In this work, Belliotti unravels the paradoxes of human existence. The purpose of this philosophical journey is to reveal paths for forging meaningful, significant, valuable, even important lives. By examining notions of The Absurd expressed within Search for the Holy Grail, The Seventh Seal, and The Big Lebowski, the author crafts a working definition of “absurdity.” He then investigates the contributions of classical thinkers such as Shakespeare, Schopenhauer, Nietzsche, Kierkegaard, Tolstoy, Sartre, Camus, as well as philosophers such as Nagel, Feinberg, and Taylor. After arguing that human life is not inherently absurd, Belliotti examines the implications of mortality for human existence, the relationship between subjective and objective meaning, and the persuasiveness of several challenging contemporary renderings of meaningful human lives.

This is an interdisciplinary work that philosophically analyzes concepts such as heroism; practical wisdom; honor; Nietzsche’s notions of will to power, the overman, and the three metamorphoses; Plato’s understanding of love; creating meaning in life; the issue of morally dirty hands in political administration; the relationship between political means and ends; the proper role of positive duties in society; the aspirations of grand strivers; and the linkages between biological, biographical, and autobiographical lives, all in the context of explaining and evaluating the lives and works of fourteen historically significant Italian: Gaius Julius Caesar, Brunetto Latini, Dante Alighieri, Caterina Sforza, Niccolò Machiavelli, Giuseppe Mazzini, Giuseppe Garibaldi, Francesca Cabrini, Gabriele D’Annunzio, Antonio Gramsci, Salvatore Giuliano, Oriana Fallaci, Giovanni Falcone, and Paolo Borsellino. By dissecting the lives and philosophies of the figures discussed in this work, by extracting moral, political, and existential lessons from their aspirations and enterprises, by reflecting on their ideals from the vantage point of our divergent social context, by evaluating their virtues and vices from a wider perspective, and by confronting the conceptual puzzles and social impediments hampering the exercise of practical wisdom and heroism, we may confront the people that we are and reimagine the people we might become.

In this interdisciplinary work, Raymond Angelo Belliotti presents an interpretation of The Godfather as, among other things, a commentary on the transformation of personal identity within the Sicilian and Italian immigrant experience. The book explores both the novel and the film sequence in terms of an existential conflict between two sets of values that offer competing visions of the world: on the one hand, a nineteenth-century Sicilian perspective grounded in honor and the accumulation of power within a culturally specific family order; and on the other, a twentieth-century American perspective that celebrates individualism and commercial success. Analyzing concepts such as honor, power, will to power, respect, atonement, repentance, forgiveness, and a meaningful life, Belliotti applies these analyses to the cultural understandings transported to America by nineteenth-century Italian immigrants, casting fresh light on Old World allegiances to l'ordine della famiglia (the family order), la via vecchia (the old way), and the patriarchal ideal of uomo di pazienza (the man of patience), as well as the Sicilian code of honor. The two sets of values—Old World Sicilian and twentieth-century American—coalesce uneasily in the same cultural setting, and their conflict is irresolvable.

Belliotti analyzes the role of positive duties in moral theory, the efficacy of theocratic republicanism, strategies for political revolutions, the implications of an enduring Sicilian ethos, and the profits and perils of the individual-community continuum, while distinctively interpreting the lives and ideologies of Mazzini, Gramsci, and Giuliano.

Recovering the forgotten discipline of Natural Philosophy for the modern world This book argues for the retrieval of 'natural philosophy', a concept that faded into comparative obscurity as individual scientific disciplines became established and institutionalized. Natural philosophy was understood in the early modern period as a way of exploring the human relationship with the natural world, encompassing what would now be seen as the distinct disciplines of the natural sciences, mathematics, music, philosophy, and theology. The first part of the work represents a critical conversation with the tradition, identifying the essential characteristics of natural philosophy, particularly its emphasis on both learning about and learning from nature. After noting the factors which led to the disintegration of natural philosophy during the nineteenth century, the second part of the work sets out the reasons why natural philosophy should be retrieved, and a creative and innovative proposal for how this might be done. This draws on Karl Popper's 'Three Worlds' and Mary Midgley's notion of using multiple maps in bringing together the many aspects of the human encounter with the natural world. Such a retrieved or 're-imagined' natural philosophy is able to encourage both human attentiveness and respectfulness towards Nature, while enfolding both the desire to understand the natural world, and the need to preserve the affective, imaginative, and aesthetic aspects of the human response to nature.

