REVISED EDITION: It is important that dancers begin to contend for the higher calling of God and move past the normal and the ordinary. It

Dancing before the Lord is an integral part of praising God, says dancer and international speaker Aimee Kovacs. In Dancing Into the Anointing you'll learn about the prophetic dance and how dancing was used in worship in the Old Testament. You can also find out how to start a dance team at your church, and much more!

A working guide for students conducting theological writing and research on theology and biblical studies courses, this book integrates the disciplines of writing, rhetoric, and theology, to provide a standard text for the teaching and mentoring of writing across the theological curriculum.As a theological rhetoric, it also encourages excellence in theological writing in the public domain by helping to equip students for their wider vocations as writers, preachers, and communicators in a variety of ministerial and professional contexts. This 2nd Edition includes new chapters on 'Writing Theology in a New Language', which explores the linguistic and cultural challenges of writing theology well in a non-native language, and 'Writing and Learning Theology in an Electronic Age', addressed to distance learning students learning to write theology well from online courses, and dealing with the technologies necessary to do so.

Dance, throughout history, has been an integral part of various cultures, peoples, nations and celebrations. Praise Dance, as a ministry vehicle, is not just dance (by societal definitions) to a specific genre of music. It is not for a set group of persons who studied under a certain dancer or dance style. Nor is it for those who have the most technical abilities or the ability to remember and execute a series of movements on beat and in rhythm. Praise dance, as a ministry grace, is simply an expression of movement used to communicate with God and to communicate God's heart to His people. It is the sight of God's message. It communicates the Gospel of Jesus Christ in a way that may not be received or understood through the hearing of the Gospel. Praise Dance is used to praise, pray, preach, teach, evangelize, prophesy, minister, heal and set the atmosphere to bring forth signs, wonders and miracles. Praise Dance, as a ministry grace, is ministry of God's Word through movement.

PROPHETIC DANCES BRING ANSWERS AND ILLUMINATION! In her latest book, Utterances Unspoken, Kimberly Brown-Phillips, who is a pioneer in worship arts delivers to us a series of powerful insights on prophetic dance. Whether you are a seasoned prophetic dancer or just entering into the prophetic arts, this book will provide prophetically driven revelation based on biblical truths that will move you from glory to glory! ABOUT THE AUTHOR Kimberly Brown-Phillips is a global worship and prophetic arts influencer and educational strategist. As a trained dancer, former worship leader, and executive administrative professional, she uses her background to fuel her missional and apostolic approach to ministry. She is a certified Dance Instructor, certified Life Coach & published author. Kimberly was called into leadership as a young adult and for over 20 years, she has been serving in local churches. In 2000, she founded Christ Center for Dance, a worship & prophetic arts educational organization with students and graduates all around the world. Her ministry is marked by passionate intercessory prayer, prophetic theoretical teaching, and an apostolic intensity. With the love and support of her husband, Kimberly is an example of how God can transform a life that is surrendered to Him.

This revised edition of the popular textbook on worship by renowned hymn writer and professor Ruth C. Duck provides theological foundations for worship and explores the ways Christians have adapted worship to various cultures to help them live faithfully and to communicate the gospel to others. The author celebrates the many languages and cultural settings in which the gospel has been, and is, preached, sung, and prayed. The goal of this volume is to support good pastoral and congregational reflection on what worship is and does. Consequently, Duck discusses many different forms of worship from several cultures (African American, Asian, Euro-American) and offers advice on how to read a congregation and define its culture in order to plan culturally appropriate worship. She includes many practical suggestions for preparing and leading worship, including diverse ministries of music, movement, and visual arts that are becoming more popular today. From worship's theological underpinnings, the book turns to worship leadership, forms of prayer, preaching, the sacraments, ordination, and various other liturgies. Because of its emphasis on vital and Spirit-led worship, this comprehensive book on Christian worship will be used in years to come, not only as a core textbook for seminarians and ministry students from a variety of cultures and traditions but also as a resource for local church pastors and laity who are dedicated to the enlivening of Christian worship. In this new edition, Duck updates and expands the recommended resources, updates the section on worship trends, enhances the section on multicultural worship, and revises marriage information based on cultural and denominational changes. Highlights include stories of four churches that are developing creative ways to grow and meet the possibilities and challenges of these times, especially in seeking justice, serving people in their neighborhood, and building bridges among cultures and religious groups. In addition, a new appendix by David Gambrell addresses the theological and practical questions surrounding online worship in the context of the Covid-19 pandemic and beyond.

