The story of each of 20 key settlement areas throughout Ireland, illustrated with contemporary photographs as well as historical maps and drawings.

Town walls were a common heritage for many Irish towns over long periods. The majority date from the Anglo-Norman period, but trends can be recognized which represent common themes throughout the centuries, especially the use of walled towns as 'refuges' for colonization projects. This study identifies, through surviving structures and documentary and murage evidence, the walled towns of Ireland. It provides a comprehensive investigation of site, shape, size (walled area and circuit length), structure (curtain walls, gates and towers, fosse, ramparts, associated castle/forts, and harbors) and construction, including length of time and financial arrangements. Defensive and other uses are considered. Volume 2 is the gazetteer companion of Volume 1. It comprises most of the larger and more important walled towns and includes as well many of the smaller Irish towns and even some whose development failed to make progress.

"Vol. 1 provides a comparative study of walled towns in Ireland, reviews the conceptual basis of towns ... [and] the distribution of walled towns ... is examined from historical and geographical viewpoints. Vol. 2 provides a gazetteer to 91 sites ..."--Jacket.

A study of the development of walled towns in Ireland between A.D. 700 & 1700.

"Vol. 1 provides a comparative study of walled towns in Ireland, reviews the conceptual basis of towns ... [and] the distribution of walled towns ... is examined from historical and geographical viewpoints. Vol. 2 provides a gazetteer to 91 sites ..."--Jacket.

The untold story of a group of Irish cities and their remarkable development before the age of industrialization A backward corner of Europe in 1600, Ireland was transformed during the following centuries. This was most evident in the rise of its cities, notably Dublin and Cork. David Dickson explores ten urban centers and their patterns of physical, social, and cultural evolution, relating this to the legacies of a violent past, and he reflects on their subsequent partial eclipse. Beautifully illustrated, this account reveals how the country’s cities were distinctive and—through the Irish diaspora—influential beyond Ireland’s shores.

Table of contents

Lush and green, the beauty of Ireland's landscape is legendary. "The Atlas of the Irish Rural Landscape" has harnessed the expertise of dozens of specialists to produce an exciting and pioneering study which aims to increase understanding and appreciation for the landscape as an important element of Irish national heritage, and to provide a much needed basis for an understanding of landscape conservation and planning. Essentially cartographic in approach, the Atlas is supplemented by diagrams, photographs, paintings, and explanatory text. Regional case studies, covering the whole of Ireland from north to south, are included, along with historical background. The impact of human civilization upon Ireland's geography and environment is well documented, and the contributors to the Atlas deal with contemporary changes in the landscape resulting from developments in Irish agriculture, forestry, bog exploitation, tourism, housing, urban expansion, and other forces. "The Atlas of the Rural Irish Landscape" is a book which aims to educate and inform the general reader and student about the relationship between human activity and the landscape. It is a richly illustrated, beautifully written, and immensely authoritative work that will be the guide to Ireland's geography for many years to come.

As a contribution to cultural policy studies, this book offers a uniquely detailed and comprehensive account of the historical evolution of cultural policies and their contestation within a single democratic polity, while treating these developments comparatively against the backdrop of contemporaneous influences and developments internationally. It traces the climate of debate, policies and institutional arrangements arising from the state’s regulation and administration of culture in Ireland from 1800 to 2010. It traces the influence of precedent and practice developed under British rule in the nineteenth century on government in the 26-county Free State established in 1922 (subsequently declared the Republic of Ireland in 1949). It demonstrates the enduring influence of the liberal principle of minimal intervention in cultural life on the approach of successive Irish governments to the formulation of cultural policy, right up to the 1970s. From 1973 onwards, however, the state began to take a more interventionist and welfarist approach to culture. This was marked by increasing professionalization of the arts and heritage, and a decline in state support for amateur and voluntary cultural bodies. That the state had a more expansive role to play in regulating and funding culture became a norm of cultural discourse.