This detailed account of Irish archaeological and archival evidence is presented in a clear and consise manner. There are chapters on cult objects, shrines, round towers, relics, Ogham stones, sundials, bullauns, cursing stones, and holed stones.

Little Kiwi is out at night with his dad - going into a part of the bush he has never been to before. While Dad is busy collecting worms and grubs, Little Kiwi meets a terrifying monster - or does he?!Soon the bush is in an uproar and Little Kiwi must face up to his fears.

The landscape of Ireland is rich with ancient carved stone crosses, tomb-shrines, Romanesque churches, round towers, sundials, beehive huts, Ogham stones and other monuments, many of them dating from before the 12th century. The purpose and function of these artifacts have often been the subject of much debate. Peter Harbison proposes in this book a radical hypothesis: that a great many of these relics can be explained in terms of ecclesiastical pilgrimage. He has constructed a fascination theory about the palace of pilgrimage in the early Christian period, placing it right at the center of communal life. The monuments themselves make much better sense if it looked at in this light—as having come into existence not through the practices of ascetic monks but because of the activities of pilgrims. He begins by searching the historical sources in detail for evidence of early pilgrimage sites. By examining their monuments he projects the findings to other locations where pilgrimage has not been documented. He goes on to describe monument-types of every kind and to identify pilgrims in sculpture surviving from before AD 1200. The Dingle Peninsula in Kerry proves to be a microcosm of pilgrimage monuments, enabling the author to reconstruct a tradition of maritime pilgrimage activity up and down the west coast of Ireland. Indeed, the famous medieval traveler's tale of the fabulous voyage of the St Brendan the Navigator can now be seen as the literary expression of a longstanding maritime pilgrimage along the Atlantic seaways of Ireland and Scotland, reaching Iceland, Greenland, and even North America.

Kevin O'Hara's journey of self-discovery begins as a mad lark: who in their right mind would try to circle the entire coastline of Ireland on foot—and with a donkey and cart no less? But Kevin had promised his homesick Irish mother that he would explore the whole of the Old Country and bring back the sights and the stories to their home in Massachusetts. Determined to reach his grandmother's village by Christmas Eve, Kevin and his stubborn but endearing donkey, Missie, set off on 1800-mile trek along the entire jagged coast of a divided Ireland. Their rollicking adventure takes them over mountains and dales, through smoky cities and sleepy villages, and into the farmhouses and hearts of Ireland's greatest resource—its people. Along the way, Kevin would meet incredible characters, experience Ireland in all of its glory, and explore not only his Irish past, but find his future self. “One of the finest books about contemporary Ireland ever written...In a style evocative of Steinbeck's Travels with Charley, O'Hara writes memorably of his most unusual way of touring his ancestral home of Ireland.” —Library Journal At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

There has been a tremendous resurgence of interest in pilgrimage to Santiago de Compostela. In this book the author reveals a story of a much longer connection between Ireland and the pilgrimage than previously thought. Stories of men and women who went from Ireland to Santiago de Compostela in the Middle Ages tell of Irish involvement in one of the major pilgrimages of the medieval Christian world. The long and hazardous journey by land and sea to the shrine of St James in Galicia was not undertaken lightly. This innovative book explores the varied influences on and motivations of the pilgrims, as well as the nature of medieval travel, in order to understand when, why and how pilgrims from Ireland went toSantiago in the heyday of the pilgrimage, between the twelfth and fifteenth centuries. It draws on official documents, historical chronicles, literary texts, saints¿ Lives and archaeological finds to uncover stories of those Anglo-Norman and Gaelic pilgrims who ventured beyond the confines of their local communities in search of salvation and perhaps a little adventure.

Do you know what a Brideóg is? What could you cure if you licked a lizard nine times? Why is Whit Sunday the unluckiest day of the year? From the author of The Irish Cottage comes a new book, exploring old Irish customs and beliefs. Chapters focus on the quarter-day festivities that marked the commencement of each season: ‘Spring: Imbolc’; ‘Summer: Bealtaine’; ‘Autumn: Lughnasa’ and ‘Winter: Samhain’, and also major life events – ‘Births, Marriages and Death Customs’ – and general beliefs in ‘Spirituality and Well-Being’ and ‘The Supernatural’. Focusing on the period from the mid-nineteenth to the mid-twentieth centuries, Irish Customs and Rituals discusses a time during which many of the practices and beliefs in question went into decline. Many of these customs were rooted in residual pre-Christian beliefs that ran parallel to, and in spite of, conventional religion practised in the country. Some customs were so deep-rooted that despite continued disapproval from the Roman Catholic Church they remain with us today. It is wonderful to see so many traditions still with us, as many are worthwhile remembering, commemorating, or even reviving today. Irish Customs and Rituals will appeal to all those with an interest in Irish history, folklore, culture and social history. Marion McGarry is the author of The Irish Cottage: History, Culture and Design (2017). She has a PhD in Architectural History and an MA in History of Art and Design and is currently a lecturer at Galway–Mayo Institute of Technology. She frequently writes articles about Irish social history and customs.