While Plato recommended expelling poets from the ideal society, W. H. Auden famously declared that poetry makes nothing happen. The 19 contributions to the present book avoid such polarized views and, responding in different ways to the “ethical turn” in narrative theory, explore the varied ways in which narratives encourage readers to ponder matters of right and wrong. All work from the premise that the analysis of narrative ethics needs to be linked to a sensitivity to esthetic (narrative) form. The ethical issues are accordingly located on different levels. Some are clearly presented as thematic concerns within the text(s) considered, while others emerge through (or are generated by) the presentation of character and event by means of particular narrative techniques. The objects of analysis include such well-known or canonical texts as Biblical Old Testament stories, Mark Twain’s Huckleberry Finn, J. R. R. Tolkien’s The Lord of the Rings, Vladimir Nabokov’s Lolita, Jonathan Littell’s The Kindly Ones, Ann Radcliffe’s The Italian and Matthew Lewis’s The Monk. Others concentrate on less-well-known texts written in languages other than English. There are also contributions that investigate theoretical issues in relation to a range of different examples.

Explores the search for life's meaning in contemporary philosophy and in Jewish thought, bringing the two into mutual, respectful conversation.

This book is open access and available on www.bloomsburycollections.com. It is funded by Knowledge Unlatched. Philosophy in a Meaningless Life provides an account of the nature of philosophy which is rooted in the question of the meaning of life. It makes a powerful and vivid case for believing that this question is neither obscure nor obsolete, but reflects a quintessentially human concern to which other traditional philosophical problems can be readily related; allowing them to be reconnected with natural interest, and providing a diagnosis of the typical lines of opposition across philosophy's debates. James Tartaglia looks at the various ways philosophers have tried to avoid the conclusion that life is meaningless, and in the process have distanced philosophy from the concept of transcendence. Rejecting all of this, Tartaglia embraces nihilism ('we are here with nothing to do'), and uses transcendence both to provide a new solution to the problem of consciousness, and to explain away perplexities about time and universals. He concludes that with more self-awareness, philosophy can attain higher status within a culture increasingly in need of it.

Until now it has been impossible to read the full story of the relationship between Albert Camus and Jean-Paul Sartre. Their dramatic rupture at the height of the Cold War, like that conflict itself, demanded those caught in its wake to take sides rather than to appreciate its tragic complexity. Now, using newly available sources, Ronald Aronson offers the first book-length account of the twentieth century's most famous friendship and its end. Albert Camus and Jean-Paul Sartre first met in 1943, during the German occupation of France. The two became fast friends. Intellectual as well as political allies, they grew famous overnight after Paris was liberated. As playwrights, novelists, philosophers, journalists, and editors, the two seemed to be everywhere and in command of every medium in post-war France. East-West tensions would put a strain on their friendship, however, as they evolved in opposing directions and began to disagree over philosophy, the responsibilities of intellectuals, and what sorts of political changes were necessary or possible. As Camus, then Sartre adopted the mantle of public spokesperson for his side, a historic showdown seemed inevitable. Sartre embraced violence as a path to change and Camus sharply opposed it, leading to a bitter and very public falling out in 1952. They never spoke again, although they continued to disagree, in code, until Camus's death in 1960. In a remarkably nuanced and balanced account, Aronson chronicles this riveting story while demonstrating how Camus and Sartre developed first in connection with and then against each other, each keeping the other in his sights long after their break. Combining biography and intellectual history, philosophical and political passion, Camus and Sartre will fascinate anyone interested in these great writers or the world-historical issues that tore them apart.

A fresh reflection on what makes life meaningful Most people, including philosophers, tend to classify human motives as falling into one of two categories: the egoistic or the altruistic, the self-interested or the moral. According to Susan Wolf, however, much of what motivates us does not comfortably fit into this scheme. Often we act neither for our own sake nor out of duty or an impersonal concern for the world. Rather, we act out of love for objects that we rightly perceive as worthy of love—and it is these actions that give meaning to our lives. Wolf makes a compelling case that, along with happiness and morality, this kind of meaningfulness constitutes a distinctive dimension of a good life. Written in a lively and engaging style, and full of provocative examples, Meaning in Life and Why It Matters is a profound and original reflection on a subject of permanent human concern.