An examination of the promise and peril of digital communication technologies.

In science and technology, the images used to depict ideas, data, and reactions can be as striking and explosive as the concepts and processes they embody—both works of art and generative forces in their own right. Drawing on a close dialogue between the histories of art, science, and technology, The Technical Image explores these images not as mere illustrations or examples, but as productive agents and distinctive, multilayered elements of the process of generating knowledge. Using beautifully reproduced visuals, this book not only reveals how scientific images play a constructive role in shaping the findings and insights they illustrate, but also—however mechanical or detached from individual researchers’ choices their appearances may be—how they come to embody the styles of a period, a mindset, a research collective, or a device. Opening with a set of key questions about artistic representation in science, technology, and medicine, The Technical Image then investigates historical case studies focusing on specific images, such as James Watson’s models of genes, drawings of Darwin’s finches, and images of early modern musical automata. These case studies in turn are used to illustrate broad themes ranging from “Digital Images” to “Objectivity and Evidence” and to define and elaborate upon fundamental terms in the field. Taken as a whole, this collection will provide analytical tools for the interpretation and application of scientific and technological imagery.

With a fleet of telescopes in space and giant observatories on the ground, professional astronomers produce hundreds of spectacular images of space every year. These colorful pictures have become infused into popular culture; we find them on billboards, in commercials, and on our computers. But they also invite questions: Is this what outer space really looks like? Are the colors real? How are these images made? "Coloring the Universe" uses accessible language to describe how these giant telescopes work, what scientists learn with them, and how they are used to make color images. Both informative and beautiful, this book is filled with brilliant images of deep space as well as an insider s perspective by the people who make them."

Presents an overview of the Hubble Space Telescope, describing its initial launch in 1990 and impact on our understanding of the universe, along with some of its latest images of galaxies, stars, planets, and nebulas.

What's Out There draws upon discoveries by the most recent space probes, bringing together more than 150 breathtaking images of the universe - from close-ups of the surface of Mars to the far reaches of space. Structured alphabetically for ease of use, the journey includes highlights such as a volcano on Jupiter's satellite Io, nebulas in Orion's belt, and the birth-pangs and death-throes of the stars. For each topic covered there is concisely accessible expert commentary, and for each photograph a caption with a data box providing key facts.

Using space photographs and scaled maps, demonstrates the actual size of objects in the cosmos, from Buzz Aldrin's historic footprint on the Moon to the entire visible universe, with a gatefold of the Gott-Juric Map of the Universe.

The classic work on the evaluation of city form. What does the city's form actually mean to the people who live there? What can the city planner do to make the city's image more vivid and memorable to the city dweller? To answer these questions, Mr. Lynch, supported by studies of Los Angeles, Boston, and Jersey City, formulates a new criterion—imageability—and shows its potential value as a guide for the building and rebuilding of cities. The wide scope of this study leads to an original and vital method for the evaluation of city form. The architect, the planner, and certainly the city dweller will all want to read this book.

The comic book universe is adventurous, mystifying, and filled with heroes, villains, and cosplaying Comic-Con attendees. This book by one of Wired magazine's art directors traverses the graphic world through a collection of pie charts, bar graphs, timelines, scatter plots, and more. Super Graphic offers readers a unique look at the intricate and sometimes contradictory storylines that weave their way through comic books, and shares advice for navigating the pages of some of the most popular, longest-running, and best-loved comics and graphic novels out there. From a colorful breakdown of the DC Comics reader demographic to a witty Venn diagram of superhero comic tropes and a Chris Ware sadness scale, this book charts the most arbitrary and monumental characters, moments, and equipment of the wide world of comics. Plus, this is the fixed format version, which includes high-resolution images.

"Easy-to-read guide to the universe. Includes information on the planets, and other astrological entities"--

Vilém Flusser (1920-1991) was born in Prague. He emigrated to Brazil, where he taught philosophy and wrote a daily newspaper column in Sao Paulo, then later moved to France. He wrote several books in Portuguese and German. Writings (2004), Into the Universe of Technical Images (2011), and Does Writing Have a Future? (2011) have been published by the University of Minnesota Press, and the Shape of Things, Towards a Philosophy of Photography, and The Freedom of the Migrant have also been translated into English.