Worship sets an assembly in motion movement towards God in response to God's movement towards humans thus creating a resilient and caring community. Worship as Body Language brings the African community's experience of the body and its gestures together with the Christian liturgy, since worship and social action are closely related. The body language" or gestures of praise, adoration, contemplation, ritual dance, and care of the neighbor are meaningful to the ethnic group; African Christians tune into these body motions to express the one Christian faith. In Worship as Body Language, Father Uzukwu details how patterns of African ritual assemblies and sacred narratives have merged with Jewish, gospel, and early Church traditions to create living Christian communities and liturgies. Using a socio-historical method, this book sheds new light on liturgical action and theology, and suggests more transition rituals. It also provides samples of emergent African Christian liturgies that emphasize intense community participation with appropriate gestures. These local liturgies attest to the patristic principle that different customs actually confirm the unity of our faith in Christ. Scholars teaching and researching the foundations of the liturgy and liturgical inculturation, graduate students, and those organizing workshops on the regional, diocesan, or parish level will find Worship as Body Languagea ready handbook on the liturgy. It is also a useful textbook for introducing college students and seminarians to the anthropological, historical, and theological dimensions of the liturgy. Elochukwu E. Uzukwu, CSSp, ThD, lectures in liturgy and African theology in seminaries and Catholic universities in Nigeria, Congo, Zaire, and France. He is the author of Liturgy: Truly Christian, Truly African,and the editor of Bulletin of Ecumenical Theology. "

AN INSTANT #1 NEW YORK TIMES BESTSELLER "A charming, wholehearted love story that's sure to make readers swoon."—Entertainment Weekly "Nicola Yoon writes from the heart in this beautiful love story."—Good Morning America “It’s like an emotional gut punch—so beautiful and also heart-wrenching."—US Weekly In this romantic page-turner from the author of Everything, Everything and The Sun is Also a Star, Evie has the power to see other people’s romantic fates—what will happen when she finally sees her own? Evie Thomas doesn't believe in love anymore. Especially after the strangest thing occurs one otherwise ordinary afternoon: She witnesses a couple kiss and is overcome with a vision of how their romance began . . . and how it will end. After all, even the greatest love stories end with a broken heart, eventually. As Evie tries to understand why this is happening, she finds herself at La Brea Dance Studio, learning to waltz, fox-trot, and tango with a boy named X. X is everything that Evie is not: adventurous, passionate, daring. His philosophy is to say yes to everything--including entering a ballroom dance competition with a girl he's only just met. Falling for X is definitely not what Evie had in mind. If her visions of heartbreak have taught her anything, it's that no one escapes love unscathed. But as she and X dance around and toward each other, Evie is forced to question all she thought she knew about life and love. In the end, is love worth the risk?

Get up out of your seats and praise the Lord through dance! Worship occurs in many ways. Some people worship God through good works. Others worship the Lord through prayer. Many worship the Almighty through singing songs of praise. But more and more people are worshipping God through dance. In Dancing for Joy, Murray Silberling, one of the world's foremost experts on worship dance, uncovers fascinating facts about this biblical form of worship. This "the dancing rabbi," as he is affectionately known in Messianic Jewish circles, brings years of experience in worship dance and teaching worship dance to this book. He offers encouragement to the klutz--the clumsy person--who doesn't think dancing is for him. He also confronts the fallacy that dancing is only for women. He demonstrates how dance has been used through the ages as a way to worship God.