In this 2013 book (now reissued for the first time) bestselling author and broadcaster Douglas Murray, with trademark wit, delivers an alarming analysis of the post-9/11 world. It is a devastating satire on the climate of fear in the West today. Murray's analysis is wildly entertaining yet ultimately profound:"If absolutely everybody in the world agrees on something - from the President of the United States to most film-stars, pop-stars, Popes, Bishops, atheists, writers, film-makers, brain-boxes and everyone else - then surely they must be right. Well, no. I think they are wrong. Wildly, terribly, embarrassingly and dangerously wrong, " writes Murray.ISLAMOPHILIA shows how so many of the celebrities above, have, at some point chosen to abandon any hope or wish to criticize Islam and instead decided to profess some degree of love for it. Love, that Murray points out in the book, is often irrational and certainly misguided: Murray is not afraid to name and shame, and the book's tour includes Sebastian Faulks and Martin Amis, Boris Johnson, South Park, Tony Blair, Ridley Scott, David Cameron, Liam Neeson, Justin Bieber, Random House Publishers, the BBC, Richard Dawkins, the Prince of Wales and even George Bush. Yes, George Bush."They may have done this for a range of good and bad reasons. Some of them have to done it to save other people. Some of them have done it to save themselves. Some of them have done it because they are too stupid to do anything else and others because clever people can be really dumb at times."Murray goes on to detail the extraordinary strategic cultural efforts made in recent years to "rewrite the last few millennia of history, minimising and denigrating the impact of actual scientists and promoting the claims of Islamic proselytisers". And he has fighting words for the version of history depicted by Ridley Scott and others in Hollywood.Artists and writers have been caught off-guard, he alleges, "Having poked at empty hornets nests for so many years they have forgotten the courage required to do the necessary poking at full ones."He concludes, "Let's be clear. For the record I don't think everybody needs to spend their time being offensive about Islam. Not only is there no need to be offensive all the time, but most Muslims just want to get on with their lives as peacefully and successfully as everybody else. But there is an un-evenness in our societies that needs to be righted...to think that the answer to any criticism of Islam or Muslims is a delegitimizing of critics and an indulgence in self-pity is not to make an advance. It is to pave the way for self-harm. For all of us.Where people are telling lies we should not be fearful to correct them. And where people are fearful - and genuine reasons to be so do keep coming along - people should remind themselves of something. Which is that just as bravery in one person instills bravery in others, so cowardice in one person has a tendency to be catching."

The Strange Death of Europe is the internationally bestselling account of a continent and a culture caught in the act of suicide, now updated with new material taking in developments since it was first published to huge acclaim. These include rapid changes in the dynamics of global politics, world leadership and terror attacks across Europe. Douglas Murray travels across Europe to examine first-hand how mass immigration, cultivated self-distrust and delusion have contributed to a continent in the grips of its own demise. From the shores of Lampedusa to migrant camps in Greece, from Cologne to London, he looks critically at the factors that have come together to make Europeans unable to argue for themselves and incapable of resisting their alteration as a society. Murray's "tremendous and shattering" book (The Times) addresses the disappointing failures of multiculturalism, Angela Merkel's U-turn on migration, the lack of repatriation and the Western fixation on guilt, uncovering the malaise at the very heart of the European culture. His conclusion is bleak, but the predictions not irrevocable. As Murray argues, this may be our last chance to change the outcome, before it's too late.

In this 2013 book (now reissued for the first time) bestselling author and broadcaster Douglas Murray, with trademark wit, delivers an alarming analysis of the post-9/11 world. It is a devastating satire on the climate of fear in the West today. Murray's analysis is wildly entertaining yet ultimately profound:"If absolutely everybody in the world agrees on something - from the President of the United States to most film-stars, pop-stars, Popes, Bishops, atheists, writers, film-makers, brain-boxes and everyone else - then surely they must be right. Well, no. I think they are wrong. Wildly, terribly, embarrassingly and dangerously wrong, " writes Murray.ISLAMOPHILIA shows how so many of the celebrities above, have, at some point chosen to abandon any hope or wish to criticize Islam and instead decided to profess some degree of love for it. Love, that Murray points out in the book, is often irrational and certainly misguided: Murray is not afraid to name and shame, and the book's tour includes Sebastian Faulks and Martin Amis, Boris Johnson, South Park, Tony Blair, Ridley Scott, David Cameron, Liam Neeson, Justin Bieber, Random House Publishers, the BBC, Richard Dawkins, the Prince of Wales and even George Bush. Yes, George Bush."They may have done this for a range of good and bad reasons. Some of them have to done it to save other people. Some of them have done it to save themselves. Some of them have done it because they are too stupid to do anything else and others because clever people can be really dumb at times."Murray goes on to detail the extraordinary strategic cultural efforts made in recent years to "rewrite the last few millennia of history, minimising and denigrating the impact of actual scientists and promoting the claims of Islamic proselytisers". And he has fighting words for the version of history depicted by Ridley Scott and others in Hollywood.Artists and writers have been caught off-guard, he alleges, "Having poked at empty hornets nests for so many years they have forgotten the courage required to do the necessary poking at full ones."He concludes, "Let's be clear. For the record I don't think everybody needs to spend their time being offensive about Islam. Not only is there no need to be offensive all the time, but most Muslims just want to get on with their lives as peacefully and successfully as everybody else. But there is an un-evenness in our societies that needs to be righted...to think that the answer to any criticism of Islam or Muslims is a delegitimizing of critics and an indulgence in self-pity is not to make an advance. It is to pave the way for self-harm. For all of us.Where people are telling lies we should not be fearful to correct them. And where people are fearful - and genuine reasons to be so do keep coming along - people should remind themselves of something. Which is that just as bravery in one person instils bravery in others, so cowardice in one person has a tendency to be catching."

