Five years ago, Benji Green lost his beloved father, Big Eddie, when his truck crashed into a river. Everyone called it an accident, but Benji knows it was more. Even years later, he's buried in his grief, throwing himself into managing Big Eddie's convenience store in the small-town of Roseland, Oregon. Surrounded by his mother and three aunts, he lives day to day, struggling to keep his head above water. But Roseland is no ordinary place. With ever more frequent dreams of his father's death and waking visions of feathers on the river's surface, Benji finds his definition of reality bending. He thinks himself haunted; by ghosts or memories, he can no longer tell. Not until a man falls from the sky, leaving the burning imprint of wings on the ground, does Benji begin to understand that the world is more mysterious than he ever imagined--and more dangerous. As uncontrollable forces descend on Roseland, they reveal long-hidden truths about friends, family, and the stranger Calliel--a man Benji can no longer live without.

A Newbery Honor Book. “A gripping, compassionate portrayal of a boy’s struggle with conscience” by the bestselling author of My Mother Is Mine (Kirkus Reviews). While on a bike trip, Joel’s best friend Tony drowns while they are swimming in the forbidden, treacherous Vermilion River. Joel is terrified at having to tell of his disobedience and overwhelmed by his feelings of guilt, even though the daring act was Tony’s idea, and Joel didn’t know that Tony couldn’t swim. But Joel’s loving and protective father will help him deal with the tragic aftermath—and understand that we all must live with the choices we make. “A powerful, soul-stirring novel told simply and well.”—Booklist (starred review) “This is a devastating but beautifully written story of a boy’s all-consuming guilt over the role he plays in the death of his best friend . . . Bauer’s honest and gripping novel joins the ranks of such as Katherine Paterson’s Bridge to Terabithia in its handling of these issues.”—Publishers Weekly “Descriptions are vivid, characterization and dialogue natural, and the style taut but unforced. A powerful, moving book.”—School Library Journal

With his stunning debut novel, She's Come Undone, Wally Lamb won the adulation of critics and readers with his mesmerizing tale of one woman's painful yet triumphant journey of self-discovery. Now, this brilliantly talented writer returns with I Know This Much Is True, a heartbreaking and poignant multigenerational saga of the reproductive bonds of destruction and the powerful force of forgiveness. A masterpiece that breathtakingly tells a story of alienation and connection, power and abuse, devastation and renewal--this novel is a contemporary retelling of an ancient Hindu myth. A proud king must confront his demons to achieve salvation. Change yourself, the myth instructs, and you will inhabit a renovated world. When you're the same brother of a schizophrenic identical twin, the tricky thing about saving yourself is the blood it leaves on your bands--the little inconvenience of the look-alike corpse at your feet. And if you're into both survival of the fittest and being your brother's keeper--if you've promised your dying mother--then say so long to sleep and hello to the middle of the night. Grab a book or a beer. Get used to Letterman's gap-toothed smile of the absurd, or the view of the bedroom ceiling, or the influence of random selection. Take it from a godless insomniac. Take it from the uncrazy twin--the guy who beat the biochemical rap. Dominick Birdsey's entire life has been compromised and constricted by anger and fear, by the paranoid schizophrenic twin brother he both deeply loves and resents, and by the past they shared with their adoptive father, Ray, a spit-and-polish ex-Navy man (the five-foot-six-inch sleeping giant who snoozed upstairs weekdays in the spare room and built submarines at night), and their long-suffering mother, Concettina, a timid woman with a harelip that made her shy and self-conscious: She holds a loose fist to her face to cover her defective mouth--her perpetual apology to the world for a birth defect over which she'd had no control. Born in the waning moments of 1949 and the opening minutes of 1950, the twins are physical mirror images who grow into separate yet connected entities: the seemingly strong and protective yet fearful Dominick, his mother's watchful "monkey"; and the seemingly weak and sweet yet noble Thomas, his mother's gentle "bunny." From childhood, Dominick fights for both separation and wholeness--and ultimately self-protection--in a house of fear dominated by Ray, a bully who abuses his power over these stepsons whose biological father is a mystery. I was still afraid of his anger but saw how he punished weakness--pounced on it. Out of self-preservation I hid my fear, Dominick confesses. As for Thomas, he just never knew how to play defense. He just didn't get it. But Dominick's talent for survival comes at an enormous cost, including the breakup of his marriage to the warm, beautiful Dessa, whom he still loves. And it will be put to the ultimate test when Thomas, a Bible-spouting zealot, commits an unthinkable act that threatens the tenuous balance of both his and Dominick's lives. To save himself, Dominick must confront not only the pain of his past but the dark secrets he has locked deep within himself, and the sins of his ancestors--a quest that will lead him beyond the confines of his blue-collar New England town to the volcanic foothills of Sicily 's Mount Etna, where his ambitious and vengefully proud grandfather and a namesake Domenico Tempesta, the sostegno del famiglia, was born. Each of the stories Ma told us about Papa reinforced the message that he was the boss, that he ruled the roost, that what he said went. Searching for answers, Dominick turns to the whispers of the dead, to the pages of his grandfather's handwritten memoir, The History of Domenico Onofrio Tempesta, a Great Man from Humble Beginnings. Rendered with touches of magic realism, Domenico's fablelike tale--in which monkeys enchant and religious statues weep--becomes the old man's confession--an unwitting legacy of contrition that reveals the truth's of Domenico's life, Dominick learns that power, wrongly used, defeats the oppressor as well as the oppressed, and now, picking through the humble shards of his deconstructed life, he will search for the courage and love to forgive, to expiate his and his ancestors' transgressions, and finally to rebuild himself beyond the haunted shadow of his twin. Set against the vivid panoply of twentieth-century America and filled with richly drawn, memorable characters, this deeply moving and thoroughly satisfying novel brings to light humanity's deepest needs and fears, our aloneness, our desire for love and acceptance, our struggle to survive at all costs. Joyous, mystical, and exquisitely written, I Know This Much Is True is an extraordinary reading experience that will leave no reader untouched.

