Custer’s Last Stand remains one of the most iconic events in American history and culture. Had Custer prevailed at the Little Bighhorn, the victory would have been noteworthy at the moment, worthy of a few newspaper headlines. In defeat, however tactically inconsequential in the larger conflict, Custer became legend. In Inventing Custer: The Making of an American Legend, Edward Caudill and Paul Ashdown bridge the gap between the Custer who lived and the one we’ve immortalized and mythologized into legend. While too many books about Custer treat the Civil War period only as a prelude to the Little Bighorn, Caudill and Ashdown present him as a product of the Civil War, Reconstruction Era, and the Plains Indian Wars. They explain how Custer became mythic, shaped by the press and changing sentiments toward American Indians, and show the many ways the myth has evolved and will continue to evolve as the United States continues to change.

Spanning countries and centuries, a “how-not-to” guide to leadership that reveals the most maladroit military commanders in history—now in paperback. For this book, fifteen distinguished historians were given a deceptively simple task: identify their choice for the worst military leader in history and then explain why theirs is the worst. From the clueless Conrad von Hötzendorf and George A. Custer to the criminal Baron Roman F. von Ungern-Sternberg and the bungling Garnet Wolseley, this book presents a rogues’ gallery of military incompetents. Rather than merely rehashing biographical details, the contributors take an original and unconventional look at military leadership in a way that appeals to both specialists and general readers alike. While there are plenty of books that analyze the keys to success, The Worst Military Leaders in History offers lessons of failure to avoid. In other words, this book is a “how-not-to” guide to leadership.

“Presents Custer’s Civil War accomplishments in clear and engaging prose, while its ample images and battle maps place unfamiliar readers in the action.” —The Civil War Monitor Through the passage of time, Lt. Col. George Armstrong Custer’s last fight, the Battle of the Little Bighorn in 1876, has come to overshadow the rest of his military career, which had its brilliant beginning in the American Civil War. Plucked from obscurity by Maj. Gen. George McClellan, Custer served as a staff officer through the early stages of the war. His star began to rise in late June, 1863, when he catapulted several grades to brigadier general and was given brigade command. Shortly thereafter, at Gettysburg and Buckland Mills, he led his men—the Wolverines—in some of the heaviest cavalry fighting of the Eastern Theater. At Yellow Tavern, Custer’s assault broke the enemy line, and one of his troopers mortally wounded the legendary Confederate cavalryman, J.E.B. Stuart. At Trevilian Station, his brigade was nearly destroyed. At Third Winchester, he participated in an epic cavalry charge. Elevated to lead the Third Cavalry Division, Custer played a major role at Tom’s Brook and, later, at Appomattox, which ultimately led to the surrender of the Army of Northern Virginia. Historian Daniel T. Davis, a long-time student of George Custer, has spent countless hours walking and studying the battlefields where Custer fought in Virginia, Maryland, and Pennsylvania. In The Most Desperate Acts of Gallantry, he chronicles the Civil War experiences of one of the most recognized individuals to emerge from that tragic chapter in American history. “A fast-paced study, engaging study.” —Journal of the Shenandoah Valley During the Civil War Era

From the hills and valleys of the eastern Confederate states to the sun-drenched plains of Missouri and "Bleeding Kansas," a vicious, clandestine war was fought behind the big-battle clashes of the American Civil War. In the east, John Singleton Mosby became renowned for the daring hit-and-run tactics of his rebel horsemen. Here a relatively civilized war was fought; women and children usually left with a roof over their heads. But along the Kansas-Missouri border it was a far more brutal clash; no quarter given. William Clarke Quantrill and William "Bloody Bill" Anderson became notorious for their savagery.

Published for devotees of the cowboy and the West, American Cowboy covers all aspects of the Western lifestyle, delivering the best in entertainment, personalities, travel, rodeo action, human interest, art, poetry, fashion, food, horsemanship, history, and every other facet of Western culture. With stunning photography and you-are-there reportage, American Cowboy immerses readers in the cowboy life and the magic that is the great American West.

Iron Brigade officer Henry F. Young wrote 155 letters home during the Civil War, enabling readers to witness the war, society, and politics of 1860s America as he did. This honest and occasionally humorous autobiography reveals a rare portrait of a junior officer from America's western heartland.

Thirty-nine short stories originally published between 1952 and 1979, plus one previously unpublished story.

Wild Bill’s ever-evolving legend When it came to the Wild West, the nineteenth-century press rarely let truth get in the way of a good story. James Butler “Wild Bill” Hickok’s story was no exception. Mythologized and sensationalized, Hickok was turned into the deadliest gunfighter of all, a so-called moral killer, a national phenomenon even while he was alive. Rather than attempt to tease truth from fiction, coauthors Paul Ashdown and Edward Caudill investigate the ways in which Hickok embodied the culture of glamorized violence Americans embraced after the Civil War and examine the process of how his story emerged, evolved, and turned into a viral multimedia sensation full of the excitement, danger, and romance of the West. Journalists, the coauthors demonstrate, invented “Wild Bill” Hickok, glorifying him as a civilizer. They inflated his body count and constructed his legend in the midst of an emerging celebrity culture that grew up around penny newspapers. His death by treachery, at a relatively young age, made the story tragic, and dime-store novelists took over where the press left off. Reimagined as entertainment, Hickok’s legend continued to enthrall Americans in literature, on radio, on television, and in the movies, and it still draws tourists to notorious Deadwood, South Dakota. American culture often embraces myths that later become accepted as popular history. By investigating the allure and power of Hickok’s myth, Ashdown and Caudill explain how American journalism and popular culture have shaped the way Civil War–era figures are remembered and reveal how Americans have embraced violence as entertainment.