Historians' attempts to understand legendary Confederate General Thomas J. "Stonewall" Jackson have proved uneven at best and often contentious. An occasionally enigmatic and eccentric college professor before the Civil War, Jackson died midway through the conflict, leaving behind no memoirs and relatively few surviving letters or documents. In Inventing Stonewall Jackson, Wallace Hettle offers an innovative and distinctive approach to interpreting Stonewall by examining the lives and agendas of those authors who shape our current understanding of General Jackson. Newspaper reporters, friends, relatives, and fellow soldiers first wrote about Jackson immediately following the Civil War. Most of them, according to Hettle, used portions of their own life stories to frame that of the mythic general. Hettle argues that the legend of Jackson's rise from poverty to power was likely inspired by the rags-to-riches history of his first biographer, Robert Lewis Dabney. Dabney's own successes and Presbyterian beliefs probably shaped his account of Jackson's life as much as any factual research. Many other authors inserted personal values into their stories of Stonewall, perplexing generations of historians and writers. Subsequent biographers contributed their own layers to Jackson's myth and eventually a composite history of the general came to exist in the popular imagination. Later writers, such as the liberal suffragist Mary Johnston, who wrote a novel about Jackson, and the literary critic Allen Tate, who penned a laudatory biography, further shaped Stonewall's myth. As recently as 2003, the film Gods and Generals, which featured Jackson as the key protagonist, affirmed the longevity and power of his image. Impeccable research and nuanced analysis enable Hettle to use American culture and memory to reframe the Stonewall Jackson narrative and provide new ways to understand the long and contended legacy of one of the Civil War's most popular Confederate heroes.

Historians' attempts to understand legendary Confederate General Thomas J. "Stonewall" Jackson have proved uneven at best and often contentious. An occasionally enigmatic and eccentric college professor before the Civil War, Jackson died midway through the conflict, leaving behind no memoirs and relatively few surviving letters or documents. In Inventing Stonewall Jackson, Wallace Hettle offers an innovative and distinctive approach to interpreting Stonewall by examining the lives and agendas of those authors who shape our current understanding of General Jackson. Newspaper reporters, friends, relatives, and fellow soldiers first wrote about Jackson immediately following the Civil War. Most of them, according to Hettle, used portions of their own life stories to frame that of the mythic general. Hettle argues that the legend of Jackson's rise from poverty to power was likely inspired by the rags-to-riches history of his first biographer, Robert Lewis Dabney. Dabney's own successes and Presbyterian beliefs probably shaped his account of Jackson's life as much as any factual research. Many other authors inserted personal values into their stories of Stonewall, perplexing generations of historians and writers. Subsequent biographers contributed their own layers to Jackson's myth and eventually a composite history of the general came to exist in the popular imagination. Later writers, such as the liberal suffragist Mary Johnston, who wrote a novel about Jackson, and the literary critic Allen Tate, who penned a laudatory biography, further shaped Stonewall's myth. As recently as 2003, the film Gods and Generals, which featured Jackson as the key protagonist, affirmed the longevity and power of his image. Impeccable research and nuanced analysis enable Hettle to use American culture and memory to reframe the Stonewall Jackson narrative and provide new ways to understand the long and contended legacy of one of the Civil War's most popular Confederate heroes.

Finalist for the National Book Critics Circle Award, the epic New York Times bestselling account of how Civil War general Thomas “Stonewall” Jackson became a great and tragic national hero. Stonewall Jackson has long been a figure of legend and romance. As much as any person in the Confederate pantheon—even Robert E. Lee—he embodies the romantic Southern notion of the virtuous lost cause. Jackson is also considered, without argument, one of our country’s greatest military figures. In April 1862, however, he was merely another Confederate general in an army fighting what seemed to be a losing cause. But by June he had engineered perhaps the greatest military campaign in American history and was one of the most famous men in the Western world. Jackson’s strategic innovations shattered the conventional wisdom of how war was waged; he was so far ahead of his time that his techniques would be studied generations into the future. In his “magnificent Rebel Yell…S.C. Gwynne brings Jackson ferociously to life” (New York Newsday) in a swiftly vivid narrative that is rich with battle lore, biographical detail, and intense conflict among historical figures. Gwynne delves deep into Jackson’s private life and traces Jackson’s brilliant twenty-four-month career in the Civil War, the period that encompasses his rise from obscurity to fame and legend; his stunning effect on the course of the war itself; and his tragic death, which caused both North and South to grieve the loss of a remarkable American hero.

