When American sportswriter Andy Mendlowitz took a summer vacation to Ireland, his itinerary included visiting medieval castles and drinking dark beer. He soon discovered a world where big-time sports aren't yet a business, but still a game. Ireland's rough-and-tumble pastimes of hurling and Gaelic football attract crowds of up to 80,000 fans a contest. The high-profile players, though, are amateurs. They train as professionals but must work fulltime jobs to pay the bills. The Gaelic Athletic Association (GAA) also lacks free agency or trades-you simply play for your hometown team, even if you move away. Amazed by this concept, and burned out at work, Mendlowitz quit his job and moved to Ireland for eight months His aim was to get excited again by understanding what drives these athletes. Along the way, he met interesting characters and learned how the sports intersect with the ancient Irish language, burgeoning economy and the Troubles in Northern Ireland. From big cities like Belfast, Dublin and Cork to tiny rural parishes, Mendlowitz paints a vivid picture of Ireland and the joy of competing.

This is the first history of sport in Ireland, locating the history of sport within Irish political, social, and cultural history, and within the global history of sport. Sport and Ireland demonstrates that there are aspects of Ireland's sporting history that are uniquely Irish and are defined by the peculiarities of life on a small island on the edge of Europe. What is equally apparent, though, is that the Irish sporting world is unique only in part; much of the history of Irish sport is a shared history with that of other societies. Drawing on an unparalleled range of sources - government archives, sporting institutions, private collections, and more than sixty local, national, and international newspapers - this volume offers a unique insight into the history of the British Empire in Ireland and examines the impact that political partition has had on the organization of sport there. Paul Rouse assesses the relationship between sport and national identity, how sport influences policy-making in modern states, and the ways in which sport has been colonized by the media and has colonized it in turn. Each chapter of Sport and Ireland contains new research on the place of sport in Irish life: the playing of hurling matches in London in the eighteenth century, the growth of cricket to become the most important sport in early Victorian Ireland, and the enlistment of thousands of members of the Gaelic Athletic Association as soldiers in the British Army during the Great War. Rouse draws out the significance of animals to the Irish sporting tradition, from the role of horse and dogs in racing and hunting, to the cocks, bulls, and bears that were involved in fighting and baiting.

As a contribution to cultural policy studies, this book offers a uniquely detailed and comprehensive account of the historical evolution of cultural policies and their contestation within a single democratic polity, while treating these developments comparatively against the backdrop of contemporaneous influences and developments internationally. It traces the climate of debate, policies and institutional arrangements arising from the state’s regulation and administration of culture in Ireland from 1800 to 2010. It traces the influence of precedent and practice developed under British rule in the nineteenth century on government in the 26-county Free State established in 1922 (subsequently declared the Republic of Ireland in 1949). It demonstrates the enduring influence of the liberal principle of minimal intervention in cultural life on the approach of successive Irish governments to the formulation of cultural policy, right up to the 1970s. From 1973 onwards, however, the state began to take a more interventionist and welfarist approach to culture. This was marked by increasing professionalization of the arts and heritage, and a decline in state support for amateur and voluntary cultural bodies. That the state had a more expansive role to play in regulating and funding culture became a norm of cultural discourse.

Drawing on major new archival discoveries and recent research, Patrick Lonergan presents an innovative account of Irish drama and theatre, spanning the past seventy years. Rather than offering a linear narrative, the volume traces key themes to illustrate the relationship between theatre and changes in society. In considering internationalization, the Troubles in Northern Ireland, the Celtic Tiger period, feminism, and the changing status of the Catholic Church in Ireland, Lonergan asserts the power of theatre to act as an agent of change and uncovers the contribution of individual artists, plays and productions in challenging societal norms. Irish Drama and Theatre since 1950 provides a wide-ranging account of major developments, combined with case studies of the premiere or revival of major plays, the establishment of new companies and the influence of international work and artists, including Tennessee Williams, Chekhov and Brecht. While bringing to the fore some of the untold stories and overlooked playwrights following the declaration of the Irish Republic, Lonergan weaves into his account the many Irish theatre-makers who have achieved international prominence in the period: Samuel Beckett, Siobhán McKenna and Brendan Behan in the 1950s, continuing with Brian Friel and Tom Murphy, and concluding with the playwrights who emerged in the late 1990s, including Martin McDonagh, Enda Walsh, Conor McPherson, Marie Jones and Marina Carr. The contribution of major Irish companies to world theatre is also examined, including both the Abbey and Gate theatres, as well as Druid, Field Day and Charabanc. Through its engaging analysis of seventy years of Irish theatre, this volume charts the acts of gradual but revolutionary change that are the story of Irish theatre and drama and of its social and cultural contexts.

