Iron Man battles Iron Monger after the villain attacks Pepper.

Iron Man may have the most sophisticated suit of armor around, but the technological juggernaut known as the Titanium Man is the strongest suit on earth!

Collects Ironheart #1-6. Riri Williams steps boldly out of Tony Stark’s shadow to forge her own future! When one of Spider-Man’s old foes holds a group of world leaders hostage, Ironheart must step up her game. But she’s thrown for a loop when an old acquaintance from Chicago re-enters her life! Caught between her need for independence and her obligations at M.I.T., Ironheart needs to make some tough decisions! Luckily, Riri has a will of steel, a heart of iron and a new A.I. on her side! Unluckily, the search for a kidnapped friend will send her stumbling into an ancient power — and it’s deadly! Plus: When Miles Morales goes missing, who better to search for him than his fellow Champion, Riri — who he’s never actually gotten along with that well!

Collects Iron Man (1998) #1-14, Captain America (1998) #8, Quicksilver #10, Avengers (1998) #7, Iron Man/Captain America Annual 1998 And Fantastic Four (1998) #15. Kurt Busiek and Sean Chen return Tony Stark to the Marvel Universe — and restore the shine to Iron Man! As Tony rebuilds his corporation from the ground up, enemies old and new remind him his work is never done! With romance, rivalry and robots to keep Tony busy, can he help his Avengers teammate Warbird in her own struggle against his worst enemy the one in a bottle? Plus: Shell-Head must deal with a cold, calculated and very personal attack from his archnemesis — the Mandarin! Iron Man teams with Captain America to face the menace of M.O.D.O.K., and joins the Fantastic Four in an adventure to the moon! Guest-starring the Black Widow, and James Rhodes: War Machine!

Before they joind the X-Men and Avengers as Wolverine and Ms. Marvel, respectively, Canadian agent Logan and U.S. government agent Carol Danvers team up to track down a murderer.

Tony Stark invents his greatest creation yet--an iron suit that protects him from danger! At first, he keeps it a secret. But when he sees the power of his new suit, Tony must decide: is the world ready for the truth about Iron Man?

Tony Stark takes on the Marvel Universe's hardest job: Director of S.H.I.E.L.D.! And he's just the futurist to bring the peacekeeping intelligence organization up to date! But with Tony in the hot seat, what will that mean for Iron Man? He'll face techno-zombies, an old hero with a grudge, a traitor in the Initiative and regime change in the nation of Madripoor! Will Tony Stark crack under the pressure of being the world's top cop? COLLECTING: IRON MAN: DIRECTOR OF S.H.I.E.L.D. 15-32, ANNUAL 1

Billionaire industrialist, cold warrior, weapons designer, alcoholic, philanthropist, Avenger--Tony Stark, alter-ego of Marvel Comics' Iron Man, has played many roles in his five decades as a superhero. From his 1963 comics debut in Tales of Suspense to the recent film adaptations--The Avengers (2012), Iron Man 3 (2013)--hundreds of creators have had a hand in writing the character with evolving depictions and distinct artistic styles. This collection of essays provides an historical overview of an important figure in American popular culture and a close reading of Iron Man's most iconic story lines, including his origin in Vietnam, "Demon in a Bottle," "Civil War," and "Extremis."

Marvel is one of the hottest media companies in the world right now, and its beloved superheroes are all over film, television and comic books. Yet rather than simply cashing in on the popularity of iconic white male characters like Peter Parker, Tony Stark and Steve Rogers, Marvel has consciously diversified its lineup of superheroes, courting controversy in the process. Panthers, Hulks, and Ironhearts offers the first comprehensive study of how Marvel has reimagined what a superhero might look like in the twenty-first century. It examines how they have revitalized older characters like Black Panther and Luke Cage, while creating new ones like Latina superhero Miss America. Furthermore, it considers the mixed fan responses to Marvel’s recasting of certain “legacy heroes,” including a Pakistani-American Ms. Marvel, a Korean-American Hulk, and a whole rainbow of multiverse Spidermen. If the superhero comic is a quintessentially American creation, then how might the increasing diversification of Marvel’s superhero lineup reveal a fundamental shift in our understanding of American identity? This timely study answers those questions and considers what Marvel’s comics, TV series, and films might teach us about stereotyping, Orientalism, repatriation, whitewashing, and identification.