This book deals with the unconventional love of father to his daughter... See how a father's unconventional love leads him where... How a daughter appears after her death........

"This tense wire of a novel thrums with suspense. . . . [this book] just might be the highlight of your summer.”–The New York Times Cheryl Strayed's Wild meets The Revenant in this heart-pounding story of survival and revenge in the unforgiving wilderness. After: Jess is alone. Her cabin has burned to the ground. She knows if she doesn’t act fast, the cold will kill her before she has time to worry about food. But she is still alive—for now. Before: Jess hadn’t seen her survivalist, off-the-grid dad in over a decade. But after a car crash killed her mother and left her injured, she was forced to move to his cabin in the remote Canadian wilderness. Just as Jess was beginning to get to know him, a secret from his past paid them a visit, leaving her father dead and Jess stranded. After: With only her father’s dog for company, Jess must forage and hunt for food, build shelter, and keep herself warm. Some days it feels like the wild is out to destroy her, but she’s stronger than she ever imagined. Jess will survive. She has to. She knows who killed her father…and she wants revenge.

Is she still alive?: scintillating tales for women of a certain age. In 2003 tessa Duder spent six months in Europe as the recipient of the Katherine Mansfield Memorial Fellowship. Internationally renowned for her superb childrens' and young adult novels, tessa used her time in Menton to write something very different. the result is a superb collection of thirteen stories for women who have moved beyond youth and into maturity, who have seen and experienced much of what life has to offer, and wear their years with pride. the wonderful, wise and witty women she has created will strike a chord with their tales of loves and dreams they have lived and lost, their tragedies and their triumphs and most of all, their enduring spirit and often unexpected strength. Is she still alive is the question women of a certain age hear all too often - in tessa Duder's wonderful new stories the answer is a resounding yes.

“Enchanting . . . Diana Athill, 98, still has a few things to teach us about growing old with dignity and humor and grace . . . Astute and sparkling.”—Associated Press Several years ago, Diana Athill accepted that she could no longer live entirely independently, and moved to a retirement home in Highgate. Released from the daily anxieties of caring for her own property and free to settle into her remaining years, she reflects on what it feels like to be very old, and on the moments in her long life that have risen to the surface and which sustain her in these last years. What really matters in the end? Which memories stand out? As she approaches her 100th year, Athill recalls in sparkling, precise detail the exact layout of the garden of her childhood, a vast and beautiful park attached to a large house; relates with humor, clarity and honesty her experiences of the First and Second World Wars and her trips to Europe as a young woman; and in the remarkable title chapter, describes her pregnancy at the age of forty-three, losing the baby and almost losing her life—and her gratitude and joy on discovering that she had survived. Alive, Alive Oh! is “so beautifully written and exquisitely detailed . . . [Athill] mines her memories of a life well-lived and generously lays them out on the page for the rest of the world to enjoy” (Star Tribune). “Witty, candid . . . If you haven’t read Athill, and open her latest book expecting serene reflections from a nonagenarian sipping tea in her garden, you’re in for a surprise.”—San Francisco Chronicle

Stella Cross's heart is poisoned. After years on the transplant waiting list, she's running out of hope that she'll ever see her eighteenth birthday. Then, miraculously, Stella receives the transplant she needs to survive. Determined to embrace everything she came so close to losing, Stella throws herself into her new life. But her recovery is marred with strange side effects: Nightmares. Hallucinations. A recurring pain that flares every day at the exact same moment. Then Stella meets Levi Zin, the new boy on everyone's radar at her Seattle prep school. Stella has never felt more drawn to anyone in her life, and soon she and Levi can barely stand to be apart. Stella is convinced that Levi is her soul mate. Why else would she literally ache for him when they are apart? After all, the heart never lies...does it?

A controversial bestseller likened to Primo Levi and Elie Wiesel, Still Alive is a harrowing and fiercely bittersweet Holocaust memoir of survival: "a book of breathtaking honesty and extraordinary insight" (Los Angeles Times). Swept up as a child in the events of Nazi-era Europe, Ruth Kluger saw her family's comfortable Vienna existence systematically undermined and destroyed. By age eleven, she had been deported, along with her mother, to Theresienstadt, the first in a series of concentration camps which would become the setting for her precarious childhood. Interwoven with blunt, unsparing observations of childhood and nuanced reflections of an adult who has spent a lifetime thinking about the Holocaust, Still Alive rejects all easy assumptions about history, both political and personal. Whether describing the abuse she met at her own mother's hand, the life-saving generosity of a woman SS aide in Auschwitz, the foibles and prejudices of Allied liberators, or the cold shoulder offered by her relatives when she and her mother arrived as refugees in New York, Kluger sees and names an unexpected reality which has little to do with conventional wisdom or morality tales. "Among the reasons that Still Alive is such an important book is its insistence that the full texture of women's existence in the Holocaust be acknowledged, not merely as victims. . . . [Kluger] insists that we look at the Holocaust as honestly as we can, which to her means being unsentimental about the oppressed as well as about their oppressors." —Washington Post Book World

“Much like Donna Tartt’s The Secret History, M. L. Rio’s sparkling debut is a richly layered story of love, friendship, and obsession...will keep you riveted through its final, electrifying moments.” —Cynthia D’Aprix Sweeney, New York Times bestselling author of The Nest "Nerdily (and winningly) in love with Shakespeare...Readable, smart.” —New York Times Book Review On the day Oliver Marks is released from jail, the man who put him there is waiting at the door. Detective Colborne wants to know the truth, and after ten years, Oliver is finally ready to tell it. A decade ago: Oliver is one of seven young Shakespearean actors at Dellecher Classical Conservatory, a place of keen ambition and fierce competition. In this secluded world of firelight and leather-bound books, Oliver and his friends play the same roles onstage and off: hero, villain, tyrant, temptress, ingénue, extras. But in their fourth and final year, good-natured rivalries turn ugly, and on opening night real violence invades the students’ world of make-believe. In the morning, the fourth-years find themselves facing their very own tragedy, and their greatest acting challenge yet: convincing the police, each other, and themselves that they are innocent. If We Were Villains was named one of Bustle's Best Thriller Novels of the Year, and Mystery Scene says, "A well-written and gripping ode to the stage...A fascinating, unorthodox take on rivalry, friendship, and truth."

Trauma does not just happen to a few unlucky people; it is the bedrock of our psychology. Death and illness touch us all, but even the everyday sufferings of loneliness and fear are traumatic. In The Trauma of Everyday Life renowned psychiatrist and author of Thoughts Without a Thinker Mark Epstein uncovers the transformational potential of trauma, revealing how it can be used for the mind's own development. Epstein finds throughout that trauma, if it doesn't destroy us, wakes us up to both our minds' own capacity and to the suffering of others. It makes us more human, caring and wise. It can be our greatest teacher, our freedom itself, and it is available to all of us. Western psychology teaches that if we understand the cause of trauma, we might move past it while many drawn to Eastern practices see meditation as a means of rising above, or distancing themselves from, their most difficult emotions. Both, Epstein argues, fail to recognize that trauma is an indivisible part of life and can be used as a tool for growth and an ever deeper understanding of change. When we regard trauma with this perspective, understanding that suffering is universal and without logic, our pain connects us to the world on a more fundamental level. Guided by the Buddha's life as a profound example of the power of trauma, Epstein's also closely examines his own experience and that of his psychiatric patients to help us all understand that the way out of pain is through it.