Explores the problems for studying art and religion in Eurasia arising from ancestral, colonial and post-colonial biases in historiography.

A biography of Bryan Faussett, F.S.A., (1720-1776), pioneering Kent genealogist, archaeologist and antiquary who, at his death, had amassed the world’s greatest collection of Anglo-Saxon jewellery and antiquities.

The legendary Greek figure Orpheus was said to have possessed magical powers capable of moving all living and inanimate things through the sound of his lyre and voice. Over time, the Orphic theme has come to indicate the power of music to unsettle, subvert, and ultimately bring down oppressive realities in order to liberate the soul and expand human life without limits. The liberating effect of music has been a particularly important theme in twentieth-century African American literature. The nine original essays in Black Orpheus examines the Orphic theme in the fiction of such African American writers as Jean Toomer, Langston Hughes, Claude McKay, James Baldwin, Nathaniel Mackey, Sherley Anne Williams, Ann Petry, Ntozake Shange, Alice Walker, Gayl Jones, and Toni Morrison. The authors discussed in this volume depict music as a mystical, shamanistic, and spiritual power that can miraculously transform the realities of the soul and of the world. Here, the musician uses his or her music as a weapon to shield and protect his or her spirituality. Written by scholars of English, music, women's studies, American studies, cultural theory, and black and Africana studies, the essays in this interdisciplinary collection ultimately explore the thematic, linguistic structural presence of music in twentieth-century African American fiction.

Archaeological investigations by MOLA on land adjacent to Upthorpe Road, Stanton (2013-2014), revealed the remains of a prehistoric round barrow and a cemetery containing the remains of 67 inhumations with associated grave goods. This book provides detailed analysis of the archaeological features, skeletal assemblage and other artefacts.

This themed volume contains 28 papers by leading authorities on numismatics and monetary history. It covers a variety of topics concerning the design, use and circulation of coinage in northern Europe in the late fifth to early thirteenth centuries.