Mirrors are amongst the most well known British Iron Age objects. They are of a type which is peculiar to Britain and are significantly different in form from contemporary Greek, Etruscan and Roman forms. 58 mirrors are known. They are made of bronze and iron, or sometimes a combination of bronze and iron components. Mirrors comprise a handle and a reflective plate, which is often decorated with intricate and free-flowing designs. Some plates are also rimmed. Mirrors are found throughout Britain; two have been discovered in Ireland and two others are known from the continent. They are most commonly found in graves; but were also deposited in bogs and rarely at settlements. They date to the mid-late Iron Age. This book tests the applicability of the biographical approach to prehistoric objects and the application of the biographical approach to prehistoric material culture is evaluated by constructing biographies for Iron Age mirrors. This study is divided into three main sections. In the first section mirrors are introduced as is the theoretical methodology (Chapter 2). Chapter 1 explains what mirrors look like, the contexts they are found in and how they have been studied in the past to pinpoint what we do not yet understand about them and what needs further clarification. In Chapter 2 the biographical approach to artefacts is outlined; how it has been used in archaeology and how the approach will be utilised to expand our knowledge of mirrors and the broader Iron Age context by reconstructing the relationships that constitute mirrors and their biographies. Chapter 3 examines evidence for the production of Iron Age metal artefacts as well as investigating the context of the production of metalwork in ethnographic contexts. The aim is to develop an understanding of the technology of mirror production, the relationships established through their production and the potential future trajectories of the life of a mirror set out at the time of manufacture. In Chapter 4 mirror decoration is examined. Chapter 5 summarises the results of a programme of visual examination of the physical condition of surviving mirrors. Over 30 mirrors were examined for signs of wear, polishing and repair; clues which can indicate how mirrors were used and inform us about their social lives. Chapter 6 examines the form of mirrors. In the third section deposition context is examined. Chapter 8 is the first comprehensive dating audit of all Iron Age mirrors. In Chapter 9 all of the deposition data is collected. Chapter 10 is an analysis of the results of Chapter 9. In Chapter 11 the implications of these findings for wider research and the future of the application of the biographical approach to archaeological research, is assessed.

In 1817 a group of East Yorkshire gentry opened barrows in a large Iron Age cemetery on the Yorkshire Wolds at Arras, near Market Weighton, including a remarkable burial accompanied by a chariot with two horses, which became known as the King’s Barrow. This was the third season of excavation undertaken there, producing spectacular finds including a further chariot burial and the so-called Queen’s barrow, which contained a gold ring, many glass beads and other items. These and later discoveries would lead to the naming of the Arras Culture, and the suggestion of connections with the near European continent. Since then further remarkable finds have been made in the East Yorkshire region, including 23 chariot burials, most recently at Pocklington in 2017 and 2018, where both graves contained horses, and were featured on BBC 4’s Digging for Britain series. This volume bring together papers presented by leading experts at the Royal Archaeological Institute Annual Conference, held at the Yorkshire Museum, York, in November 2017, to celebrate the bicentenary of the Arras discoveries. The remarkable Iron Age archaeology of eastern Yorkshire is set into wider context by views from Scotland, the south of England and Iron Age Western Europe. The book covers a wide variety of topics including migration, settlement and landscape, burials, experimental chariot building, finds of various kinds and reports on the major sites such as Wetwang/Garton Slack and Pocklington.

The Cambridge Prehistory of the Bronze and Iron Age Mediterranean offers new insights into the material and social practices of many different Mediterranean peoples during the Bronze and Iron Ages, presenting in particular those features that both connect and distinguish them. Contributors discuss in depth a range of topics that motivate and structure Mediterranean archaeology today, including insularity and connectivity; mobility, migration, and colonization; hybridization and cultural encounters; materiality, memory, and identity; community and household; life and death; and ritual and ideology. The volume's broad coverage of different approaches and contemporary archaeological practices will help practitioners of Mediterranean archaeology to move the subject forward in new and dynamic ways. Together, the essays in this volume shed new light on the people, ideas, and materials that make up the world of Mediterranean archaeology today, beyond the borders that separate Europe, Africa, and the Middle East.

