This book is designed to cover one year's work in Hebrew leading up to a full understanding of the language. It has been used by the author with his students for many years and the published text is the result of testing and refining over these years.Every attempt has been made to make the grammar clear and simple. For example, all Hebrew words are transliterated, as well as being given in the original for the first three-quarters of the book. The grammatical discussion is made as unsophisticated as possible for it is the author's intention that this book should also be of use to those who study Hebrew without a teacher.

Upon its publication in 2002, Josef Tropper’s Altäthiopisch: Grammatik des Gəˁəz mit Übungstexten und Glossar was quickly recognized as the best modern grammar of Classical Ethiopic in any language. Now Eisenbrauns makes Tropper’s grammar available for the first time in English, in this revised and expanded edition by Josef Tropper and Rebecca Hasselbach-Andee. Gəˁəz literature is diverse and of major importance for the study of early Christianity, Judaism, and the history of eastern Africa. The language of this rich literature, however, has been difficult to access until now. Designed to help language learners acquire competency with the script from the start, Classical Ethiopic provides a comprehensive treatment of Gəˁəz grammar, with detailed chapters on the language’s writing system, phonology, morphology, morphosyntax, and syntax. Numerous example sentences illustrate the grammatical concepts discussed, and each example is presented in Ethiopic script, transliteration, and English translation. The grammar concludes with an appendix presenting sample texts to be used as exercises, an English-Gəˁəz glossary, and an updated bibliography that takes into account the developments that have occurred in the study of Gəˁəz in the nearly two decades since Tropper’s original publication. Appropriate for the classroom and for independent study, Classical Ethiopic is sure to become the standard reference in English for the study of the language.

Semitic Languages in Contact contains twenty case studies analysing various contact situations involving Semitic languages. The languages treated span from ancient Semitic languages, such as Akkadian, Aramaic, Classical Ethiopic, Hebrew, Phoenician, and Ugaritic, to modern ones, including languages/dialects belonging to the Modern Arabic, Modern South Arabian, Neo-Aramaic, and Neo-Ethiopian branches of the Semitic family. The topics discussed include writing systems, phonology, morphology, syntax, and lexicon. The approaches range from traditional philology to more theoretically-driven linguistics. These diverse studies are united by the theme of language contact. Thus, the volume aims to provide the status quaestionis of the study of language contact among the Semitic languages. With contributions from A. Al-Jallad, A. Al-Manaser, D. Appleyard, S. Boyd, Y. Breuer, M. Bulakh, D. Calabro, E. Cohen, R. Contini, C. J. Crisostomo, L. Edzard, H. Hardy, U. Horesh, O. Jastrow, L. Kahn, J. Lam, M. Neishtadt, M. Oren, P. Pagano, A. D. Rubin, L. Sayahi, J.Tubach, J. P. Vita, and T. Zewi.

A groundbreaking book about the history and principles of Ethiopic (Ge'ez), an African writing system designed as a meaningful and graphic representation of a wide range of knowledge.

A report on the archaeological findings of the Leon Levy Expedition to Ashkelon, focusing on questions of Philistine culture and bringing together research from more than thirty scholars covering all aspects of ancient life in Ashkelon during Iron Age I.

The three Garima Gospels are the earliest surviving Ethiopian gospel books. They provide glimpses of lost late antique luxury gospel books and art of the fifth to seventh centuries, in the Aksumite kingdom of Ethiopia as well as in the Christian East. As this work shows, their artwork is closely related to Syriac, Armenian, Greek, and Georgian gospel books and to the art of late antique (Coptic) Egypt, Nubia, and Himyar (Yemen). Like most gospel manuscripts, the Garima Gospels contain ornately decorated canon tables which function as concordances of the different versions of the same material in the gospels. Analysis of these tables of numbered parallel passages, devised by Eusebius of Caesarea, contributes significantly to our understanding of the early development of the canonical four gospel collection. The origins and meanings of the decorated frames, portraits of the evangelists, Alexandrian circular pavilion, and unique image of the Jerusalem Temple are elucidated. The Garima texts and decoration demonstrate how a distinctive Christian culture developed in Aksumite Ethiopia, while also belonging to the mainstream late antique Mediterranean world. Lavishly illustrated in colour, this volume presents all of the Garima illuminated pages for the first time and extensive comparative material. It will be an essential resource for those studying late antique art and history, Ethiopia, eastern Christianity, New Testament textual criticism, and illuminated books.