"From award-winning author Jerdine Nolen comes a tale of a little girl who wishes for her father to be home more, but she never expects her wish to come true the way it does."--Publisher information.

A young girl wants her father to be home more, but her wish takes an unexpected turn in this story of enduring love between parent and child from an award-winning author and illustrator. Irene loves her family, especially when her father is home. But Papa is gone a lot, and so Irene makes a wish for him to be with the family more. Her wish comes true in an unexpected way when Papa, who was drinking lemonade in the garden at the exact moment Irene made her wish, swallows a watermelon seed and begins a surprising transformation. Slowly and beautifully, day after day, Irene’s father turns into a tall, stately, and loving tree. Papa is a beautiful tree, but Irene wants her real Papa back. How could Irene have made such a wish, and how can she make things right? Jerdine Nolen has written a modern fable about the power of wishes.

A dying girl gives a boy the strength to live in this lyrical novel that will break your heart and lift your spirit Peter Stone’s parents and siblings are extroverts, musicians, and yellers—and the louder they get, the less Peter talks, or even moves, until he practically fits his last name. When his family moves to the Texas Hill Country, though, Peter finds a tranquil, natural valley where he can, at last, hear himself think. There, he meets a girl his age: Annie Blythe. Annie tells Peter she’s a “wish girl.” But Annie isn’t just any wish girl; she’s a “Make-A-Wish Girl.” And in two weeks she will begin a dangerous treatment to try and stop her cancer from spreading. Left alone, the disease will kill her. But the treatment may cause serious, lasting damage to her brain. Annie and Peter hatch a plan to escape into the valley, which they begin to think is magical. But the pair soon discovers that the valley—and life—may have other plans for them. And sometimes wishes come true in ways they would never expect.

Jean Toomer's Cane was advertised as a book about Negroes by a Negro, despite his request not to promote the book along such racial lines. Nella Larsen switched the title of her second novel from Nig to Passing, because an editor felt the original title might be too inflammatory. In order to publish his first novel as a Book-of-the-Month Club main selection Richard Wright deleted a scene in Native Son depicting Bigger Thomas masturbating. Toni Morrison changed the last word of Beloved at her editor's request and switched the title of Paradise from War to allay her publisher's marketing concerns. Although many editors place demands on their authors, these examples invite special scholarly attention given the power imbalance between white editors and publishers and African American authors. Black Writers, White Publishers: Marketplace Politics in Twentieth-Century African American Literature examines the complex negotiations behind the production of African American literature. In chapters on Larsen's Passing, Ishmael Reed's Mumbo Jumbo, Gwendolyn Brooks's Children Coming Home, Morrison's Oprah's Book Club selections, and Ralph Ellison's Juneteenth, John K. Young presents the first book-length application of editorial theory to African American literature. Focusing on the manuscripts, drafts, book covers, colophons, and advertisements that trace book production, Young expands upon the concept of socialized authorship and demonstrates how the study of publishing history and practice and African American literary criticism enrich each other. John K. Young is an associate professor of English at Marshall University. His work has appeared in journals such as College English, African American Review, and Critique.

You are a great prophetess, my dear Valentino. Your predictions are verified. Thanks to my peculiar disposition, I am already in the most deplorably false position that a reasonable mind and romantic heart could ever have contrived. With you, naturally and instinctively, I have always been sincere; indeed it would be difficult to deceive one whom I have so often seen by a single glance read the startled conscience, and lead it from the ways of insolence and shame back into the paths of rectitude. It is to you I would confide all my troubles; your counsel may save me ere it be too late. You must not think me absurd in ascribing all my unhappiness to what is popularly regarded as "a piece of good luck." Governed by my weakness, or rather by my fatal judgment, I have plighted my troth!... Good Heavens! is it really true that I am engaged to Prince de Monbert? If you knew the prince you would laugh at my sadness, and at the melancholy tone in which I announce this intelligence. Monsieur de Monbert is the most witty and agreeable man in Paris; he is noble-hearted, generous and ...in fact fascinating!... and I love him! He alone pleases me; in his absence I weary of everything; in his presence I am satisfied and happy—the hours glide away uncounted; I have perfect faith in his good heart and sound judgment, and proudly recognise his incontestable superiority—yes, I admire, respect, and, I repeat it, love him!...Yet, the promise I have made to dedicate my life to him, frightens me, and for a month I have had but one thought—to postpone this marriage I wished for—to fly from this man whom I have chosen!...I question my heart, my experience, my imagination, for an answer to this inexplicable contradiction; and to interpret so many fears, find nothing but school-girl philosophy and poetic fancies, which you will excuse because you love me, and I know my imaginary sufferings will at least awaken pity in your sympathetic breast. Yes, my dear Valentine, I am more to be pitied now, than I was in the days of my distress and desolation. I, who so courageously braved the blows of adversity, feel weak and trembling under the weight of a too brilliant fortune. This happy destiny for which I alone am responsible, alarms me more than did the bitter lot that was forced upon me one year ago. The actual trials of poverty exhaust the field of thought and prevent us from nursing imaginary cares, for when we have undergone the torture of our own forebodings, struggled with the impetuosity and agony of a nature surrendered to itself, we are disposed to look almost with relief on tangible troubles, and to end by appreciating the cares of poverty as salutary distractions from the sickly anxieties of an unemployed mind.

DigiCat Publishing presents to you this special edition of "The Cross of Berny; Or, Irene's Lovers" by Théophile Gautier, Joseph Méry, Jules Sandeau, Emile de Mme Girardin. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

The author shares the saga of an African American family that extends from his ancestor Kunta Kinte, an African brought to mid-eighteenth-century America as a slave, to himself.

A scorned woman seeking retribution. A shamed man, haunted by his past with no hope for the future. When their paths collide, will they overcome their animosity to find love? Peter Tompkins has always had a greater affinity for cattle than women. Although a notorious flirt, he has little faith in the steadfastness of a woman’s love. After his mother’s betrayal, and his family’s heartache, he learned that to place his trust in a woman is to endanger his heart. Thus, upon his return home to his family’s ranch, he is dumbfounded to learn his attempt to evade Philomena Fitch has failed. Philomena Fitch is dismayed her brother accepted a position in Bear Grass Springs. Now, she will have to confront the man who betrayed her. Who made a fool of her. Who broke her heart. When she uncovers the truth behind his actions, she must decide if she can forgive him and learn to trust in him again. When the past is resurrected to wreak havoc on the present, Peter and Philomena must decide if they prefer to cling to disappointment or dare to dream of a resplendent future. Will they have faith in the love growing between them or will they allow the betrayals of the past to keep them apart? Immerse yourself in 1880’s Bear Grass Springs, Montana Territory! Bear Grass Springs Series: Montana Untamed (BGS, #1) Cailean and Annabelle Montana Grit (BGS, #2) Alistair and Leticia Montana Maverick (BGS, #3) Ewan and Jessamine Montana Renegade (BGS, #4) Warren and Helen Jubilant Montana Christmas (BGS, #5) Leena and Karl Montana Wrangler (BGS #6), Sorcha and Frederick Unbridled Montana Passion (BGS, #7) Fidelia and Bears Montana Vagabond (BGS, #8) Helen and Ben Exultant Montana Christmas (BGS, #9) Jessamine and Ewan Lassoing a Montana Heart (BGS, #10) Slims and Davina Healing Montana Love (BGS, #11) Dalton and Charlotte Runaway Montana Groom (BGS, #12) Peter and Philomena Substitute Montana Bride (BGS, #13) Coming July 2021!