Inventing Peace revolves around the question of how we look at the world, but do not see it when there is so much war, injustice, suffering and violence. What are the ethical and moral consequences of looking, but not seeing, and, most of all, what has become of the notion of peace in all this? In the form of a written dialogue, Wim Wenders and Mary Zournazi consider this question as one of the fundamental issues of our times as well as the need to reinvent a visual and moral language for peace. Inspired by various cinematic, philosophical, literary and artistic examples, Wenders and Zournazi reflect on the need for a change of perception in the everyday as well as in the creation of images. In its unique style and method, Inventing Peace demonstrates an approach to peace through sacred, ethical and spiritual means, to provide an alternative to the inhumanity of war and violence. Their book might help to make peace visible and tangible in new and unforeseen ways.

Inventing Peace revolves around the question of how we look at the world, but do not see it when there is so much war, injustice, suffering and violence. What are the ethical and moral consequences of looking, but not seeing, and, most of all, what has become of the notion of peace in all this? In the form of a written dialogue, Wim Wenders and Mary Zournazi consider this question as one of the fundamental issues of our times as well as the need to reinvent a visual and moral language for peace. Inspired by various cinematic, philosophical, literary and artistic examples, Wenders and Zournazi reflect on the need for a change of perception in the everyday as well as in the creation of images. In its unique style and method, Inventing Peace demonstrates an approach to peace through sacred, ethical and spiritual means, to provide an alternative to the inhumanity of war and violence. Their book might help to make peace visible and tangible in new and unforeseen ways.

Inventing Peace revolves around the question of how we look at the world, but do not see it when there is so much war, injustice, suffering and violence. What are the ethical and moral consequences of looking, but not seeing, and, most of all, what has become of the notion of peace in all this? In the form of a written dialogue, Wim Wenders and Mary Zournazi consider this question as one of the fundamental issues of our times as well as the need to reinvent a visual and moral language for peace. Inspired by various cinematic, philosophical, literary and artistic examples, Wenders and Zournazi reflect on the need for a change of perception in the everyday as well as in the creation of images. In its unique style and method, Inventing Peace demonstrates an approach to peace through sacred, ethical and spiritual means, to provide an alternative to the inhumanity of war and violence. Their book might help to make peace visible and tangible in new and unforeseen ways.

Inventing Peace begins shortly after the author s first round of chemotherapy treatment at the age of 66. Diagnosed with stomach cancer and stage IV lung cancer, he chronicles his experience with a corrupt doctor, as well as the joy he is determined to infuse into each remaining day of his life. This eloquent, thoughtful book also contains his views on subjects ranging from the importance of developing new ideas, the dangers of terrorism, the plight of Syrian children, and the Muslim faith, presenting important arguments regarding Mohammad and his teachings. Despite the weighty topics, Inventing Peace is uplifting and hopeful a testament to the power of positive thinking as the author learns that ecstasy is the essence of life and that the mind is our most powerful weapon in the face of adversity. About the Author The American Caneman a nickname derived from one of the author s business ventures making canes graduated from OSU in 1973 with a master s in science and received his first patent in 1974. As an inventor and engineer, he has received many patents since then and is the owner and founder of three companies. Born in Syria, the Caneman came to America when he was 17 years old, giving him a unique perspective on Mohammad s teachings.

A collection of essays from leading academics about the nature of war and the capacity for peace as applied to human nature.

Peace and Conflict Studies introduces learners to this critical topic via a comprehensive exploration and analysis of 21st-century world events. The text examines current conflicts, explores the important aspects of positive peace, individual violence, nationalism, and terrorism.

Pulitzer Prize­-winning journalist David Halberstam chronicles Washington politics and foreign policy in post­ Cold War America. Evoking the internal conflicts, unchecked egos, and power struggles within the White House, the State Department, and the military, Halberstam shows how the decisions of men who served in the Vietnam War, and those who did not, have shaped America's role in global events. He provides fascinating portraits of those in power—Clinton, Bush, Reagan, Kissinger, James Baker, Dick Cheney, Madeleine Albright, and others—to reveal a stunning view of modern political America.

There are writers who specialize in the strange and others whose genius is to find the strangeness in the familiar, the unexpected meanings in stories we thought we knew. Of that second category, Lawrence Weschler is the master. Witness the pieces in this splendidly disorienting collection, spanning twenty years of his career and the full range of his concerns–which is to say, practically everything. Only Lawrence Weschler could reveal the connections between the twentieth century’s Yugoslav wars and the equally violent Holland in which Vermeer created his luminously serene paintings. In his profile of Roman Polanski, Weschler traces the filmmaker’s symbolic negotiations with his nightmarish childhood during the Holocaust. Here, too, are meditations on artists Ed Kienholz and David Hockney, on the author’s grandfather and daughter, and on the light and earthquakes of his native Los Angeles. Haunting, elegant, and intoxicating, Vermeer in Bosnia awakens awe and wonder at the world around us.

In Inventing America, José Rabasa presents the view that Columbus's historic act was not a discovery, and still less an encounter. Rather, he considers it the beginning of a process of inventing a New World in the sixteenth century European consciousness. The notion of America as a European invention challenges the popular conception of the New World as a natural entity to be discovered or understood, however imperfectly. This book aims to debunk complacency with the historic, geographic, and cartographic rudiments underlying our present picture of the world.