Brian takes a new job training Royal Meadow's thoroughbreds, as the lovely Keely is a challenge he can not resist, while just-fired Cassidy accepts Colin Sullivan's offer of employment, but fears that he will learn her true feelings for him.

It's one thing to resist an Irish dream, quite another to resist a dreamy Irishman. After being traded for another woman by her fiancé, Maggie decides she's had it with men. Good thing she's far away from him, in Ireland fulfilling her best friend's request to be maid-of-honor. Wicklow and the Emerald Isle are more than she expects. . .green, lush, and exactly what she needs. What she doesn't need is rescuing by some emerald-eyed charmer. Newly divorced, Ethan Moore is ready to enjoy bachelorhood. Only one problem. . .the fiery-haired Maggie Christy. Unlike any woman he's ever met, Maggie draws him close and turns him inside out. The attraction is unexpected and inconvenient, but nobody ever said true love was easy. 23,452 Words

Visions of the Irish Dream assembles essays that examine the elusive dream of the Irish and Irish Americans, looking at aspirations of 19th-century emigrants to Canada and the United States, political and educational goals of the Irish, historic trauma, contemporary xenophobia, and artists’ renditions of “Irishness.” Whether the dreams are fulfilled or deferred, they all strive to come to terms with what it means to be Irish; sometimes the definition involves bringing a piece of the old country with you, buying facsimiles of “genuine Irish goods,” or redefining self in a way that frees Ireland of the colonial model. This study explores the conflicted and shifting visions of the people who inhabit or have left an isolated island that has moved from a search for independence to integration into a European union. From discussion of the politics of translation in Ferguson and Mangan to the establishment of the National schools, the movement of the Celts from continental Europe as evidenced in Joyce to the translatlantic flight of the Irish to the Americas in a drama by Nicola McCartney, and the re-invention of the feminine force in the writings of novelists Jennifer Johnston and Roddy Doyle to the feminine voice expressed in the work of poet Eiléan NíChuilleanáin, the collection underscores the significance of the dream in Irish history and the arts.

Our dreams represent the urgings of our soul, pushing us to change, grow, become successful and stop sabotaging ourselves. So many of us dismiss these as only dreams. But what if you could make use of the information given to you in dreams? In Rosin Dubh: The Irish Dream Catcher, author and psychic medium Rosemary Dawson presents the secret code to unlocking the symbolism of dream language. She shares a method that has been handed down by her family, through a long line of healers, psychics, and clergy with deep spiritual connections. Dawson offers a foolproof method for contacting relatives who have passed over, along with a simple technique of demystifying the messages that the soul sends. Through this unique four-step method presented in anecdotal style, you can easily access all the help that those in spirit are waiting to give you. This guide to understanding dreams and the messages given within them seeks to help you develop your intuition and grasp the opportunities available to you through the spirit world.

Bailey's Irish Dream by Stephanie Doyle Married by thirty or else! If still single on her birthday, Baily Monohan promised her family she'd return home and marry her boring childhood sweetheart. But fate has other plans when Baily is involved in an accident with a black Mercedes—driven by a man with an even blacker temper! Daniel Blake is headed east, as well—to stop a wedding! Can these two drive cross-country together without crossing swords? Or perhaps they'll be the ones crossing the threshold—together! Czech Mate by Kate Thomas She knew all the right moues… Wendy Marek needs to see green—as in money to finance her studies in fashion design in Paris. But to claim her inheritance she must marry. Visiting Czech Peter Havel also needs to see green—as in green card! What will Wendy do with a Czech math genius with the body of an Olympic gold medalist? Well, marry him, of course. However, what will happen to this marriage of convenience when love enters the equation?

Rolling hills in every shade of green, rugged coastlines, beautiful vistas, ancient monuments, village doorways, red-headed children--in a romantic voyage over the Emerald Isle, Steven Rothfeld pairs dreamy Polaroid transfer prints with eloquent passages by Thomas Cahill, Virginia Woolf, Eugene O'Neill, James Joyce, W.B. Yeats, and other famous writers. Full-color photos throughout.

For the past seventy years the discipline of film studies has widely invoked the term national cinema. Such a concept suggests a unified identity with distinct cultural narratives. As the current debate over the meaning of nation and nationalism has made thoughtful readers question the term, its application to the field of film studies has become the subject of recent interrogation. In The Myth of an Irish Cinema, Michael Patrick Gillespie presents a groundbreaking challenge to the traditional view of filmmaking, contesting the existence of an Irish national cinema. Given the social, economic, and cultural complexity of contemporary Irish identity, Gillespie argues, filmmakers can no longer present Irishness as a monolithic entity. The book is arranged thematically, with chapters exploring cinematic representation of the middle class, urban life, rural life, religion, and politics. Offering close readings of Irish-themed films, Gillespie identifies a variety of interpretative approaches based on the diverse elements that define national character. Covering a wide range of films, from John Ford’s The Quiet Man and Kirk Jones’s Waking Ned Devine to Bob Quinn’s controversial Budawanny and The Bishop’s Story, The Myth of an Irish Cinema signals a paradigm shift in the field of film studies and promises to reinvigorate dialogue on the subject of national cinema.

NATIONAL BESTSELLER • A book in the best tradition of popular history—the untold story of Ireland's role in maintaining Western culture while the Dark Ages settled on Europe. • The perfect St. Patrick's Day gift! Every year millions of Americans celebrate St. Patrick's Day, but they may not be aware of how great an influence St. Patrick was on the subsequent history of civilization. Not only did he bring Christianity to Ireland, he instilled a sense of literacy and learning that would create the conditions that allowed Ireland to become "the isle of saints and scholars"—and thus preserve Western culture while Europe was being overrun by barbarians. In this entertaining and compelling narrative, Thomas Cahill tells the story of how Europe evolved from the classical age of Rome to the medieval era. Without Ireland, the transition could not have taken place. Not only did Irish monks and scribes maintain the very record of Western civilization -- copying manuscripts of Greek and Latin writers, both pagan and Christian, while libraries and learning on the continent were forever lost—they brought their uniquely Irish world-view to the task. As Cahill delightfully illustrates, so much of the liveliness we associate with medieval culture has its roots in Ireland. When the seeds of culture were replanted on the European continent, it was from Ireland that they were germinated. In the tradition of Barbara Tuchman's A Distant Mirror, How The Irish Saved Civilization reconstructs an era that few know about but which is central to understanding our past and our cultural heritage. But it conveys its knowledge with a winking wit that aptly captures the sensibility of the unsung Irish who relaunched civilization.

This bumper collection of Irish humour covers topics such as Absenteeism and Zoos and everything in between. It would be disappointing should such a large collection not include the best of famous Irish wits such as Oscar Wilde and George Bernard Shaw, but the emphasis is very much on contemporary Irish humour from the likes of Tommy Tiernan, Dylan Moran, Ardal O'Hanlon and Dara O'Briain, to name just a few. Lunatic, iconoclastic and, as Spike Milligan might have put it, involving 'sideways thinking', this is Irish humour at its very best.