Invocational Media critiques the sociotechnical power of digital technologies by introducing the concept of invocational media. What is an invocation? Ask your voice assistant and it will define it for you. It is a media artefact that responds to many invocations such as seeking the weather forecast, requesting any song you can name, or turning on the lights, almost magically. This contemporary manifestation of the ancient practice of invocation gives an immediate response to your call in a way that Chris Chesher argues is the characteristic power of all computers, which he redefines as invocational media. This book challenges the foundations of computer science by offering invocation as a powerful new way of conceptualising digital technologies. Drawing on media philosophy, Deleuze, Guattari, Heidegger, Latour, Austin, Innis and McLuhan, it critiques the representationalism of data processing, artificial intelligence and virtual reality. Invocational media seem to empower individuals, but necessarily subject users to corporate and government monopolies of invocation. They offer many 'solutions', but only by reducing everything to the same kind of act. They complicate agency in their indifference as to whether invokers are human or non-human. With robotics they invoke material form to act physically and autonomously. People willingly make themselves invocable to surveillance and control by creating their own profiles and marking themselves with biometrics. This ground-breaking book will change how you think about digital media by showing they are, in fact, invocational media.

Invocational Media critiques the sociotechnical power of digital technologies by introducing the concept of invocational media. What is an invocation? Ask your voice assistant and it will define it for you. It is a media artefact that responds to many invocations such as seeking the weather forecast, requesting any song you can name, or turning on the lights, almost magically. This contemporary manifestation of the ancient practice of invocation gives an immediate response to your call in a way that Chris Chesher argues is the characteristic power of all computers, which he redefines as invocational media. This book challenges the foundations of computer science by offering invocation as a powerful new way of conceptualising digital technologies. Drawing on media philosophy, Deleuze, Guattari, Heidegger, Latour, Austin, Innis and McLuhan, it critiques the representationalism of data processing, artificial intelligence and virtual reality. Invocational media seem to empower individuals, but necessarily subject users to corporate and government monopolies of invocation. They offer many 'solutions', but only by reducing everything to the same kind of act. They complicate agency in their indifference as to whether invokers are human or non-human. With robotics they invoke material form to act physically and autonomously. People willingly make themselves invocable to surveillance and control by creating their own profiles and marking themselves with biometrics. This ground-breaking book will change how you think about digital media by showing they are, in fact, invocational media.

"This book critiques the sociotechnical power of digital technologies by introducing the concept of invocational media"--

It Undertakes Re-Readings Of The Past Debates, And Anticipations Of The Future Ones, To Arrive At Assessments That Suggest Soberiety And A Cool Consideration Of The Cold Touch Of The Machine, As Well As The Heat Of The Fuel That Animates It. It Examines Blueprints And Reads The Road Maps To The Future That Lie Before Us.

Virtual Politics is a critical overview of the new - digital - body politic, with new technologies framing the discussion of key themes in social theory. This book shows how these new technologies are altering the nature of identity and agency, the relation of self to other, and the structure of community and political representation.

Offers the first look at the aesthetics of contemporary design from the theoretical perspectives of media theory and 'software studies'.

Technologies of Magic charts curious territory - a place occupied by both machines and magic. This collection of essays investigates the co-existence of very old forms of thought - belief in ghosts, magic, spirits - and contemporary culture. Refracted through highly technologised societies, magic manifests itself in surprising ways and through a diverse range of practices. Apprehension of the magical - in the world of machines - can give rise to a feeling of uncanny unease. These essays show that ultimately this produces another way of thinking about technology in contemporary culture.