From WILLA Literary Award-winning author Jaimee Wriston comes a novel for fans of Jami Attenberg and Elizabeth Strout about a former model whose undisciplined granddaughter turns her fastidious, controlled life upside down, forcing her to confront what she values. Amelia MacQueen has lost her favorite son, Gavin, to a suspicious drowning, for which her daughter-in-law has been convicted. She’s been awarded temporary custody of Gavin and Cassie's twelve-year-old daughter, Heaven, a name that makes Amelia cringe. Reluctantly, she takes Heaven in, but asks the girl to call her Grandmelia instead of Grandma, a name that doesn't make Amelia feel quite so old. The daughter of drug addicts, who has long been left to her own devices, Heaven does not appreciate her grandmother’s constant critical ministrations, and the pair quickly butt heads. She instead bonds with Uncle Daniel, Amelia's older, agoraphobic son, who never leaves his bedroom. Through the wall between their rooms, Daniel spins Celtic tales for Heaven from the Isle of Skye, where the family's ancestors lived, including fifteen-year-old Maggie, who mysteriously disappeared crossing the Atlantic many years ago. Heaven decides that the best way to deal with bullying at school is to become a siren from one of Uncle Daniels's stories. She sings "drowning songs" in the swim team pool, luring mean girl Bethany Harrison under at the deep end. Then, Amelia comes home one day to find her granddaughter serving Oreos to the cops who picked her up for "snaking" junk food from the neighborhood. As much as Amelia loved Gavin, Heaven is the last thing Amelia would have asked for, but when Heaven goes missing during a dangerous storm one night, Amelia is forced to reexamine her outlook on family. In vivid prose, Jaimee Wriston tells a wry multi-generational tale of redemption, exploring the bonds that make and break a family and the transformative power of storytelling.

Three years ago, Bear McKenna s mother took off for parts unknown with her new boyfriend, leaving Bear to raise his six-year-old brother Tyson, aka the Kid. Somehow they ve muddled through, but since he s totally devoted to the Kid, Bear isn t actually doing much living with a few exceptions, he s retreated from the world, and he s mostly okay with that. Until Otter comes home. Otter is Bear s best friend s older brother, and as they ve done for their whole lives, Bear and Otter crash and collide in ways neither expect. This time, though, there s nowhere to run from the depth of emotion between them. Bear still believes his place is as the Kid s guardian, but he can t help thinking there could be something more for him in the world... something or someone. "

