from various ethnic and national communities—from African Americans to those of Pakistani, Iranian, or Eastern European descent. Using interviews and one of the largest nationwide surveys of Muslim Americans to date, Gillum examines more than three generations of Muslim American immigrants to assess how segments of the Muslim American community are integrating into the U.S. social fabric, and how they respond to post-9/11 policy changes. Gillum’s findings challenge perceptions of Muslims as a homogeneous, isolated, un-American, and potentially violent segment of the U.S. population. Despite these realities, negative political rhetoric around Muslim Americans persists. The findings suggest that the policies designed to keep America safe from terrorist attacks may have eroded one of law enforcement’s greatest assets in the fight against violent extremism—a relationship of trust and goodwill between the Muslim American community and the U.S. government. Gillum argues for policies and law enforcement tactics that will bring nuanced understandings of this diverse category of Americans and build trust, rather than alienate Muslim communities.

Master's Thesis from the year 2016 in the subject English Language and Literature Studies - Literature, grade: 9.2, University of Hyderabad (school of humanities,centre for comparative literature), course: MA, language: English, abstract: This book is about Arab Anglophone fiction produced after 9/11 in the United States. It attempts to analyze how the writers of such a period portray the life of Arab Americans in a post-9/11 America. It shows how Arab Americans dealt with the consequences of 9/11. It reflects several aspects that characterize Arab American writing as a diasporic narrative, such as memory and home, racialization, anti-Arab sentiment and urgency of expression, and how Arab Americans responded to the terrorist attack of 9/11. The study also investigates the role of Anglophone Arab fiction in paving the way for more intercultural understanding and attempting to de-orientalize the Arab. What I found is that some writers often try to negotiate with the American culture in order to arrive at an identity that incorporates multiple elements from both the culture of origin and the host culture. Hybrid and cosmopolitan in their approach, such writers also attempt to be cultural mediators, and they show much concern about subverting the normative judgment and stereotypical image that has fixed the Arab American. Works of fiction produced by Anglophone Arab writers, such as Laila Halaby’s Once in a Promised Land, Rabih Alameddine’s The Hakawati, and Alia Yunis’ The Night Counter represented how Arab Americans faced difficulties after 9/11 in terms of identity construction, cultural identification, and the conflicting sense of belonging and non-belonging. These works genuinely depict the life of Arab Americans and give a better understanding of who Arabs are. They also interlink both the Arab culture and American culture, celebrating both cultural identities.