When hurricanes, earthquakes, wildfires, and other disasters strike, we count our losses, search for causes, commiserate with victims, and initiate relief efforts. Amply illustrated and expansively researched, Inventing Disaster explains the origins and development of this predictable, even ritualized, culture of calamity over three centuries, exploring its roots in the revolutions in science, information, and emotion that were part of the Age of Enlightenment in Europe and America. Beginning with the collapse of the early seventeenth-century Jamestown colony, ending with the deadly Johnstown flood of 1889, and highlighting fires, epidemics, earthquakes, and exploding steamboats along the way, Cynthia A. Kierner tells horrific stories of culturally significant calamities and their victims and charts efforts to explain, prevent, and relieve disaster-related losses. Although how we interpret and respond to disasters has changed in some ways since the nineteenth century, Kierner demonstrates that, for better or worse, the intellectual, economic, and political environments of earlier eras forged our own twenty-first-century approach to disaster, shaping the stories we tell, the precautions we ponder, and the remedies we prescribe for disaster-ravaged communities.

Too often, Wallace Hettle points out, studies of politics in the nineteenth-century South reinforce a view of the Democratic Party that is frozen in time on the eve of Fort Sumter--a deceptively high point of white racial solidarity. Avoiding such a "Civil War synthesis," The Peculiar Democracy illuminates the link between the Jacksonian political culture that dominated antebellum debate and the notorious infighting of the Confederacy. Hettle shows that war was the greatest test of populist Democratic Party rhetoric that emphasized the shared interests of white men, slaveholder and nonslaveholder alike. The Peculiar Democracy analyzes antebellum politics in terms of the connections between slavery, manhood, and the legacies of Jefferson and Jackson. It then looks at the secession crisis through the anxieties felt by Democratic politicians who claimed concern for the interests of both slaveholders and nonslaveholders. At the heart of the book is a collective biography of five individuals whose stories highlight the limitations of democratic political culture in a society dominated by the "peculiar institution." Through narratives informed by recent scholarship on gender, honor, class, and the law, Hettle profiles South Carolina's Francis W. Pickens, Georgia's Joseph Brown, Alabama's Jeremiah Clemens, Virginia's John Rutherfoord, and Mississippi's Jefferson Davis. The Civil War stories presented in The Peculiar Democracy illuminate the political and sometimes personal tragedy of men torn between a political culture based on egalitarian rhetoric and the wartime imperatives to defend slavery.

From the master of alternate history comes an epic of the second Civil War. It was an epoch of glory and success, of disaster and despair. . . . 1881: A generation after the South won the Civil War, America writhed once more in the bloody throes of battle. Furious over the annexation of key Mexican territory, the United States declared total war against the Confederate States of America in 1881. But this was a new kind of war, fought on a lawless frontier where the blue and gray battled not only each other but the Apache, the outlaw, the French, and the English. As Confederate General Stonewall Jackson again demonstrated his military expertise, the North struggled to find a leader who could prove his equal. In the Second War Between the States, the times, the stakes, and the battle lines had changed--and so would history. . .

The study of Confederate troops, generals, and politicians during the Civil War often overshadows the history of noncombatants—slave and free, male and female, rich and poor—threatening obscurity for important voices of the period. Although civilians comprised the vast majority of those affected by the conflict, even the number of civilian casualties over the course of the Civil War remains unknown. Wallace Hettle’s The Confederate Homefront provides a sample of the enormous documentary record on the domestic population of the Confederate states, offering a glimpse of what it was like to live through a brutal war fought almost entirely on southern soil. The Confederate Homefront collects excerpts from slave narratives, poems, diaries and journals, along with brief introductions that examine the circumstances and biases of each source. Bearing witness to the lives of marginalized groups, narratives by women navigating complex webs of loyalties and former slaves resisting and escaping the Confederacy feature prominently. Hettle also focuses on lesser-known aspects of the war, such as conscription, draft evasion, and the development of Union military policies that helped bring about the demise of slavery. Reflecting recent work by Civil War historians, Hettle includes numerous documents that focus on the role of Christianity in justifying the Confederacy’s increasingly destructive moral and ideological position in the war. He also examines the guerrilla war on the southern homefront and the plight of black and white refugees, adding new insights into the destructive impact of warfare on the lives of civilians. The first documentary history to foreground the experiences of Confederate civilians, he Confederate Homefront illuminates the overlooked lives of noncombatants in the Civil War and bears witness to the traumatic final years of the institution of American slavery.

