This 1892 work was among the first novels published by an African-American woman. Its striking portrait of life during the Civil War and Reconstruction recounts a mixed-race woman's devotion to uplifting the black community.

"Frances Ellen Watkins Harper (1825-1911) was the most important and the most popular black feminist abolitionist writer and activist of the nineteenth century. A Brighter Day Coming, the most comprehensive collection of her works, includes all the poems from Harper's extant original volumes, plus many that have never been collected and one that was discovered in manuscript; speeches; and a selection of prose, including excerpts from the novel Iola Leroy and the serialized novel Fancy Etchings, and a generous group of letters ..."--Back cover.

First published in the year 1912, 'The Autobiography of an Ex-Colored Man' by James Weldon Johnson is the fictional account of a young biracial man, referred to as the "Ex-Colored Man", living in post-Reconstruction era America in the late nineteenth and early twentieth centuries.

In this important study, poet Melba Joyce Boyd analyzes Harper not simply as a feminist and an activist, but as a writer.

An incisive, intersectional essay anthology that celebrates and examines romance and romantic media through the lens of Black readers, writers, and cultural commentators, edited by Book Riot columnist and librarian Jessica Pryde. Romantic love has been one of the most essential elements of storytelling for centuries. But for Black people in the United States and across the diaspora, it hasn't often been easy to find Black romance joyfully showcased in entertainment media. In this collection, revered authors and sparkling newcomers, librarians and academicians, and avid readers and reviewers consider the mirrors and windows into Black love as it is depicted in the novels, television shows, and films that have shaped their own stories. Whether personal reflection or cultural commentary, these essays delve into Black love now and in the past, including topics from the history of Black romance to social justice and the Black community to the meaning of desire and desirability. Exploring the multifaceted ways love is seen—and the ways it isn't—this diverse array of Black voices collectively shines a light on the power of crafting happy endings for Black lovers. Jessica Pryde is joined by Carole V. Bell, Sarah Hannah Gomez, Jasmine Guillory, Da’Shaun Harrison, Margo Hendricks, Adriana Herrera, Piper Huguley, Kosoko Jackson, Nicole M. Jackson, Beverly Jenkins, Christina C. Jones, Julie Moody-Freeman, and Allie Parker in this collection.

Reproduction of the original: Minnie's Sacrifice by Frances E.W Harper

The Complete Frances Harper (2021) is a collection of writing by Frances Ellen Watkins Harper. Harper, the first African American woman to publish a novel, gained a reputation as a popular poet and impassioned abolitionist in the decades leading up to the American Civil War. Much of her work was rediscovered in the twentieth century and preserved for its significance to some of the leading social movements of the nineteenth century, including temperance, abolition, and women’s suffrage. As an artist for whom the personal was always political, Frances Harper served in a leadership role at the Women’s Christian Temperance Union and worked to establish the National Association of Colored Women, serving for a time as vice president of the organization. Included in this volume are her early poetry volumes, such as Forest Leaves (1845) and Poems on Miscellaneous Subjects (1854). In “Bury Me in Free Land,” an influential poem published in an 1858 edition of abolitionist newspaper The Anti-Slavery Bugle, Harper expresses her commitment to the cause of freedom in life or death terms: “I ask no monument, proud and high, / To arrest the gaze of the passers-by; / All that my yearning spirit craves, / Is bury me not in a land of slaves.” She reflects on the theme of freedom throughout her body of work, often examining her own identity or experiences as a free Black woman alongside the lives of her enslaved countrymen. The Complete Frances Harper also includes her four groundbreaking novels. Minnie’s Sacrifice (1869), originally serialized in the Christian Recorder, addresses such themes as miscegenation, passing, and the institutionalized rape of enslaved women using the story of Moses as inspiration. Sowing and Reaping (1876) is a novel concerned with the cause of temperance in a time when Black families were frequently torn apart by alcoholism. Trial and Triumph (1888-1889) is a politically conscious novel concerned with an African American community doing its best to overcome hardship with love and solidarity. Iola Leroy, or Shadows Uplifted (1892) is a story of liberation set during the American Civil War that deals with such themes as abolition, miscegenation, and passing. In these novels, poems, speeches from across her lengthy career as an artist and activist, Harper not only dedicates herself to her suffering people, but imagines a time “When men of diverse sects and creeds / Are clasping hand in hand.” With a beautifully designed cover and professionally typeset manuscript, this edition of The Complete Frances Harper is a classic of African American literature reimagined for modern readers.