Field Guide to the Irish Music Session is the first and only book devoted entirely to the dynamics and etiquette of the traditional Irish musical gathering. There's more to these events than meets the eye or ear, and Field Guide covers it all, with an insightful blend of the humorous and the serious that is of value to both listeners and prospective participants.

(Waltons Irish Music Books). 110 of Ireland's most beautiful and haunting melodies, including laments, airs from old Gaelic songs and Carolan tunes. Suitable for all melody instruments, but does not include guitar chords. Songs include: Carrickfergus * Death and the Sinner * Eleanor Plunkett * Brian Boru's March * Blind Mary * Black-Eyed Susan * Easter Snow * Do You Remember That Night? * Killarney * Oft in the Stilly Night * The Poor Irish Boy * Wild Geese * The Dawning of the Day * I'm Sitting by the Stile Mary * Port Gordon * Captain Sudley * Molly St. George * Nora Crionna * Sally Gardens * Planxty Hewlett * The Lambs on the Green Hills * The Young Man's Dream * The Banks of teh Suir * The Castle of Dromore * The Bells of Shandon * The Foggy Dew * Carolan's Concerto * and many more.

400 classic Irish session tunes from the author of "A Complete to Playing Irish Traditional Music on the Whistle." A unique collection of the most popular tunes played in Ireland... and throughout the world. Complete with 400-track downloadable audio of each tune played at moderate tempo on tin whistle - over 5 hours of music! Download details on copyright page of book. These tunes are suitable for all melody instruments - tin whistle, flute, fiddle, uilleann pipes, accordion, concertina, banjo, mandolin, harp - and feature widely-played session standards as well as less common tunes. All the main tune types are represented - jigs, reels, hornpipes, slip jigs, set dances, polkas, slides, barn dances, marches, waltzes, carolan tunes, mazurkas and flings.

100 traditional airs, hornpipes, jigs, reels, schottisches, polkas, and waltzes for soprano or tenor recorders or tin whistle D.

The 100 most often played Irish reels and jigs: With these under your belt, you can sit in virtually any Irish session and make a significant contribution. `Session friendly' settings: Learn them as written and you can be confident of having accurate versions Extend your repertoire: `100 Vital Iirsh Session Tunes' contains tunes that form the very corner stone of Irish music sessions, they crop up with such regularity that it's vital that you are able to play them; every type of dance tune is represented. Another 100 popular session tunes - including slip jigs, hornpipes, set dances and slides - are to be found in `100 Enduring Irish Session Tunes' and a further 100 reels, jigs and hornpipes are contained in `100 Evergreen Irish Session Tunes'. If it's polkas you want to learn, then try `100 Irish Polkas'

This book is the ideal primer for anyone wishing to participate in an Irish session. This musical gathering is apparently quite different than a blues, jazz or bluegrass jam session in that it is customary at Irish sessions to play in tight unison with the other musicians, adapting appropriate tempos, rhythms, and ornaments in an attempt to fit in with the groove. the Irish Session Tune Book features 300 reels, hornpipes, polkas, slides, and slip-jigs written without chord symbols for the melody instruments commonly played in Irish Sessions. the author shares a wealth of melodies collected over the past 10 years, the majority learned by ear at Irish sessions: fiddle, accordion, tinwhistle, tenor banjo, mandolin, bouzouki, etc. Authentic ornamentation is suggested for each tune with the admonition that ornamentation may vary from region to region and chorus to chorus.

An important anthology of Irish and Celtic solos for the 5-string banjo featuring a comprehensive, scholarly treatise on the history, techniques, and etiquette of playing the banjo in the Celtic tradition. Includes segments on tuning, pick preferences, and tablature reading followed by 101 jigs, slides, polkas, slip jigs, reels, hornpipes, strathspeys, O'Carolan tunes, plus a special section of North American Celtic tunes. A generous collection of photos of Irish folk musicians, street scenes, and archaeological sites further enhances this fabulous book. All of the solos included here are written in 5-string banjo tablature only with a few tunes set in unusual banjo tunings. the appendices provide a sizable glossary and a wealth of information regarding soloists and groups playing Celtic music, Irish festivals, music publications, on-line computer resources, cultural organizations, and more. If you are serious about playing Celtic music on the 5-string banjo, or if you don't play the banjo but simply want to expand your knowledge of the Celtic music tradition-you owe yourself this book. the first-ever CD collection of Irish and Celtic music for 5-string banjo provides 68 lovely melodies and demonstrates revolutionary techniques for playing highly ornamented tunes and rolling back-up. Recorded in stereo with virtuosos Gabriel Donohue (steel- and nylon-string guitar and piano) and Robbie Walsh (bodhran- frame drum played with a stick), the five-string banjo is out front and plays through each melody in real-life tempo with authentic Celtic chordal and rhythmic backing. the recording features the music of all Six Celtic Nations and includes jigs, reels, hornpipes, slides, polkas, marches, country dances, larides, andros, slipjigs, strathspeys, airs and O'Carolan tunes. 35 songs in the book are not on the CD.

Music in Ireland is one of several case-study volumes that can be used along with Thinking Musically, the core book in the Global Music Series. Thinking Musically incorporates music from many diverse cultures and establishes the framework for exploring the practice of music around the world.It sets the stage for an array of case-study volumes, each of which focuses on a single area of the world. Each case study uses the contemporary musical situation as a point of departure, covering historical information and traditions as they relate to the present. Visit www.oup.com/us/globalmusicfor a list of case studies in the Global Music Series. The website also includes instructional materials to accompany each study. Music in Ireland provides an engaging and focused introduction to Irish traditional music--types of singing, instrumental music, and dance that reflect the social values and political messages central to Irish identity. This music thrives today not only in Ireland but also in areas throughoutNorth America, Europe, Australia, and Asia. Vividly evoking Irish sounds, instruments, and dance steps, Music in Ireland provides a springboard for the discussion of cultural and historical issues of identity, community, nationalism, emigration, transmission, and gender. Using the informal instrumental and singing session as a focalpoint, Dorothea E. Hast and Stanley Scott take readers into contemporary performance environments and explore many facets of the tradition, from the "craic" (good-natured fun) to performance style, repertoire, and instrumentation. Incorporating first-person accounts of performances and interviewswith performers and folklorists, the authors emphasize the significant roles that people play in music-making and illuminate national and international musical trends. They also address commercialism, globalization, and cross-cultural collaboration, issues that have become increasingly important asmore Irish artists enter the global marketplace through recordings, tours, and large-scale productions like Riverdance. Packaged with a 70-minute CD containing examples of the music discussed in the book, Music in Ireland features guided listening and hands-on activities that allow readers to gain experience in Irish culture by becoming active participants in the music.

This book and its companion recording give an insight into some of the many guitar styles that have been developed to accompany Irish music. The author assumes a basic understanding of guitar chords and strumming ability but no specific knowledge of Irish music. He delves into DADGAD, dropped D and double dropped D tunings and several different ways of playing in each tuning. Although the range of styles presented is not exhaustive, by analyzing the styles which are presented, the author covers all of the elements that go into making any style, thereby leaving you better equipped to both develop your own style and figure out the subtleties of any other style you may come across. The companion recording is essential to understanding. Mally's and UK product #AT105.