THE SUNDAY TIMES BESTSELLER Updated with a new afterword "An excellent take on the lunacy affecting much of the world today. Douglas is one of the bright lights that could lead us out of the darkness." – Joe Rogan "Douglas Murray fights the good fight for freedom of speech ... A truthful look at today's most divisive issues" – Jordan B. Peterson Are we living through the great derangement of our times? In The Madness of Crowds Douglas Murray investigates the dangers of 'woke' culture and the rise of identity politics. In lively, razor-sharp prose he examines the most controversial issues of our moment: sexuality, gender, technology and race, with interludes on the Marxist foundations of 'wokeness', the impact of tech and how, in an increasingly online culture, we must relearn the ability to forgive. One of the few writers who dares to counter the prevailing view and question the dramatic changes in our society – from gender reassignment for children to the impact of transgender rights on women – Murray's penetrating book, now published with a new afterword taking account of the book's reception and responding to the worldwide Black Lives Matter protests, clears a path of sanity through the fog of our modern predicament.

WITH A NEW FOREWORD AND REVISED INTRODUCTION 'A superb biography ... full of compassion, perception' Roger Lewis, The Times 'I love this book. Douglas Murray is a genius' Rupert Everett Lord Alfred Douglas, known as 'Bosie', son of the Marquess of Queensberry, was known as one of the most beautiful young men of his generation. Aged twenty-one he met and became the lover and subsequent obsession of Oscar Wilde. Their relationship caused a scandal in 1895 when Wilde took Queensberry, Douglas's aggressive father, to court for libel. When the details of their relationship were aired in court, Wilde was convicted of gross indecency and later imprisoned. Wilde's story is well known, but this is the first book to tell it fully from Douglas's perspective. Written, and originally published in 2000, with access to never-before-seen papers , Bosie explores the contradictions, tensions and turmoils of Douglas's life with Wilde and beyond as a poet, husband and father. This compelling biography uncovers the life of one of the most notorious figures in literary history, and its course from gilded beautiful youth to semi-reclusive outcast, at the time of Douglas's death in 1945.

We, in the West in general, and the United States in particular, have witnessed over the last twenty years a slow erosion of our civilizational self-confidence. Under the influence of intellectuals and academics in Western universities, intellectuals such as Gore Vidal, Susan Sontag, Edward Said, and Noam Chomsky, and destructive intellectual fashions such as post-modernism, moral relativism, and mulitculturalism, the West has lost all self-confidence in its own values, and seems incapable and unwilling to defend those values. By contrast, resurgent Islam, in all its forms, is supremely confident, and is able to exploit the West's moral weakness and cultural confusion to demand ever more concessions from her. The growing political and demographic power of Muslim communities in the West, aided and abetted by Western apologists of Islam, not to mention a compliant, pro-Islamic US Administration, has resulted in an ever-increasing demand for the implementation of Islamic law-the Sharia- into the fabric of Western law, and Western constitutions. There is an urgent need to examine why the Sharia is totally incompatible with Human Rights and the US Constitution. This book , the first of its kind, proposes to examine the Sharia and its potential and actual threat to democratic principles. This book defines and defends Western values, strengths and freedoms often taken for granted. This book also tackles the taboo subjects of racism in Asian culture, Arab slavery, and Islamic Imperialism. It begins with a homage to New York City, as a metaphor for all we hold dear in Western culture- pluralism, individualism, freedom of expression and thought, the complete freedom to pursue life, liberty and happiness unhampered by totalitarian regimes, and theocratic doctrines.

While others are blaming it for foreign policy failures and attacking it as a Jewish cabal, Murray argues that the West needs neo-conservatism more than ever.

The very human stories from one of the most catastrophic events in the modern history of the United Kingdom.

Examines how the erosion of traditional British identity and the appeasement of radical Islamic groups has encouraged the growth of Islamic extremism in Great Britain and made London a hub for terrorist recruitment and activity in Europe.

Three lives, three pebbles dropped into the sea, the ripples converging into transient patterns of interconnection as they each try to come to terms with their fragility and search for meaning. This search ultimately leads them all back to the boathouse, to rediscover the profound impact it had upon their lives. The Boathouse is a story about the healing power of writing and our human need to leave something behind to show that our life had meaning, or in Japanese our ikigai, our reason for living. The novel is in three parts as the three main protagonists take it in turns to describe their life in an old boathouse on the west coast of Hokkaido. A wandering beggar, a young fisherwoman, and an old poet, united in their experience of the healing power of telling the story of their time in the boathouse.