Lying at Europe's remote western edge, Ireland long has been seen as having an artistic heritage that owes little to influences beyond its borders. This publication, the first to focus on Irish art from the eighth century AD to the end of the sixteenth century, challenges the idea that the best-known Irish monuments of that period-the high crosses, the Book of Kells, the Tara Brooch, the round towers-reflect isolated, insular traditions. Seventeen essays examine the iconography, history, and structure of these familiar works, as well as a number of previously unpublished pieces, and demonstrate that they do have a place in the main currents of European art. While this book reveals unexpected links between Ireland, Late-Antique Italy, the Byzantine Empire, and the Anglo-Saxons, its center is always the artistic culture of Ireland itself. It includes new research on the Sheela-na-gigs, often thought to be merely erotic sculptures; on the larger cultural meanings of the Tuam Market Cross and its nineteenth-century re-erection; and on late-medieval Irish stone crosses and metalwork. The emphasis on later monuments makes this one of the first volumes to deal with Irish art after the Norman invasion. The contributors are Cormac Bourke, Mildred Budny, Tessa Garton, Peter Harbison, Jane Hawkes, Colum Hourihane, Catherine E. Karkov, Heather King, Susanne McNab, Raghnall Floinn, Emmanuelle Pirotte, Roger Stalley, Kees Veelenturf, Dorothy Hoogland Verkerk, Niamh Whitfield, Maggie McEnchroe Williams, and Susan Youngs.

This book analyses travel texts aimed at the emergent Irish middle classes in the long nineteenth century. Unlike travel writing about Ireland, Irish travel writing about foreign spaces has been under-researched. Drawing on a wide range of neglected material and focusing on selected European destinations, this study draws out the distinctive features of an Irish corpus that often subverts dominant trends in Anglo-Saxon travel writing. As it charts Irish participation in a new ‘mass’ tourism, it shows how that participation led to heated ideological debates in Victorian and Edwardian Irish print culture. Those debates culminate in James Joyce’s ‘The Dead’, which is here re-read through new discursive contextualizations. This book sheds new light on middle-class culture in pre-independence Ireland, and on Ireland’s relation to Europe. The methodology used to define its Irish corpus also makes innovative contributions to the study of travel writing.

Within the past 10 years ‘Religious Tourism’ has seen both economic and education-sector growth on a global scale. This book addresses the central role of religious tourism and interrelationships with other aspects of pilgrimage management. It provides practical applications, models and illustrations and looks at secular and sacred spaces on a global stage. The second edition sees the introduction of a new structure and the addition of new international case studies. It is an invaluable reference for academics, students and practitioners and is a timely text on the future of faith-based tourism and pilgrimage.

Tochar ('Causeway') is a walking-pace travelogue through the country that was dubbed 'the Island of Saints and Scholars' long before the Celtic Tiger took up residence. Set against the backdrop of spectacular scenery in every corner of Ireland, the book recounts the trials and tribulations of a modern-day pilgrim, who follows in the footsteps of the ancients along prescribed paths, which range from hikes of a few hours' duration to day-long treks, and the three-day ordeal in St. Patrick's Purgatory. This is a guide to the magical soul of Celtic Christianity, written from the perspective of a struggling 'a la carte' Irish Catholic, who could best be described as 'a healthy skeptic in matters of belief.' The result is a narrative that is at times uplifting and at times uncomfortable, but which is always engaging and honest. While there are pilgrimage prayers along the Tochar, as well as historical background on the places once revered throughout Christendom, there are also pints in pleasant pubs, a rich diversity of literary references, anecdotes, and personal reflections on faith, morality, and religious practice, which are offered in a spontaneous and unselfconscious spirit.