Is Canada Even Real? is a funny nostalgia trip for Canadians and those poor, tobboganless souls outside our maple-scented borders. This book handily stitches together a fresh national identity based on Canada’s true modern icons. It’s a fun history lesson, and a quirky ode to a quirky land.

This quirky ode to a quirky land is a humorous nostalgia trip and a fun Canadian history lesson couched in a hipster quiz book. If you’ve ever wondered Why is the inuksuk more revered than Wheelchair Jimmy? Does the iconic beaver really represent us better than The Littlest Hobo? Is everyone going canoeing without me or is canoeing way less of a thing than it’s made out to be? then this book is for you. Is Canada even real? It’s a question that’s being asked more and more, thanks to our waterproof, see-through, supposedly maple-scented currency and our improbably hot prime minister’s assertion that Santa lives here. In the age of Google Maps and #factcheck, how could the existence of Canada be questioned? And yet how could a nation that’s the home of toboggans, Drake, and KD exist in the same realm as, say, Belgium or Niger? Is Canada Even Real? examines the cultural factors behind the twenty-first-century monolithic myth of Canada, a nation that is lovable and real — if only in your imagination.

In this outrageous exposae of Canada's secrets, scandals, and occasional awkward lapses in proper etiquette, you'll discover Canada's bizarre history and shocking present. From whether Canadian cuisine and sexuality exist, to instructions on how to write Canadian literature, you'll discover some real stuff about Canada. Honestly. The authors didn't just copy and paste from Wikipedia. Ok, so there may be a few mistakes. But the idea is that this stuff is real. We think.

A teacher, scholar, practitioner, and publicist, Richard Ullman has been a unique and influential figure in U.S. foreign and security policy over the past forty years. This volume, created on the initiative of some of Ullman's most accomplished former students, is less a summing up of his work than a sort of intellectual kaleidoscope held up to his ideas. The result is a spirited and highly readable set of essays on themes relating to U.S. foreign and defense policy in a period of nearly unprecedented dynamism in the international system. The volume includes contributions by David Gompert, I.M. Destler, Michael Doyle, Michael O'Hanlon, and eight other distinguished scholars and practitioners of international relations. Major issues addressed in The Real and the Ideal include: · Changing international conceptions of state sovereignty, governmental legitimacy and ethics, and their relationship to national influence and power · New roles played by military power, including an exploration of emerging guidelines for the use of force in the defense of norms and values that go beyond traditional definitions of national interest · The domestic context for the setting of U.S. foreign and defense policy, including an analysis of recent and heretofore unpublished polling data regarding the public's propensity to support international engagement · Assessments of the effects of alliance relationships on interstate relations, including case studies of trans-Atlantic relations in the post-Cold War period, the foreign policy of the unified Germany, and relations among China, Japan, and Taiwan · A highly original, revisionist assessment of U.S. foreign policy of liberal isolationism in the 1920s, along with lessons for U.S. statesmen and policy makers today. A Council on Foreign Relations book.

The book is a compilation of short vignettes describing certain seen observations from the point of view of one living in an unreal environment and unreal reality except for sometimes far too much of both. It tries to explain through a mental split of thinking the disorder of being black and white on a red and white flag which the flag of Nigeria was used to make a new flag for a young nation at peace. Some of the book is autobiographical and some more involved in detailed analysis of control by technology and the human animal Man. It may seem to be rather complex and hard to read but one must understand I wrote the book in a psychiatric hospital being brainwashed to get back on my feet again. It spans a life time of observation in the nation of Canada as seen through an african who is white blinded by so many mindsets about colour and race and origins. Leaving everything behind that was most precious in Africa I have had to live this nation s reality as my own sight seen or unseen often misplaced or taken for granted or isolated and or used and abused.

The first full-length book of its kind to offer an investigation of the interface between theatre, performance and digital arts, Virtual Theatres presents the theatre of the twenty-first century in which everything - even the viewer - can be simulated. In this fascinating volume, Gabriella Giannachi analyzes the aesthetic concerns of current computer-arts practices through discussion of a variety of artists and performers including: * blast Theory * Merce Cunningham * Eduardo Kac * forced entertainment * Lynn Hershman * Jodi Orlan * Guillermo Gómez-Peña * Marcel-lí Antúnez Roca * Jeffrey Shaw * Stelarc. Virtual Theatres not only allows for a reinterpretation of what is possible in the world of performance practice, but also demonstrates how 'virtuality' has come to represent a major parameter for our understanding and experience of contemporary art and life.