An “excellent sports history” (Publishers Weekly) in the tradition of Michael Lewis’s Moneyball, award-winning historian S.C. Gwynne tells the incredible story of how two unknown coaches revolutionized American football at every level, from high school to the NFL. Hal Mumme spent fourteen mostly losing seasons coaching football before inventing a potent passing offense that would soon shock players, delight fans, and terrify opposing coaches. It all began at a tiny, overlooked college called Iowa Wesleyan, where Mumme was head coach and Mike Leach, a lawyer who had never played college football, was hired as his offensive line coach. In the cornfields of Iowa these two mad inventors, drawn together by a shared disregard for conventionalism and a love for Jimmy Buffett, began to engineer the purest, most extreme passing game in the 145-year history of football. Implementing their “Air Raid” offense, their teams—at Iowa Wesleyan and later at Valdosta State and the University of Kentucky—played blazingly fast—faster than any team ever had before, and they routinely beat teams with far more talented athletes. And Mumme and Leach did it all without even a playbook. “A superb treat for all gridiron fans” (Kirkus Reviews, starred review), The Perfect Pass S.C. Gwynne explores Mumme’s leading role in changing football from a run-dominated sport to a pass-dominated one, the game that tens of millions of Americans now watch every fall weekend. Whether you’re a casual or ravenous football fan, this is “a rousing tale of innovation” (Booklist), and “Gwynne’s book ably relates the story of that innovation and the successes of the man who devised it” (New York Journal of Books).

Around 1785, a woman was taken from her home in Senegambia and sent to Saint-Domingue in the Caribbean. Those who enslaved her there named her Rosalie. Her later efforts to escape slavery were the beginning of a family's quest, across five generations and three continents, for lives of dignity and equality. Freedom Papers sets the saga of Rosalie and her descendants against the background of three great antiracist struggles of the nineteenth century: the Haitian Revolution, the French Revolution of 1848, and the Civil War and Reconstruction in the United States. Freed during the Haitian Revolution, Rosalie and her daughter Elisabeth fled to Cuba in 1803. A few years later, Elisabeth departed for New Orleans, where she married a carpenter, Jacques Tinchant. In the 1830s, with tension rising against free persons of color, they left for France. Subsequent generations of Tinchants fought in the Union Army, argued for equal rights at Louisiana's state constitutional convention, and created a transatlantic tobacco network that turned their Creole past into a commercial asset. Yet the fragility of freedom and security became clear when, a century later, Rosalie's great-great-granddaughter Marie-José was arrested by Nazi forces occupying Belgium. Freedom Papers follows the Tinchants as each generation tries to use the power and legitimacy of documents to help secure freedom and respect. The strategies they used to overcome the constraints of slavery, war, and colonialism suggest the contours of the lives of people of color across the Atlantic world during this turbulent epoch.

The first comprehensive history of the fabled Confederate battle cry from its origins and myths through its use in American popular culture No aspect of Civil War military lore has received less scholarly attention than the battle cry of the Southern soldier. In The Rebel Yell, Craig A. Warren brings together soldiers' memoirs, little-known articles, and recordings to create a fascinating and exhaustive exploration of the facts and myths about the “Southern screech.” Through close readings of numerous accounts, Warren demonstrates that the Rebel yell was not a single, unchanging call, but rather it varied from place to place, evolved over time, and expressed nuanced shades of emotion. A multifunctional act, the flexible Rebel yell was immediately recognizable to friends and foes but acquired new forms and purposes as the epic struggle wore on. A Confederate regiment might deliver the yell in harrowing unison to taunt Union troops across the empty spaces of a battlefield. At other times, individual soldiers would call out solo or in call-and-response fashion to communicate with or secure the perimeters of their camps. The Rebel yell could embody unity and valor, but could also become the voice of racism and hatred. Perhaps most surprising, The Rebel Yell reveals that from Reconstruction through the first half of the twentieth century, the Rebel yell—even more than the Confederate battle flag—served as the most prominent and potent symbol of white Southern defiance of Federal authority. With regard to the late-twentieth and early twenty-first centuries, Warren shows that the yell has served the needs of people the world over: soldiers and civilians, politicians and musicians, re-enactors and humorists, artists and businessmen. Warren dismantles popular assumptions about the Rebel yell as well as the notion that the yell was ever “lost to history.” Both scholarly and accessible, The Rebel Yell contributes to our knowledge of Civil War history and public memory. It shows the centrality of voice and sound to any reckoning of Southern culture.