Of all human inventions, the mirror is perhaps the one most closely connected to our own consciousness. As our first technology for contemplation of the self, the mirror is arguably as important an invention as the wheel. Mirror Mirror is the fascinating story of the mirror's invention, refinement, and use in an astonishing range of human activities -- from the fantastic mirrored rooms that wealthy Romans created for their orgies to the mirror's key role in the use and understanding of light. Pendergrast spins tales of the 2,500year mystery of whether Archimedes and his "burning mirror" really set faraway Roman ships on fire; the medieval Venetian glassmakers, who perfected the technique of making large, flat mirrors from clear glass and for whom any attempt to leave their cloistered island was punishable by death; Isaac Newton, whose experiments with sunlight on mirrors once left him blinded for three days; the artist David Hockney, who holds controversial ideas about Renaissance artists and their use of optical devices; and George Ellery Hale, the manic-depressive astronomer and telescope enthusiast who inspired (and gave his name to) the twentieth century's largest ground-based telescope. Like mirrors themselves, Mirror Mirror is a book of endless wonder and fascination.

In this volume, Harding examines the deposition of Iron Age human and animal remains in Britain and challenges the assumption that there should have been any regular form of cemetery in prehistory, arguing that the dead were more commonly integrated into settlements of the living than segregated into dedicated cemeteries.

Since early discoveries of so-called Celtic Art during the 19th century, archaeologists have mused on the origins of this major art tradition, which emerged in Europe around 500 BC. Classical influence has often been cited as the main impetus for this new and distinctive way of decorating, but although Classical and Celtic Art share certain motifs, many of the design principles behind the two styles differ fundamentally. Instead, the idea that Celtic Art shares its essential forms and themes of transformation and animism with Iron Age art from across northern Eurasia has recently gained currency, partly thanks to a move away from the study of motifs in prehistoric art and towards considerations of the contexts in which they appear. This volume explores Iron Age art at different scales and specifically considers the long-distance connections, mutual influences and shared ‘ways of seeing’ that link Celtic Art to other art traditions across northern Eurasia. It brings together 13 papers on varied subjects such as animal and human imagery, technologies of production and the design theory behind Iron Age art, balancing pan-Eurasian scale commentary with regional and site scale studies and detailed analyses of individual objects, as well as introductory and summary papers. This multi-scalar approach allows connections to be made across wide geographical areas, whilst maintaining the detail required to carry out sensitive studies of objects.

The art of metal casting was imported into Indonesia, but its peoples mastered the secrets of metallurgy, and applied these, in ways often original and unique, to create their own distinctive civilisation of the Bronze-Iron Age. In this handbook, which is a sequal to my The Stone Age of Indo nesia, I have endeavoured to assemble a comprehensive picture of the Indonesian Bronze-Iron Age from the results of excavations, innumerable stray finds in museums, and various studies scattered among numerous scientific journals and periodicals (often difficult to obtain). The resulting picture can, of course, be a tentative one only, valid until many more scientific excavations have taken place. I have added a bibliography, as complete as it was possible to assemble. The completion of this summary of the Prehistory of Indonesia has been assisted by a grant-in-aid from the Wenner Gren Foundation "The Viking Fund", New York. I am grateful to Mr. Basoeki and Mr. Soebokastowo for the drawings of Figures 1, 11, 12, 13, 22 and 16, 23, 24, 25 respectively. Figures 2-10 and 15 were drawn by the well-known artist, the late Mas Pirngadie, and are here published for the first time, with the generous permission of the Board of Directors of the "Bataviaasch Genootschap van Kunsten en Wetenschappen", Djakarta. I am deeply grateful to my brother-in-law, Mr. J. H. Reiseger of Kempston, Bedfordshire, for so willingly undertaking the translation of the Dutch text into English.

The Oxford Handbook of the European Iron Age presents a broad overview of current understanding of the archaeology of Europe from 1000 BC through to the early historic periods, exploiting the large quantities of new evidence yielded by the upsurge in archaeological research and excavation on this period over the last thirty years. Three introductory chapters situate the reader in the times and the environments of Iron Age Europe. Fourteen regional chapters provide accessible syntheses of developments in different parts of the continent, from Ireland and Spain in the west to the borders with Asia in the east, from Scandinavia in the north to the Mediterranean shores in the south. Twenty-six thematic chapters examine different aspects of Iron Age archaeology in greater depth, from lifeways, economy, and complexity to identity, ritual, and expression. Among the many topics explored are agricultural systems, settlements, landscape monuments, iron smelting and forging, production of textiles, politics, demography, gender, migration, funerary practices, social and religious rituals, coinage and literacy, and art and design.

This volume of 33 papers on the Atlantic region of Western Europe in the first millennium BC reflects a diverse range of theoretical approaches, techniques, and methodologies across current research, and is an opportunity to compare approaches to the first millennium BC from different national and theoretical perspectives.