#1 NEW YORK TIMES BESTSELLER GOODREADS CHOICE AWARD WINNER FOR MYSTERY/THRILLER An addictive novel of psychological suspense from the author of #1 New York Times bestseller and global phenomenon The Girl on the Train and A Slow Fire Burning. “Hawkins is at the forefront of a group of female authors . . who have reinvigorated the literary suspense novel by tapping a rich vein of psychological menace and social unease… there’s a certain solace to a dark escape, in the promise of submerged truths coming to light.” —Vogue A single mother turns up dead at the bottom of the river that runs through town. Earlier in the summer, a vulnerable teenage girl met the same fate. They are not the first women lost to these dark waters, but their deaths disturb the river and its history, dredging up secrets long submerged. Left behind is a lonely fifteen-year-old girl. Parentless and friendless, she now finds herself in the care of her mother's sister, a fearful stranger who has been dragged back to the place she deliberately ran from—a place to which she vowed she'd never return. With the same propulsive writing and acute understanding of human instincts that captivated millions of readers around the world in her explosive debut thriller, The Girl on the Train, Paula Hawkins delivers an urgent, twisting, deeply satisfying read that hinges on the deceptiveness of emotion and memory, as well as the devastating ways that the past can reach a long arm into the present. Beware a calm surface—you never know what lies beneath.

Abandon dead, dry, religious rule-keeping and embrace the promise of being truly known and deeply loved. Jefferson Bethke burst into the cultural conversation with a passionate, provocative poem titled "Why I Hate Religion, But Love Jesus." The 4-minute video became an overnight sensation, with 7 million YouTube views in its first 48 hours (and 23+ million in a year). Bethke's message clearly struck a chord with believers and nonbelievers alike, triggering an avalanche of responses running the gamut from encouraged to enraged. In his New York Times bestseller Jesus > Religion, Bethke unpacks similar contrasts that he drew in the poem--highlighting the difference between teeth gritting and grace, law and love, performance and peace, despair, and hope. With refreshing candor, he delves into the motivation behind his message, beginning with the unvarnished tale of his own plunge from the pinnacle of a works-based, fake-smile existence that sapped his strength and led him down a path of destructive behavior. Along the way, Bethke gives you the tools you need to: Humbly and prayerfully open your mind Understand Jesus for all that he is View the church from a brand-new perspective Bethke is quick to acknowledge that he's not a pastor or theologian, but simply an ordinary, twenty-something who cried out for a life greater than the one for which he had settled. On this journey, Bethke discovered the real Jesus, who beckoned him with love beyond the props of false religion. Praise for Jesus > Religion: "Jeff's book will make you stop and listen to a voice in your heart that may have been drowned out by the noise of religion. Listen to that voice, then follow it--right to the feet of Jesus." --Bob Goff, author of New York Times bestsellers Love Does and Everybody, Always "The book you hold in your hands is Donald Miller's Blue Like Jazz meets C. S. Lewis's Mere Christianity meets Augustine's Confessions. This book is going to awaken an entire generation to Jesus and His grace." --Derwin L. Gray, lead pastor of Transformation Church, author of Limitless Life: Breaking Free from the Labels That Hold You Back

To the River is the story of the Ouse, the Sussex river in which Virginia Woolf drowned in 1941. One idyllic, midsummer week over sixty years later, Olivia Laing walked. Woolf's river from source to sea. The result is a passionate investigation into how history resides in a landscape and how ghosts never quite leave the place they love.

When Sheriff Bree Taggert discovers the body of a young woman floating near the bank of the Scarlet River, a note in her abandoned car suggests suicide. The autopsy reveals a different story. Holly Thorpe was dead long before she dropped off the bridge and hit the water.

When a corpse is found in a body of water, authorities generally presume that the manner of death was either an accident or a suicide. They do not treat the recovery site as a potential crime scene or homicide, so many cases remain unsolved. Case Studies in Drowning Forensics investigates the cases of 13 bodies recovered from water in similar circumstances and one survivor. The product of intensive field investigation and archival research, this is the first book that presents and explains forensic autopsy evidence associated with the "Smiley Face" murders. Each chapter begins with background information on the victim in the case and discusses when and where the victim was last seen and how the body was recovered. This is followed by in-depth analysis of the evidence found and the peculiarities of each case. Gannon and Gilbertson challenge authorities’ determinations regarding cause and manner of death by critically examining autopsy, toxicology, and law enforcement reports and photographs. They also reveal evidence not previously made public—including search efforts, cell phone records, GPS data, and additional drug tests. Building on each successive case study, they explain relationships among postmortem artifacts in a graphic format. Presenting the inside truth on the circumstances and the evidence, the book enables readers to determine for themselves whether the deaths of these young men were accidents or homicides.