Introduction to Ireland is a fascinating subject that encapsulates all that is beautiful about the Emerald Isle. Ireland, situated in the North Atlantic, is the third-largest island in Europe and the twentieth-largest island globally. Historically, Irish culture has played a significant role in music, literature, and folklore. Ireland is recognized worldwide for its whiskey, beer, and distinctive cuisine. The country boasts of an excellent infrastructure, with several attractions such as breathtaking landscapes, ancient monuments, and urban cities. As a country with a rich history, Ireland is an enchanting place to visit, and tourism is a key driving factor in its economy. Visitors flock the country to explore its many attractions such as the scenic Cliffs of Moher, the awe-inspiring Giant's Causeway, and the historic Trinity College. The Irish are also known for their renowned hospitality and warmth towards tourists. Visitors can enjoy traditional Irish music sessions, explore the many rural towns, and enjoy the local cuisine. In conclusion, an introduction to Ireland is a fantastic opportunity to learn and explore one of the world's hidden treasures.

Traces the evolution of the Abbey Theatre from amateur organization to professional theatre of international renown, examining its history within the context of Ireland's social and political environment and in relation to its playwrights, directors, andactors

This book presents the history of the Council for the Encouragement of Music and the Arts (CEMA) in Northern Ireland from its conception in 1943, and its successor organisation, the Arts Council of Northern Ireland (ACNI). Exploring the political and social impact of cultural policy in Northern Ireland, the book illustrates how the arts developed during the twentieth century and sheds light on the relationship between politics and culture. The author takes a closer look at the responsibilities of ACNI, and examines its interaction with the unionist government, which sought to influence how the organisation distributed its grants. Spanning the outbreak of the Troubles in the 1960s and the Peace Process in the 1990s, the ACNI evolved through a period of conflict and change, and therefore this book argues that there was an undeniable link between the changing political environment and the management of the arts in Northern Ireland. The arm’s length principle is analysed in relation to ACNI, examining the influence that the state had upon its management and governance. Offering a unique historical overview of the arts in Northern Ireland, this interdisciplinary book fills a gap in Irish history and presents insights into cultural policy, conflict resolution and political history.

This is a unique insight into the relationship between sport and society in three very different settings (USA, Northern Ireland and Cuba). The book concludes by setting the moral debate over the future of boxing.

How has Irish nature been studied? How has it been expressed in literature and popular culture? How has it influenced, and been influenced by, political, economic, and social change? These long-neglected questions are pursued in Nature in Ireland, a pioneering collection of original essays by leading naturalists, science writers, and cultural historians who bring us from the geological prehistory of Ireland to the environmental threats of the late twentieth century.

The New Yorker contributor’s fascinating account of Irish history from legendary kings to occupation, independence, and modern political strife. The author of The Soong Sisters and China to Me turns her observant and discerning eye to the oft‐troubled land of Ireland. In a magisterial combination of historical research and keen personal observation on the scene, Emily Hahn gives us a view of the whole of Ireland and its history, from the legends of the great kings and the heroes of myth to the Saint who converted Ireland to Christianity many centuries ago to modern times. She details the trials and tribulations of a conquered people as they rebel against their exploiters and fight and die for independence, eventually achieving their goal but only at the price of a bitter partition that haunts the country to this day. Hahn’s breadth of vision and acute sense of the telling detail paints the big picture while also pinpointing the small but important moments. Perhaps the subtitle manages to encapsulate it all: Ireland, Its Legends, Its History, Its People from St. Patrick to Bernadette Devlin.