IN UNIFORM Her heart's gone AWOL! Ever since Lieutenant Colonel Ryder McGrath broke Major Hope Evans's heart, she's devoted her life to the military. But now a strange mission has thrown Hope and Ryder together again. Something odd is going on at a dismantled-missile site in Arizona. Is the problem a mere figment of Hope's father's imagination or is it something more sinister? Hope and Ryder seem to be the only ones who are worried about it as they race against time and the enemy to prove their suspicions correct. Once again, Ryder and Hope find they're an unbeatable team—and they rekindle the love that never truly died. But is it too late to save what might have been?

This groundbreaking study explores the later lives and late-life writings of more than two dozen British women authors active during the long eighteenth century. Drawing on biographical materials, literary texts, and reception histories, Devoney Looser finds that far from fading into moribund old age, female literary greats such as Anna Letitia Barbauld, Frances Burney, Maria Edgeworth, Catharine Macaulay, Hester Lynch Piozzi, and Jane Porter toiled for decades after they achieved acclaim -- despite seemingly concerted attempts by literary gatekeepers to marginalize their later contributions. Though these remarkable women wrote and published well into old age, Looser sees in their late careers the necessity of choosing among several different paths. These included receding into the background as authors of "classics," adapting to grandmotherly standards of behavior, attempting to reshape masculinized conceptions of aged wisdom, or trying to create entirely new categories for older women writers. In assessing how these writers affected and were affected by the culture in which they lived, and in examining their varied reactions to the prospect of aging, Looser constructs careful portraits of each of her Subjects and explains why many turned toward retrospection in their later works. In illuminating the powerful and often poorly recognized legacy of the British women writers who spurred a marketplace revolution in their earlier years only to find unanticipated barriers to acceptance in later life, Looser opens up new scholarly territory in the burgeoning field of feminist age studies.

The woman who never made a match of her own is making matches for everyone else in this hilarious Regency era comedy of manners. Sophronia Lattimore had her romantic dreams destroyed years ago and is resigned to her role as chaperone for her cousin. Still, she cannot sit idly by when she becomes aware that a gentleman is about to propose to the wrong woman. She sends him an anonymous letter that is soon the talk of the town, particularly when her advice proves to be correct. Her identity is discovered and Sophie, formerly a wallflower, becomes sought after for her “expert” matchmaking skills. One person who seeks her out is the eligible and attractive Sir Edmund Winslow. As Sophie assists Sir Edmund in his pursuit of a wife, she wishes she could recommend herself as his bride. However, she vows to remain uninvolved while aiding him in his search (especially since the gentleman surely does not return her affections). But when her long-lost love and Sir Edmund both seem to be interested in courting her, Sophie can’t figure out if she’s headed for another broken heart­­ or for the altar. How can she be expected to help other people sort out their romantic lives when her own is such a disaster?