Finalist for the 2017 Foreword INDIES Book of the Year Award in the Religion category Invisible Hosts explores how the central tenets of Spiritualism influenced ways in which women conceived of their bodies and their civic responsibilities, arguing that Spiritualist ideologies helped to lay the foundation for the social and political advances made by women in the late nineteenth and early twentieth centuries. As public figures, female spirit mediums of the Victorian era were often accused of unfeminine (and therefore transgressive) behavior. A rhetorical analysis of nineteenth-century spirit mediums' autobiographies reveals how these women convinced readers of their authenticity both as respectable women and as psychics. The author argues that these women's autobiographies reflect an attempt to emulate feminine virtues even as their interpretation and performance of these virtues helped to transform prevailing gender stereotypes. She demonstrates that the social performance central to the production of women's autobiography is uniquely complicated by Spiritualist ideology. Such complications reveal new information about how women represented themselves, gained agency, and renegotiated nineteenth-century gender roles.

A beautifully designed guidebook to the unnoticed yet essential elements of our cities, from the creators of the wildly popular 99% Invisible podcast

Guests at a New Orleans party face a mysterious and deadly host in the widely suspected inspiration for Agatha Christie’s And Then There Were None. When eight guests arrive for a party at a luxurious New Orleans penthouse, their unknown host is nowhere to be found. Then, speaking to them through radio broadcast, he informs them of the evening’s chilling theme: every hour, one of them will die. As the host’s prophecy comes horribly true, the dwindling band of survivors grows desperate to escape their fate. To discover their tormentor’s identity, they must each reveal their darkest secrets and find the common thread—but confessions may not be enough when they realize that one of them may be the killer. First published in 1930, this classic mystery was adapted into the Hollywood film, The Ninth Guest. It bears a striking resemblance to Agatha Christie’s bestseller And Then There Were None—which appeared nearly a decade later.