Argues that the "axis of evil" label applied by Bush in his 2002 State of the Union address is illusory, challenging current beliefs and fear-mongering practices with historical and political information about each targeted nation. Reprint.

Depicted as an insular and forbidding police state with an "insane" dictator at its helm, North Korea—charter member of Bush's "Axis of Evil"—is a country the U.S. loves to hate. Now the CIA says it possesses nuclear, chemical, and biological weapons, as well as long-range missiles capable of delivering them to America's West Coast. But, as Bruce Cumings demonstrates in this provocative, lively read, the story of the U.S.-Korea conflict is more complex than our leaders or our news media would have us believe. Drawing on his extensive knowledge of Korea, and on declassified government reports, Cumings traces that story, from the brutal Korean War to the present crisis. Harboring no illusions regarding the totalitarian Kim Jong Il regime, Cumings nonetheless insists on a more nuanced approach. The result is both a counter-narrative to the official U.S. and North Korean versions and a fascinating portrayal of North Korea, a country that suffers through foreign invasions, natural disasters, and its own internal contradictions, yet somehow continues to survive.

An “absorbing” account of the CIA’s 1953 coup in Iran—essential reading for anyone concerned about Iran’s role in the world today (Harper’s Magazine). In August 1953, the Central Intelligence Agency orchestrated the swift overthrow of Iran’s democratically elected leader and installed Muhammad Reza Shah Pahlavi in his place. When the 1979 Iranian Revolution deposed the shah and replaced his puppet government with a radical Islamic republic under Ayatollah Ruhollah Khomeini, the shift reverberated throughout the Middle East and the world, casting a long, dark shadow over United States-Iran relations that extends to the present day. In this authoritative new history of the coup and its aftermath, noted Iran scholar Ervand Abrahamian uncovers little-known documents that challenge conventional interpretations and sheds new light on how the American role in the coup influenced diplomatic relations between the two countries, past and present. Drawing from the hitherto closed archives of British Petroleum, the Foreign Office, and the US State Department, as well as from Iranian memoirs and published interviews, Abrahamian’s riveting account of this key historical event will change America’s understanding of a crucial turning point in modern United States-Iranian relations. A Choice Outstanding Academic Title “Not only is this book important because of its presentation of history. It is also important because it might be predicting the future.” —Counterpunch “Subtle, lucid, and well-proportioned.” —The Spectator “A valuable corrective to previous work and an important contribution to Iranian history.” —American Historical Review

Award-winning journalist Bob Woodward has spent over thirty years in Washington's corridors of power. In All the President's Men it was he, together with Carl Bernstein, who exposed the Watergate scandal and he has been giving us a privileged front-row seat to White-House intrigue and decision-making ever since. With PLAN OF ATTACK he brings his investigative skills to bear on the administration of George W. Bush, and the build-up to war in Iraq. What emerges is a fascinating and intimate portrait of the leading powers in Bush's war council and their allies overseas as they prepare their pre-emptive attack and change the course of history.

A groundbreaking critique of the West's historical, cultural, and political perceptions of the East that is—three decades after its first publication—one of the most important books written about our divided world. "Intellectual history on a high order ... and very exciting." —The New York Times In this wide-ranging, intellectually vigorous study, Said traces the origins of "orientalism" to the centuries-long period during which Europe dominated the Middle and Near East and, from its position of power, defined "the orient" simply as "other than" the occident. This entrenched view continues to dominate western ideas and, because it does not allow the East to represent itself, prevents true understanding.

As the cold war took shape during the late 1940s, policymakers in the United States and Great Britain displayed a marked tendency to regard international communism as a "monolithic" conspiratorial movement. The image of a "communist monolith" distilled the messy realities of international relations into a neat, comprehensible formula. Its lesson was that all communists, regardless of their native land or political program, were essentially tools of the Kremlin. Marc Selverstone recreates the manner in which the "monolith" emerged as a perpetual framework on both sides of the Atlantic. Though more pervasive and millennial in its American guise, this understanding also informed conceptions of international communism in its close ally Great Britain, casting the Kremlin's challenge as but one more in a long line of threats to freedom. This illuminating and important book not only explains the cold war mindset that determined global policy for much of the twentieth century, but reveals how the search to define a foreign threat can shape the ways in which that threat is actually met.

Dorothie and Martin Hellman reveal the secrets that allowed them to transform an almost failed marriage into one where they reclaimed the true love that they felt when they first met fifty years ago. Surprisingly, they found that working on interpersonal and international challenges at the same time accelerated progress on both.

A landmark history of one hundred years of war waged against the Palestinians from the foremost US historian of the Middle East, told through pivotal events and family history In 1899, Yusuf Diya al-Khalidi, mayor of Jerusalem, alarmed by the Zionist call to create a Jewish national home in Palestine, wrote a letter aimed at Theodore Herzl: the country had an indigenous people who would not easily accept their own displacement. He warned of the perils ahead, ending his note, “in the name of God, let Palestine be left alone.” Thus Rashid Khalidi, al-Khalidi’s great-great-nephew, begins this sweeping history, the first general account of the conflict told from an explicitly Palestinian perspective. Drawing on a wealth of untapped archival materials and the reports of generations of family members—mayors, judges, scholars, diplomats, and journalists—The Hundred Years' War on Palestine upends accepted interpretations of the conflict, which tend, at best, to describe a tragic clash between two peoples with claims to the same territory. Instead, Khalidi traces a hundred years of colonial war on the Palestinians, waged first by the Zionist movement and then Israel, but backed by Britain and the United States, the great powers of the age. He highlights the key episodes in this colonial campaign, from the 1917 Balfour Declaration to the destruction of Palestine in 1948, from Israel’s 1982 invasion of Lebanon to the endless and futile peace process. Original, authoritative, and important, The Hundred Years' War on Palestine is not a chronicle of victimization, nor does it whitewash the mistakes of Palestinian leaders or deny the emergence of national movements on both sides. In reevaluating the forces arrayed against the Palestinians, it offers an illuminating new view of a conflict that continues to this day.

Television has come to play an ever more decisive role in the preparation and planning of war, as well as in its execution. In War and Television Bruce Cumings carefully explores the history of television's relationship to US warmaking since World War II, up to and including its presentation of the carnage in Kuwait and Iraq. Cumings examines Vietnam, long thought to have been the first television war, but finds that characterization more apt for the Gulf conflict which was fought through, packaged by, and sold to the public on television. At the centre of the book is the extraordinary tale of Cumings's own experience as historical consultant to a Thames Television production, Korea: The Unknown War, and his subsequent trials with the Public Broadcasting System when the film was released for North American distribution.